Edward Kennedy "Duke" Ellington was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.
Mary Lou Williams was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records. Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie.
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall, Ethel Waters, Cab Calloway, Bessie Smith, Lillie Delk Christian, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Midge Williams, Lena Horne, and dancers such as Katherine Dunham, Bill Robinson, The Nicholas Brothers, Charles 'Honi' Coles, Leonard Reed, Stepin Fetchit, the Berry Brothers, The Four Step Brothers, Jeni Le Gon and Earl Snakehips Tucker.
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills.
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra.
Adelaide Louise Hall was an American-born UK-based jazz singer and entertainer. Her career spanned more than 70 years from 1921 until her death. Early in her career, she was a major figure in the Harlem Renaissance; she became based in the UK after 1938. Hall entered the Guinness Book of World Records in 2003 as the world's most enduring recording artist, having released material over eight consecutive decades. She performed with major artists such as Art Tatum, Ethel Waters, Josephine Baker, Louis Armstrong, Lena Horne, Cab Calloway, Fela Sowande, Rudy Vallee, and Jools Holland, and recorded as a jazz singer with Duke Ellington and with Fats Waller.
The Duke Ellington School of the Arts is a high school located at 35th Street and R Street, Northwest, Washington, D.C., and dedicated to arts education. One of the high schools of the District of Columbia Public School system, it is named for the American jazz bandleader and composer Duke Ellington, a native of Washington, D.C. The building formerly housed Western High School. The building is listed on the National Register of Historic Places.
John Alfred Williams was an African American author, journalist, and academic. His novel The Man Who Cried I Am was a bestseller in 1967. Also a poet, he won an American Book Award for his 1998 collection Safari West.
Eric Salzman was an American composer, scholar, author, impresario, music critic, and record producer. He is known for advancing the concept of "New Music Theater" as an independent art form differing in scope, both economically and aesthetically, from grand opera and contemporary popular musicals. He co-founded the American Music Theater Festival and was, at the time of his death in 2017, Composer-in-Residence at the Center for Contemporary Opera.
La rencontre imprévue, ou Les pèlerins de la Mecque Wq. 32 is a three-act opéra comique, composed in 1763 by Christoph Willibald Gluck to a libretto by Louis Dancourt after the 1726 comédie en vaudevilleLes pèlerins de la Mecque by Alain-René Lesage and d'Orneval. The death of Isabella of Parma, the archduke's wife, occasioned a revision of the spoken text downplaying the feigned death by which princess Rezia tests her beloved. The work was first performed in this form as La rencontre imprévue at the Burgtheater, Vienna on 7 January 1764. Dancourt's original text, titled Les pèlerins de la Mecque and designated as a comédie mêlée d'ariettes, was not premiered until 1990.
"I'm Beginning to See the Light" is a popular song and jazz standard, with music written by Duke Ellington, Johnny Hodges, and Harry James and lyrics by Don George and published in 1944.
Will Vodery was an American composer, conductor, orchestrator, and arranger, and one of the few black Americans of his time to make a name for himself as a composer on Broadway, working largely for Florenz Ziegfeld. He had offices at the Gaiety Theatre office building in Times Square.
Bubbling Brown Sugar is a musical revue written by Loften Mitchell based on a concept by Rosetta LeNoire and featuring the music of numerous African-American artists who were popular during the Harlem Renaissance, 1920–1940, including Duke Ellington, Eubie Blake, Count Basie, Cab Calloway, and Fats Waller. Original music, including the title theme song "Bubbling Brown Sugar," was composed by pianist Emme Kemp, a protégé of the legendary Eubie Blake. It was nominated for the Tony Award for Best Musical and the Laurence Olivier Award for Best New Musical. Robert M. Cooper directed and produced the Broadway and tour productions.
The Clef Club was an entertainment venue and society for African-American musicians in Harlem, achieving its largest success in the 1910s. Incorporated by James Reese Europe in 1910, it was a combination musicians' hangout, fraternity club, labor exchange, and concert hall, across the street from Marshall's Hotel. In its best years, the Clef Club's annual take exceeded $100,000.
The Prince Theater is a non-profit theatrical producing organization located in Philadelphia, Pennsylvania and specializing in music theatre, including opera, music drama, musical comedy and experimental forms. Founded in 1984 as the American Music Theater Festival by Marjorie Samoff, Eric Salzman and Ron Kaiserman, for the first 15 years AMTF performed in various venues throughout Philadelphia. In March 1999, AMTF moved into the renovated Midtown Theater and changed its name in honor of Broadway producer and director Harold Prince. AMTF/Prince Theater has produced 92 world premieres and has sent 81 productions to theaters in New York and worldwide.
Karla Burns was an American mezzo-soprano and actress who performed nationally and internationally in opera houses, theatres, and on television. Her first major success was as Queenie in the Houston Grand Opera's 1982 revival of Oscar Hammerstein II and Jerome Kern's 1927 musical Show Boat. This production premiered in Houston, and then toured nationally and on Broadway. For her portrayal of Queenie, Burns won a Drama Desk Award and received a nomination for the Tony Award. The role of Queenie became a pivotal part in Burn's career, and she portrayed the character in many productions internationally for two decades. For this part, she became the first black person, African-American or otherwise, to win the Laurence Olivier Award, Britain's most prestigious award for theatre.
Maurice Arnold Strothotte was an American composer and performer.
Maurice Peress was an American orchestra conductor, educator and author.
Barrie Lee Hall Jr. was an American trumpeter, music director, and band leade of the Duke Ellington Small Band. He was known for his use of the plunger mute to affect the tone of his trumpet.
Symphony in Black: A Rhapsody of Negro Life is a 9+1⁄2-minute musical short produced in 1935 that features Duke Ellington’s early extended piece, "A Rhapsody of Negro Life". The film, Billie Holiday’s screen debut, was directed by Fred Waller and distributed by Paramount Pictures.
