The Duke Plays Ellington | ||||
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Studio album by | ||||
Released | 1953 | |||
Recorded | April 13 & 14, and December 3, 1953 | |||
Venue | Capitol, 5515 Melrose Ave, Hollywood | |||
Genre | Jazz | |||
Label | Capitol | |||
Duke Ellington chronology | ||||
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Piano Reflections Cover | ||||
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The Duke Plays Ellington is an album by American pianist, composer and bandleader Duke Ellington featuring trio sessions recorded for the Capitol label in 1953. [1] The album was rereleased with additional tracks on CD as Piano Reflections in 1989
The AllMusic review by Scott Yanow awarded the album 4½ stars and stated: "Ellington sounds modern (especially rhythmically and in his chord voicings) and shows that he could have made a viable career out of just being a pianist." [2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
:All compositions by Duke Ellington except as indicated
Max Roach + 4 is an LP recorded by jazz drummer Max Roach, which featured Kenny Dorham on trumpet, Sonny Rollins on tenor sax, Ray Bryant on piano, and George Morrow on bass. It was the first album Roach recorded after his collaborators, trumpeter Clifford Brown and pianist Richie Powell, died in a car crash in June 1956.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
Recollections of the Big Band Era is an album by American pianist, composer and bandleader Duke Ellington recorded in 1962 and 1963 by Bruce Swedien at Universal Recording Corporation in Chicago for the Reprise label but not released until 1974 on the Atlantic label. The album features performances of compositions associated with big bands led by artists such as Count Basie, Fletcher Henderson, Louis Armstrong, Cab Calloway and others by the Duke Ellington's Orchestra. The 1989 CD reissue included 11 bonus tracks that originally appeared on Will Big Bands Ever Come Back? which was released on Reprise in 1965.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Ellington '55 is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953 and 1954 and released in 1955. The album features the Ellington Orchestra's performances of popular big band compositions and was reissued on CD with two bonus tracks in 1999.
Ellington Uptown is an album by American pianist, composer and bandleader Duke Ellington, recorded for the Columbia label in 1951 and 1952. The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the Liberian Suite EP.
Studio Sessions, Chicago 1956 is the first volume of The Private Collection a series documenting recordings made by the American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Introducing Paul Bley is the debut album by Canadian jazz pianist Paul Bley recorded in 1953 and released on Charles Mingus' Debut label.
Talkin' & Walkin' is an album by pianist Kenny Drew recorded in 1955 and originally released on the Jazz:West label. The album was subsequently rereleased on Pacific Jazz and on CD on Blue Note with three additional live tracks recorded around the same time.
Dexter Gordon with Junior Mance at Montreux is a live album by saxophonist Dexter Gordon and pianist Junior Mance recorded at the Montreux Jazz Festival in 1970 and released on the Prestige label.
Duke's Delight is an album led by pianist Duke Jordan recorded in 1975 and released on the Danish SteepleChase label.
Swiss Nights Vol. 3 is a live album led by saxophonist Dexter Gordon recorded in Zurich in 1975 and released on the Danish SteepleChase label in 1979.
Sketches on Standards is an album by pianist and bandleader Stan Kenton featuring performances of jazz standards recorded in 1953 and originally released on the Capitol label as a 10-inch LP.
Duet is an album by vocalist June Christy and pianist Stan Kenton with featuring performances of jazz standards recorded in 1955 and released on the Capitol label.
Earl Hines Plays Duke Ellington Volume Two is a compilation CD featuring recordings by pianist Earl Hines performing compositions by Duke Ellington which follows the first volume of tracks from LPs that Hines recorded for the Master Jazz label in sessions between 1971 and 1974. The recordings were reissued by New World
Montreux '77 is an album by pianist Tommy Flanagan. It is a trio recording, with bassist Keter Betts and drummer Bobby Durham.
Grey's Mood is an album by trombonist Al Grey recorded in Paris at sessions in 1973 and 1975 and released on the French Black and Blue label in 1979.
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