Studio Sessions New York 1963 | ||||
---|---|---|---|---|
![]() | ||||
Studio album by Duke Ellington | ||||
Released | 1987 | |||
Recorded | April 17 & 18, May 15, and July 18, 1963. | |||
Genre | Jazz | |||
Label | LMR | |||
Duke Ellington chronology | ||||
|
Studio Sessions New York 1963 is the fourth volume of The Private Collection a series of recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label. [1]
Edward Kennedy "Duke" Ellington was an American composer, pianist, and leader of a jazz orchestra, which he led from 1923 until his death over a career spanning more than fifty years.
Saja Records is a LeFrak-Moelis Records subsidiary.
The Allmusic review by Scott Yanow awarded the album 4 stars and stated "filled with previously unknown Ellington compositions, a stockpile of fresh material well worth a full investigation by contemporary musicians. Throughout all but the four full-band tracks, the focus is on cornetist Ray Nance, who is the only brass player present on most of this set. Johnny Hodges, Jimmy Hamilton and Paul Gonsalves also receive a good sampling of solo space on this strong entry in The Private Collection program. ". [2]
Scott Yanow is an American jazz reviewer, historian, and author.
Ray Willis Nance was a jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.
John Cornelius Hodges was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years, except the period between 1932 and 1946 when Otto Hardwick generally played first chair. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946, when he was given the lead chair. He is considered one of the definitive alto saxophone players of the big band era.
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
:All compositions by Duke Ellington except as indicated
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
The cornet is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B♭, though there is also a soprano cornet in E♭ and a cornet in C. All are unrelated to the renaissance and early baroque cornett.
William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his playing in the higher registers.
The Ellington Suites is an album by American pianist, composer, and bandleader Duke Ellington which collects three suites recorded in 1959, 1971, and 1972 released on the Pablo label in 1976. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1976. Ellington wrote "The Queen's Suite" for Queen Elizabeth II who was presented with a single pressing of the recording, which was not commercially issued during Ellington's lifetime.
Concert in the Virgin Islands is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1965. The album features studio recordings that Duke composed after he and his orchestra played concerts on St. Croix and St. Thomas in the Virgin Islands in April, 1965. This album includes the four-part Virgin Islands Suite, as well as numbers played at the concerts on the islands.
Afro-Bossa is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960. The album was re-released on CD in 2004 with bonus tracks including alternate takes and tracks from earlier sessions.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Duke Ellington Presents... is an album by American pianist, composer and bandleader Duke Ellington recorded for the Bethlehem label in 1956.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Duke Ellington at the Alhambra is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at the Alhambra Theater, Paris and released on the Pablo label in 2002.
Midnight in Paris is an album by American pianist, composer and bandleader Duke Ellington recorded in 1962 for the Columbia label. The album features performances of compositions inspired by or associated with Paris.
Featuring Paul Gonsalves is an album by American jazz pianist, composer, and bandleader Duke Ellington. Without new material to work with, Ellington recorded the album with his orchestra and saxophonist Paul Gonsalves in 1962 during a four-hour recording session. It was not released until 1985 by Fantasy Records.
The Carnegie Hall Concerts: December 1947 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1947 and released on the Prestige label in 1977.
Studio Sessions, Chicago 1956 is the first volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Studio Sessions, New York 1962 is the third volume of The Private Collection a series of recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Dance Dates, California 1958 is the sixth volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first publicly released on the LMR label in 1987 and later on the Saja label.
Studio Sessions 1957 & 1962 is the seventh volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York is the eighth volume of The Private Collection - whereas is Volume 5 in the edition of the collection by the English KAZ Jazz Masters label - a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Ellingtonia '56 is an album recorded by American jazz saxophonist Johnny Hodges featuring performances with members of the Duke Ellington Orchestra recorded in 1956 and released on the Norgran label.
All Star Road Band is a live album by American pianist, composer and bandleader Duke Ellington recorded at Sunset Ballroom in Carrolltown, Pennsylvania for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1983. The album was rereleased on CD under the title All Star Road Band Volume One.