Blues in Orbit | ||||
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Studio album by | ||||
Released | 1960 | |||
Recorded | February 4 & 12, 1958, February 25, December 2 & 3, 1959 | |||
Genre | Jazz | |||
Label | Columbia | |||
Duke Ellington chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | |
The Penguin Guide to Jazz Recordings | [1] |
Tom Hull | A [2] |
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960. [3]
The original liner notes by Teo Macero described this album as primarily a blues album (as most of the track titles indicate). The album was re-released on CD in 2004 with bonus tracks including alternate takes and tracks from earlier sessions.
The Allmusic reviewer Bruce Eder stated: "Blues in Orbit lacks the intellectual cachet of the suites and concept pieces that loomed large in Ellington's recordings of this period, but it's an album worth tracking down, if only to hear the band run through a lighter side of its sound. Indeed, it captures the essence of a late-night recording date that was as much a loose jam as a formal studio date, balancing the spontaneity of the former and the technical polish of the latter". [4]
:All compositions by Duke Ellington except as indicated
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald, accompanied by the Duke Ellington Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 Song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1967.
The Stockholm Concert, 1966 is a 1966 live album by the American jazz singer Ella Fitzgerald, accompanied in part by the Duke Ellington Orchestra. The recording remained unreleased until 1984.
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the 1967 death of his long-time collaborator, Billy Strayhorn. It won the Grammy Award for Best Large Jazz Ensemble Album in 1968.
Far East Suite is an album by Duke Ellington that won the Grammy Award in 1968 for Best Instrumental Jazz Performance – Large Group or Soloist with Large Group. Ellington and Billy Strayhorn wrote the compositions. The album was reissued in 1995 with four previously unreleased alternate takes. In 2003, Bluebird Records issued the album on CD with additional bonus takes.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
The Great Paris Concert is a 1973 live double album by jazz pianist Duke Ellington preserving pieces of a series of performances given in Paris during February 1963, a decade prior the release. Several of the tracks were previously edited and included in Duke Ellington's Greatest Hits. Those edited tracks were included on the 1989 CD re-release of The Great Paris Concert.
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four new masters. While essentially an expanded re-release of 1990s The Blanton–Webster Band, the packaging, sound and updated notes make this, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York noted that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
The Ellington Suites is an album by American pianist, composer, and bandleader Duke Ellington which collects three suites recorded in 1959, 1971, and 1972 released on the Pablo label in 1976. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1976. Ellington and Billy Strayhorn wrote "The Queen's Suite" for Queen Elizabeth II who was presented with a single pressing of the recording, which was not commercially issued during Ellington's lifetime.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Ellington '55 is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953 and 1954 and released in 1955. The album features the Ellington Orchestra's performances of popular big band compositions and was reissued on CD with two bonus tracks in 1999.
Ellington Uptown is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1951 & 1952. The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the Liberian Suite EP.
My People is an album by American pianist, composer and bandleader Duke Ellington written and recorded in 1963 for a stage show and originally released on Bob Thiele's short-lived Contact label before being reissued on the Flying Dutchman label and later released on CD on the Red Baron label. The album features recordings of compositions by Ellington for a stage show presented in Chicago as part of the Century of Negro Progress Exposition in 1963.
Dance Dates, California 1958 is the sixth volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first publicly released on the LMR label in 1987 and later on the Saja label.
Studio Sessions 1957 & 1962 is the seventh volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Johnny Hodges with Billy Strayhorn and the Orchestra is a 1962 studio album by Johnny Hodges accompanied by an orchestra arranged by Billy Strayhorn. The album features many members of Duke Ellington's orchestra.