"African Flower" or "Little African Flower" (Petite Fleur Africaine) is a composition by jazz pianist and composer Duke Ellington. He first recorded it for his 1962 LP Money Jungle . [1] Ellington originally named it "La Plus Belle Africaine" when he composed it for the Negro Arts Festival in Dakar. He can be heard playing it at The English Concert in 1970. [2] He recorded it with Max Roach and Charles Mingus as "La Fleurette Africaine". Writer Peter Lavezzoli calls it "a masterpiece of simplicity and grandeur. [2] Norah Jones recorded it for her 2016 album Day Breaks .
According to Janna Tull Steed, the composition was the result of Ellington's "imaginary vision of a beautiful flower blooming "only for God" in the heart". [3] "African Flower" is composed in the key of E-flat minor, and consists of cascading sequences, with an E-flat minor 7, A-flat minor 7, G-flat minor 7, E-flat-minor 7, B-flat minor 7 flat 5 progression. It is the first entry in Volume One of the Real Book, the original fakebook which appeared in the 1970s but has been brought up to date and made legal. [4] Scott Saul says of the recording with Mingus and Roach: "Mingus spirals down the bass clef to create a stirring contrapuntal line that evenly balances the stateliness of Ellington's theme." [5]
Charles Mingus Jr. was an American jazz double bassist, pianist, composer and bandleader. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history, with a career spanning three decades and collaborations with other jazz legends such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, Dannie Richmond, and Herbie Hancock.
Harry Howell Carney was a jazz saxophonist and clarinettist who spent over four decades as a member of the Duke Ellington Orchestra. He played a variety of instruments but primarily used the baritone saxophone, being a critical influence on the instrument in jazz.
Mingus Mingus Mingus Mingus Mingus is a 1964 album by American jazz composer and bassist Charles Mingus.
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra.
Changes One is a 1975 album by jazz composer and bassist Charles Mingus.
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band.
Money Jungle is a studio album by pianist Duke Ellington with double bassist Charles Mingus and drummer Max Roach. It was recorded on September 17, 1962, and released in February 1963 by United Artists Jazz. All but one of the compositions were written by Ellington, with four of the seven on the original LP being recorded for the first time on this album. Later releases on CD added eight tracks from the same recording session.
"Caravan" is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The exotic sound of "Caravan" interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, Alice and Sweet and Lowdown. Steven Soderbergh used the Lyman version in his 2001 film Ocean's Eleven. The song appears often in the 2014 film Whiplash as an important plot element. The Mills Brothers recorded an a cappella version in which they imitated instruments with their voices. Johnny Mathis recorded the song in 1956. More than 350 versions have been recorded.
Duke Ellington & John Coltrane is a jazz album by Duke Ellington and John Coltrane recorded on September 26, 1962, and released in February 1963 on Impulse! Records.
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington.
Mingus at the Bohemia is a live album by Charles Mingus that was recorded at Café Bohemia in New York City on December 23, 1955, and released the following year. Max Roach makes a guest appearance on one track. Other recordings from the same concert were released in 1964 under the title The Charles Mingus Quintet & Max Roach. Both albums were released together as Complete Live At The Bohemia by the European label Essential Jazz Classics in 2017.
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills.
Sacred Concert by Duke Ellington is one of the following realisations:
Changes Two is an album by Charles Mingus. It was recorded on 27, 28, and 30 December 1974 at Atlantic Studios in New York City—the same sessions which resulted in Mingus' album Changes One. Accordingly, Atlantic Records initially released the record. In 1993, it was issued on CD by Rhino Records.
Togo Brava Suite is an album by American pianist, composer, and bandleader Duke Ellington. It was recorded in England and released by United Artists Records in 1971. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1972. The album was later reissued on CD by Blue Note in 1994, and studio recordings of the complete "Togo Brava Suite" were released in 2001 by Storyville.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
Pre-Bird is an album by jazz bassist and composer Charles Mingus consisting of music that was composed before Mingus first heard Charlie Parker, hence the title Pre-Bird. It was released on Mercury Records in September 1961.
Mingus at Monterey is a live album by jazz bassist and composer Charles Mingus recorded in 1964 at the Monterey Jazz Festival and originally released on Mingus's short-lived mail-order Jazz Workshop label but subsequently released on other labels.
The Complete Town Hall Concert is a live album by American bassist, composer and bandleader Charles Mingus recorded at The Town Hall in New York City and first released on the United Artists label in 1962 as Town Hall Concert. The album was rereleased with additional tracks on the Blue Note label in 1994 as The Complete Town Hall Concert.
Mingus in Europe Volume II is a live album by jazz bassist and composer Charles Mingus recorded in 1964 in Germany and first released on the Enja label in 1980.