Newport 1958 | ||||
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Studio album by | ||||
Released | 1958 | |||
Recorded | July 3, 1958 at Newport July 21, 1958 in New York, Columbia 30th Street Studio | |||
Genre | Jazz | |||
Length | 98:18 | |||
Label | Columbia | |||
Producer | Irving Townsend-Original Recordings, Nedra Olds-Neal-Double CD Reissue, Michael Cuscuna-Mosaic Records Reissue | |||
Duke Ellington chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Newport 1958 is a 1958 album by Duke Ellington, recorded at the Newport Jazz Festival of that year and later in the Columbia recording studio. It was released two years after Ellington at Newport , the 1956 album that led to Ellington's career resurgence.
The original album, Newport 1958 and the French Columbia CD #COL 468436 2 are mostly studio re-recordings of numbers performed at Newport. There is also dubbed in applause and crowd noise from Newport.
During this time, Duke was frequently re-recording pieces that were performed live in the studio to be included on "live" albums. This was because he felt the live performances were not up to his standards. Only the tracks, "Just Scratchin' the Surface" and "Prima Bara Dubla" are from Newport on the original album. The double CD is all the music performed at Newport on July 3, 1958. The third CD was issued by Mosaic Records and contains all of the original album, minus the dubbed in crowd noise and applause. It also contains select live tracks from Newport to fill out the CD.
Quentin "Butter" Jackson was an American jazz trombonist. In the early stage of his career, he worked with Cab Calloway. Later, he was a member of the Duke Ellington Orchestra and worked with Charles Mingus, Kenny Burrell, and others.
Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". Jazz journalist Scott Yanow wrote that Ellington's performance at the 1956 Newport Jazz Festival caused a sensation that fueled the rest of his career.The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.
William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register.
Harold "Shorty" Baker was an American jazz trumpeter.
This is the discography of Duke Ellington. Most of these recordings are listed by the year they were recorded rather than year released. Reissues are listed for most of the recordings released before the 1950s, as the original 78s are rare. The US chart listing information should be considered tentative because sources like the Joel Whitburn's Pop Memories does not take the cheaper dime-store records into account. During this period, records sold by song title, not by artist, although there are exceptions.
Sam Woodyard was an American jazz drummer.
McCoy Tyner Plays Ellington is the sixth album by jazz pianist McCoy Tyner. It was recorded in December 1964 and released on the Impulse! label in 1965. It features performances by Tyner with Jimmy Garrison and Elvin Jones, with Latin percussion added on four of the tracks. It would be Tyner's last effort for the label, before signing with Blue Note.
The Ellington Suites is an album by the American pianist, composer, and bandleader Duke Ellington. It collects three suites recorded in 1959, 1971, and 1972, and was released on the Pablo label in 1976. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1976. Ellington and Billy Strayhorn wrote "The Queen's Suite" for Queen Elizabeth II who was presented with a single pressing of the recording, which was not commercially issued during Ellington's lifetime.
Duke Ellington at the Bal Masque is an album by American pianist, composer and bandleader Duke Ellington recorded in 1958 and released on the Columbia label.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Masterpieces by Ellington is the first LP album by American pianist, composer, and bandleader Duke Ellington, recorded for the Columbia label in 1950. It was one of the earliest 12-inch LPs to take advantage of the extended time available and consisted of four tracks, three of them "concert arrangements" of Ellington standards and one, "The Tattooed Bride," a recent tone poem.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Duke Ellington at the Alhambra is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at the Alhambra Theater, Paris and released on the Pablo label in 2002.
Midnight in Paris is an album by American pianist, composer and bandleader Duke Ellington recorded in 1962 for the Columbia label. The album features performances of compositions inspired by or associated with Paris.
The Carnegie Hall Concerts: January 1943 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1943 and released on the Prestige label in 1977.
Dance Concerts, California 1958 is the second volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first publicly released on the LMR label in 1987 and later on the Saja label.
Cue for Saxophone is an album by pianist and composer Billy Strayhorn's Septet comprising members of the Duke Ellington Orchestra recorded in 1959 and originally released on the Felsted label in 1959, then reissued by Vocalion in 1962.
All Star Road Band is a live album by American pianist, composer and bandleader Duke Ellington recorded at Sunset Ballroom in Carrolltown, Pennsylvania for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1983. The album was rereleased on CD under the title All Star Road Band Volume One.
Mr. Gentle Mr. Cool, subtitled A Tribute to Duke Ellington, is an album by saxophonist David "Fathead" Newman recorded in 1994 and released on Herbie Mann's Kokopelli label.