"Blood Count'' is a 1967 jazz composition by Billy Strayhorn. It was originally meant for a three-piece work Strayhorn was writing for Duke Ellington and initially titled "Blue Cloud". [1] However, Strayhorn was hospitalized in 1967 due to cancer and finished the composition while in the hospital. [2] He died on 31 May and "Blood Count" was his last finished composition. [1] The Ellington orchestra debuted "Blood Count" at a Carnegie Hall concert in March, this was later released as The Greatest Jazz Concert in the World . In August 1967 Ellington recorded the tune on his tribute album for Strayhorn, ...And His Mother Called Him Bill . Although Ellington never played the tune again after the recording session, many other artists have since recorded it, including Stan Getz, Jimmy Rowles, Joe Henderson and Bobby Watson. [2] "Blood Count" was a part of the repertoire for the 2013 Essentially Ellington competition.
Edward Kennedy "Duke" Ellington was an American composer, pianist, and leader of a jazz orchestra from 1923 through the rest of his life.
Cornelius "Johnny" Hodges was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. He is considered one of the definitive alto saxophone players of the big band era.
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications and jazz reference works offer a rough guide to which songs are considered standards.
William Thomas Strayhorn was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and "Lush Life".
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra.
Ellington at Newport is a 1956 live jazz album by Duke Ellington and his band of their 1956 concert at the Newport Jazz Festival, a concert which revitalized Ellington's flagging career. Jazz promoter George Wein describes the 1956 concert as "the greatest performance of [Ellington's] career... It stood for everything that jazz had been and could be." It is included in the book 1001 Albums You Must Hear Before You Die, which ranks it "one of the most famous... in jazz history". Jazz journalist Scott Yanow wrote that Ellington's performance at the 1956 Newport Jazz Festival caused a sensation that fueled the rest of his career.The original release was partly recreated in the studio after the Ellington Orchestra's festival appearance.
...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the 1967 death of his long-time collaborator, Billy Strayhorn. It won the Grammy Award for Best Large Jazz Ensemble Album in 1968.
Far East Suite is a 1967 concept album by American jazz musician Duke Ellington, inspired by his group's tour of Asia. Ellington and longtime collaborator Billy Strayhorn wrote the compositions.
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948.
"It Don't Mean a Thing " is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". In 2008, Ellington's 1932 recording of the song was inducted into the Grammy Hall of Fame.
Åke Persson was a Swedish bebop jazz trombonist.
Bob Brookmeyer and Friends is a 1964 jazz album released on Columbia Records by valve trombonist Bob Brookmeyer and featuring tenor saxophonist Stan Getz.
Yale Concert is an album by Duke Ellington, recorded at Woolsey Hall, Yale University in New Haven, Connecticut in 1968 and released on the Fantasy label in 1973.
Stan Getz at The Shrine is a live jazz album by American saxophonist Stan Getz, recorded in 1954. It was originally released in 1955 on Norgran Records as a 2 LP set, then reissued on CD by Verve as MGV 8188-2. This was the first concert recording for Stan Getz.
The Greatest Jazz Concert in the World is a 1967 live album featuring Duke Ellington and his orchestra, Ella Fitzgerald, Oscar Peterson, T-Bone Walker, Coleman Hawkins, Clark Terry and Zoot Sims. It was released in 1975.
Something to Live For: The Music of Billy Strayhorn is an album by Art Farmer recorded in New York in 1987 and originally released on the Contemporary label.
Something to Live For: A Billy Strayhorn Songbook is an album by the pianist John Hicks, recorded in 1997 and released on the HighNote label. The album contains ten compositions by Billy Strayhorn, along with two by Hicks.
Pure Getz is an album by saxophonist Stan Getz which was recorded in New York City and San Francisco in 1982 and released on the Concord Jazz label.
Stan Getz Quartet Live in Paris is a live album by saxophonist Stan Getz which was recorded France in 1982 but not released on the French Dreyfus Jazz label until 1996.
Anniversary! is a live album by saxophonist Stan Getz which was recorded at the Jazzhus Montmartre in 1987 and released on the EmArcy label in 1989.