"Come Sunday" | |
---|---|
Song | |
Recorded | 1943 |
Songwriter(s) | Duke Ellington |
"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written as a part of the first movement of a suite entitled Black, Brown and Beige . Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie Hall Concerts: January 1943 ). In 1958 he revised the suite and recorded it in its entirety for that year's album titled after the suite. [1] "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity. [2]
Mahalia Jackson was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to the development and spread of gospel blues in black churches throughout the U.S. During a time when racial segregation was pervasive in American society, she met considerable and unexpected success in a recording career, selling an estimated 22 million records and performing in front of integrated and secular audiences in concert halls around the world.
Ray Willis Nance was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills.
Dee Dee Bridgewater is an American jazz singer and actress. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio's syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.
William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register.
Jimmy Hamilton was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra.
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948.
Black, Brown and Beige is an extended jazz work written by Duke Ellington for his first concert at Carnegie Hall, on January 23, 1943. It tells the history of African Americans and was the composer's attempt to transform attitudes about race, elevate American music, specifically jazz, to be seen as on par with classical European music, and challenge America to live up to its founding principles of freedom and equality for all.
Black, Brown and Beige is a 1958 jazz album by Duke Ellington and his orchestra, featuring Mahalia Jackson.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
Britt Woodman was an American jazz trombonist.
Charles McPherson is an American jazz alto saxophonist born in Joplin, Missouri, United States, and raised in Detroit, Michigan, who worked intermittently with Charles Mingus from 1960 to 1974, and as a performer leading his own groups.
"Cotton Tail" is a 1940 composition by Duke Ellington. It is based on the rhythm changes from George Gershwin's "I Got Rhythm". The first Ellington recording is notable for the driving tenor saxophone solo by Ben Webster. Originally an instrumental, "Cotton Tail" later had lyrics written for it by Ellington. Later, more lyrics were written, based on the 1940 recording, by Jon Hendricks, and recorded by Lambert, Hendricks and Ross.
This is the discography of recordings by Duke Ellington, including those nominally led by his sidemen, and his later collaborations with musicians with whom Ellington had generally not previously recorded.
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills.
The Carnegie Hall Concerts: December 1944 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1944 and released on the Prestige label in 1977.
The Carnegie Hall Concerts: January 1943 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1943 and released on the Prestige label in 1977.
Black, Brown, and Beige, subtitled A Duke Ellington Tone Parallel to the American Negro, is a live album of phonograph records by Duke Ellington featuring the suite of the same name in live performance in 1943. Released under the Victor Showpiece designation, the album was the first release of the suite, which has primarily been perceived in retrospect as a botched attempt by Ellington to capture his feelings on race in the United States through music. Consequently, it has been studied as an interesting work highlighting Ellington's complex relationship with race relations.
Sacred jazz is jazz composed and performed with religious intent.
Prelude to a Kiss: The Duke Ellington Album is a studio album by American jazz singer Dee Dee Bridgewater, recorded in tribute to Duke Ellington. The album was released on October 8, 1996, by Philips Records label. The album title was borrowed from the Ellington's tune. The release contais 12 tracks, which include the pop sounds of the Hollywood Bowl Orchestra.
Here is complete list of nominations for the 33rd annual Grammy Awards: [...] Best instrumental arrangement accompanying vocal(s): Body and Soul, Tony Bennett, arr. by Jorge Calandrelli; Come Sunday, Donna McElroy, arr. by Mervyn Warren and Cedric Dent; Fumilayo, Dianne Reeves, arr. by George Duke; The Places You Find Love, Siedah Garrett and Chaka Khan, arr. by Jerry Hey, Glen Ballard, Clif Magness and Quincy Jones; Recipe for Love, Harry Connick Jr., arr. by Mark Shaiman and Harry Connick Jr.