Black and Tan Fantasy

"Black and Tan Fantasy"
Single by Duke Ellington and his Washingtonians
Recorded	April –November 1927
Genre	Jazz  • Big band
Songwriter(s)	Duke Ellington and Bubber Miley.

"Black and Tan Fantasy" is a 1927 jazz composition by Duke Ellington and Bubber Miley. The song was recorded several times by Ellington and his Cotton Club band in 1927 for the Brunswick, Victor, and Okeh record labels. ^[a] The Victor recording was inducted into the Grammy Hall of Fame. ^{[2] [ when? ]}

The song was featured and performed by Ellington and his orchestra in the 1929 RKO short film of the same name.

Copy-written on July 16, 1927, the song entered the public domain on January 1, 2023. ^{[3] [4]} The three 1927 recordings will not enter the public domain until 2049.^{[ citation needed ]}

Composition

Trumpeter Bubber Miley cited a spiritual his mother would sing to him as a child as a major influence on the composition. ^[5] The piece, titled "Hosanna", is heavily related to a melody from the Stephen Adams piece "The Holy City." ^{[6] [7]}

The piece begins in B-flat minor, modulating to B-flat major after a twelve-bar blues introduction. ^{[5] [8]} Ellington historian Mark Tucker describes it as "immediately [plunging] the listener into a dark, slightly forbidding tonal atmostphere." ^[9] Following solos, the piece ends with a reference to Frédéric Chopin's Piano Sonata No. 2  –a funeral march. ^[10]

Sociologist David Grazian remarks that the piece's influences include the Blues music of the Deep South along with elements of Harlem's signature jazz sound, such as muted trumpets and stride piano. ^[11]

Musian and historian Gunther Schuller points out that Miley provided "the main creative thrust" for "Black and Tan Fantasy," along with many of the orchestra's mid-1920s output:

Miley is in fact officially listed as co-composer of many of Ellington's early works. In many of these pieces, the best, the most original, the most striking material comes from Miley, while the more ordinary sections, hailing more from a kind of Broadway show-tune world, come from Ellington. Black and Tan Fantasy, dating from 1927, is a good illustration of this. ^[12]

Recordings

The piece has been recorded numerous times by both Ellington as well as other artists. ^[13] Some notable recordings include:

Duke Ellington (1927–1942)

• April 7, 1927 E-22299 issued on Brunswick 3526, Brunswick 6682, Brunswick 80002, Melotone M-12093, Polk P-9006, Vocalion 15556
• October 6, 1927 BVE-40155-2 probably unissued
• October 26, 1927 BVE-40155-4 Victor 21137, Victor 24861, Victor 68-0837 (as "Black & Tan Fantasie")
• November 3, 1927 W 81776-A Columbia (LP) C3L-27
• November 3, 1927 W 81776-B OKeh 40955
• November 3, 1927 W 81776-C OKeh 8521, OK 40955
• June 12, 1930 150590-1 Clarion 5331-C, Diva 6056-G, Velvet Tone 7082-V
• February 9, 1932 71836-2 (part of a three song medley), Victor Transcription L-16007
• February 9, 1932 71837-1 and 2 Victor rejected
• January 13, 1938 M-714-1 (greatly expanded arrangement as Prologue to Black and Tan Fantasy), Brunswick m8256
• January 13, 1938 M-715-1 (greatly expanded arrangement as The New Black and Tan Fantasy), Brunswick m8063

Notes

1. Brunswick  –April 7, 1927, Victor  –October 26, 1927, Okeh  –November 3, 1927 ^[1]

References

1. Tucker 1995, p. 244.
2. "GRAMMY Hall Of Fame | Hall of Fame Artists". Grammys . Retrieved November 27, 2024.
3. Jenkins, Jennifer (2022). "Public Domain Day 2023". Duke University School of Law . Archived from the original on November 22, 2024. Retrieved November 27, 2024.
4. Hiltzik, Michael (December 30, 2022). "Column: These historic works are coming free from copyright. Why did it take so long?". Los Angeles Times . Archived from the original on April 21, 2024. Retrieved November 27, 2024.
5. Brooks 2024, Duke Converses with the World –The Rise of "Black and Tan Fantasy".
6. Tucker 1993, p.  103.
7. Tucker 1995, p.  243.
8. Tucker 1993, p. 108.
9. Tucker 1995, p.  244.
10. Ulanov, Barry (1998). "The Ellington Programme". In O'Meally, Robert G. (ed.). The Jazz Cadence of American Culture. Columbia University Press. p. 168. ISBN   978-0-231-10449-4.
11. Grazian, David (November 15, 2005). Blue Chicago: The Search for Authenticity in Urban Blues Clubs. University of Chicago Press. pp. 28–29. ISBN   978-0-226-30589-9.
12. Schuller 1992, p.  39.
13. "Black and Tan Fantasy ~ Song". MusicBrainz .

Sources

• Brooks, Earl H. (2024). On Rhetoric and Black Music. Detroit, Michigan: Wayne State University Press. ISBN   978-0-8143-4649-5.
• Ellington, Duke; Miley, Bub; Powell, Eddie (1927). Black and tan fantasy : fox-trot. Arranged for big band by Eddie Powell. New York City: Gotham Music Service. Retrieved November 27, 2024– via Internet Archive.
• Haskins, James (1984). The Cotton Club . New York: New American Library. ISBN   978-0-452-25598-2 – via Internet Archive.
• Schuller, Gunther (1992). "Jazz and Composition: The Many Sides of Duke Ellington, the Music's Greatest Composer". Bulletin of the American Academy of Arts and Sciences. 46 (1): 36–51. doi:10.2307/3824163. ISSN   0002-712X. JSTOR   3824163.
• Tucker, Mark, ed. (1993). "Roger Pryor Dodge on Black and Tan Fantasy, from "Harpsichords and Jazz Trumpets" (1934)". The Duke Ellington Reader. Oxford University Press. ISBN   978-0-19-509391-9.
  • Originally printed as: Dodge, Roger Pryor (July–September 1934). "Harpsichords and Jazz Trumpets". Hound & Horn . pp. 602–606.
• Tucker, Mark (1995) [1991]. Ellington: The Early Years. University of Illinois Press. ISBN   978-0-252-06509-5.