This 1956 recording based on George Gershwin's operaPorgy and Bess was the second "complete" recording of the opera after the 1951 version, and the first recording of the work to feature jazz singers and musicians instead of operatic singers and a classical orchestra.
Originally released by Bethlehem Records in 1956 (3BP-1); reissued in the 1970s (EXLP-1). Highlights from this recording released by Bethlehem as BCP 6040 and BCP 6009. On CD: Bethlehem Records #BET6028-2 (Released 1994), Rhino Records #75828 (Released 1999).
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald, accompanied by the Duke Ellington Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 Song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
The Stockholm Concert, 1966 is a 1966 live album by the American jazz singer Ella Fitzgerald, accompanied in part by the Duke Ellington Orchestra. The recording remained unreleased until 1984.
New Concepts of Artistry in Rhythm is an album by Stan Kenton. "Invention for Guitar and Trumpet" features guitarist Sal Salvador. A New York Times writer commented in 2003 that composer Bill Russo's "Improvisation" piece was "among the highest achievements in orchestral jazz".
"Diminuendo and Crescendo in Blue" is a jazz composition written in 1937 by Duke Ellington and recorded for the first time on May 15, 1937 by the Duke Ellington Orchestra with Wallace Jones, Cootie Williams (trumpet), Rex Stewart (cornet), Barney Bigard (clarinet), Johnny Hodges, Otto Hardwick, Laurence Brown, Joe Nanton (trombone), Harry Carney, Sonny Greer (drums), Wellmann Braud (bass), Freddie Guy (guitar), and Duke Ellington (piano). No tenor saxophone was present in this recording section, nor in "Crescendo in Blue," which was recorded the same day. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record. The 1956 performance at the Newport Jazz Festival revitalized Ellington's career, making newspaper headlines when seated audience members chaotically began rising to dance and stand on their chairs during Paul Gonsalves's tenor saxophone solo.
Mel Tormé, Rob McConnell and the Boss Brass is a 1986 studio album by Mel Tormé, accompanied by Rob McConnell's Boss Brass Big band. Tormé and McConnell's follow up album, Velvet & Brass was released in 1995.
Herbert Harper was an American jazz trombonist of the West Coast jazz school.
The Ellington Suites is an album by the American pianist, composer, and bandleader Duke Ellington. It collects three suites recorded in 1959, 1971, and 1972, and was released on the Pablo label in 1976. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1976. Ellington and Billy Strayhorn wrote "The Queen's Suite" for Queen Elizabeth II who was presented with a single pressing of the recording, which was not commercially issued during Ellington's lifetime.
I Dig the Duke! I Dig the Count! is a 1962 album by Mel Tormé, recorded in tribute to Duke Ellington and Count Basie.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Historically Speaking is an album by American pianist, composer and bandleader Duke Ellington recorded for the Bethlehem label in 1956. The album features updated arrangements of many of Ellington's early compositions.
Duke Ellington Presents... is an album by American pianist, composer and bandleader Duke Ellington recorded for the Bethlehem label in 1956.
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
Ballads for Night People is a 1959 album by jazz vocalist June Christy.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans. With the almost identical repertoire of recorded songs –though in another order– and following Evans' original scores it is a celebratory re-recording of their previous collaboration from 30 years ago for Merrill's album Dream of You, released in 1957 also on EmArcy. The one exception is the opener, "Summertime" from Porgy and Bess, that Evans recorded with Miles Davis in 1958, it replaces "You're Lucky to Me". Like Dream of YouCollaboration was recorded on three consecutive recording sessions each with a different line-up, one with woodwinds and trombone for most songs, featuring soprano saxophonist Steve Lacy on two tracks, one session with brass and another with a string section and woodwind.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
The Smithsonian Collection of Classic Jazz is a six-LP box set released in 1973 by the Smithsonian Institution. Compiled by jazz critic, scholar, and historian Martin Williams, the album included tracks from over a dozen record labels spanning several decades and genres of American jazz, from ragtime and big band to post-bop and free jazz.
Portraits on Standards is an album by pianist and bandleader Stan Kenton with featuring performances of jazz standards recorded in 1953 and originally released on the Capitol label as a 10-inch LP.
Sketches on Standards is an album by pianist and bandleader Stan Kenton featuring performances of jazz standards recorded in 1953 and originally released on the Capitol label as a 10-inch LP.
All Star Road Band Volume 2 is a live album by American pianist, composer and bandleader Duke Ellington recorded at the Holiday Ballroom in Chicago for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1985.
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