Jerome Richardson was an American jazz musician and woodwind player. He played the soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, soprano clarinet, alto clarinet, bass clarinet, piccolo, western concert flute, soprano flute, alto flute, tenor flute, and bass flute. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Lawrence Brown was a jazz trombonist from California best remembered for his work with the Duke Ellington orchestra. He was a session musician throughout his career, and also recorded albums under his own name.
Grady Tate was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated Schoolhouse Rock! series.
Thaddeus Joseph Jones was an American jazz trumpeter, composer, and bandleader who has been called "one of the all-time greatest jazz trumpet soloists".
Urban Clifford "Urbie" Green was an American jazz trombonist who toured with Woody Herman, Gene Krupa, Jan Savitt, and Frankie Carle. He played on over 250 recordings and released more than two dozen albums as a soloist. He was inducted into the Alabama Jazz Hall of Fame in 1995.
James George Hunter, known professionally as Jimmy Rowles, was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored multiple styles including swing and cool jazz.
Quentin "Butter" Jackson was an American jazz trombonist.
The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the Big Band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Frederick William Green was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years.
Russell Keith Procope was an American clarinetist and alto saxophonist who was a member of the Duke Ellington orchestra.
William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register.
Jimmy Hamilton was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra.
Martin Louis Paich was an American pianist, composer, arranger, record producer, music director, and conductor. As a musician and arranger he worked with jazz musicians Peggy Lee, Ella Fitzgerald, Stan Kenton, Art Pepper, Buddy Rich, Ray Brown, Shorty Rogers, Pete Rugolo, Ray Charles and Mel Tormé. His long association with Tormé included one of the singer's earliest albums, Mel Tormé with the Marty Paich Dek-Tette. Over the next three decades he worked with pop singers such as Andy Williams and Jack Jones and for film and television. He is the father of David Paich, a founding member of the rock band Toto.
Britt Woodman was an American jazz trombonist.
This is the discography of recordings by Duke Ellington, including those nominally led by his sidemen, and his later collaborations with musicians with whom Ellington had generally not previously recorded.
George "Buster" Cooper was an American jazz trombonist.
Sam Woodyard was an American jazz drummer.
Rufus "Speedy" Jones was an American jazz drummer from Charleston, South Carolina.
John Lamb is an American jazz double bassist who was a member of the Duke Ellington Orchestra. Born in Vero Beach, Florida, Lamb as a child loved playing music, specializing in the tuba. He left high school to join the United States Air Force as a musician for their military band. He was stationed in Texas and then Montana, where the long winters left him ample time to practice. When the band's usual string bass player was unavailable for a gig in 1951, the bandmaster asked Lamb if he could play the bass; Lamb immediately said yes, and before long became the band's new string bassist. He credited his tuba experience for giving him the "feel" to pick up string bass quickly without any prior experience.
