| The Carnegie Hall Concerts: January 1943 | ||||
|---|---|---|---|---|
 | ||||
| Live album by Duke Ellington and His Orchestra | ||||
| Released | 1977 | |||
| Recorded | January 23, 1943 | |||
| Genre | Jazz, swing, big band jazz | |||
| Length | 119:18 | |||
| Label | Prestige P-34004 | |||
| Producer | Orrin Keepnews | |||
| Duke Ellington chronology | ||||
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The Carnegie Hall Concerts: January 1943 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1943 and released on the Prestige label in 1977. [1]
The AllMusic review by Scott Yanow awarded the album 5 stars and stated: "This two-CD set captures one of the milestones in Duke Ellington's long and extremely productive career, highlighted by his monumental suite "Black, Brown and Beige" in the only full-length version ever recorded by his orchestra... Every serious jazz library should contain this set". [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [2] |
| The Rolling Stone Jazz Record Guide | [3] |
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
The Blanton–Webster Band is a compilation album that combines the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942, involving bassist Jimmy Blanton and tenor saxophonist Ben Webster. The recordings were originally made for RCA Victor during what many critics regard as the Ellington orchestra's golden period. The three CDs contain many numbers which were to become classics, and the arrangements were frequently inventive and innovative.
The Great Paris Concert is a 1973 live double album by jazz pianist Duke Ellington preserving pieces of a series of performances given in Paris during February 1963, a decade prior the release. Several of the tracks were previously edited and included in Duke Ellington's Greatest Hits. Those edited tracks were included on the 1989 CD re-release of The Great Paris Concert.
Never No Lament: The Blanton-Webster Band is a 2003 three-disc compilation combining the master takes of all the recordings by Duke Ellington's Orchestra during the years of 1940 to 1942 with an additional nine tracks, including five alternative takes and four new masters. While essentially an expanded re-release of 1990s The Blanton–Webster Band, the packaging, sound and updated notes make this, according to Allmusic, "truly worth either an initial investment or reinvestment". All About Jazz: New York noted that these performances, from what is often considered "the band in its prime", "not only set the standard for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon". The Penguin Guide to Jazz selected this compilation as part of its suggested "Core Collection."
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
Afro-Bossa is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963.
Piano in the Background is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Columbia label in 1960.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Live at the Blue Note is a live album by American pianist, composer and bandleader Duke Ellington recorded at The Blue Note nightclub in Chicago for the Roulette label in 1959.
Dance to the Duke! is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953. The album has not been released on CD but the tracks have appeared on The Complete Capitol Recordings of Duke Ellington released by Mosaic Records in 1995.
The Nutcracker Suite is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1960 featuring jazz interpretations of "The Nutcracker" by Tchaikovsky, arranged by Ellington and Billy Strayhorn.
Yale Concert is an album by Duke Ellington, recorded at Woolsey Hall, Yale University in New Haven, Connecticut in 1968 and released on the Fantasy label in 1973.
The Carnegie Hall Concerts: December 1944 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1944 and released on the Prestige label in 1977.
The Carnegie Hall Concerts: January 1946 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1946 and released on the Prestige label in 1977.
The Carnegie Hall Concerts: December 1947 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1947 and released on the Prestige label in 1977.
Dance Dates, California 1958 is the sixth volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first publicly released on the LMR label in 1987 and later on the Saja label.
Studio Sessions 1957 & 1962 is the seventh volume of The Private Collection a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Black, Brown, and Beige, subtitled A Duke Ellington Tone Parallel to the American Negro, is a live album of phonograph records by Duke Ellington featuring the suite of the same name in live performance in 1943. Released under the Victor Showpiece designation, the album was the first release of the suite, which has primarily been perceived in retrospect as a botched attempt by Ellington to capture his feelings on race in the United States through music. Consequently, it has been studied as an interesting work highlighting Ellington's complex relationship with race relations.
Hot Summer Dance is a live album by American pianist, composer and bandleader Duke Ellington recorded at Mather Air Force Base in California and first released as a CD on Bob Thiele's Red Baron label in 1983.