The Afro-Eurasian Eclipse | ||||
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Studio album by | ||||
Released | 1975 | |||
Recorded | February 17, 1971 | |||
Studio | National Recording Studios, New York City | |||
Genre | Jazz | |||
Length | 37:33 | |||
Label | Fantasy | |||
Producer | Mercer Ellington | |||
Duke Ellington chronology | ||||
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The Afro-Eurasian Eclipse (subtitled A Suite in Eight Parts) is a studio album by American pianist, composer and bandleader Duke Ellington recorded in 1971 and released on the Fantasy label in 1975. Like other world music-influenced suites composed in the last decade of his life, The Afro-Eurasian Eclipse was called by NPR music critic David Brent Johnson one of Ellington's "late-period masterpieces." [1]
The album opens with a short spoken word introduction in which Ellington explains that the suite's title is inspired by Marshall McLuhan's vision of the onset of global cultural identity. [1]
Allmusic gave the album four stars out of five, describing it as "compelling, cosmopolitan, and organic ... All in all, a textured, cross-cultural treat for the ears." [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Notes:
The 2001 Duke Ellington tribute album Red Hot + Indigo includes two compositions from The Afro-Eurasian Eclipse: "Didjeridoo" is performed by the jazz-influenced post-rock band Tortoise, and "Acht O'Clock Rock" is performed by jazz-fusion trio Medeski Martin & Wood, who also covered "Chinoiserie" on their 1995 album Friday Afternoon in the Universe , and have often performed these and other Ellington compositions live.
...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the 1967 death of his long-time collaborator, Billy Strayhorn. It won the Grammy Award for Best Large Jazz Ensemble Album in 1968.
Far East Suite is a 1967 concept album by American jazz musician Duke Ellington, inspired by his group's tour of Asia. Ellington and longtime collaborator Billy Strayhorn wrote the compositions.
Russell Keith Procope was an American clarinetist and alto saxophonist who was a member of the Duke Ellington orchestra.
Black, Brown and Beige is a 1958 jazz album by Duke Ellington and his orchestra, featuring Mahalia Jackson.
Such Sweet Thunder is a Duke Ellington album, released in 1957. The record is a twelve-part suite based on the work of William Shakespeare.
Sacred Concert by Duke Ellington is one of the following realisations:
The Ellington Suites is an album by the American pianist, composer, and bandleader Duke Ellington. It collects three suites recorded in 1959, 1971, and 1972, and was released on the Pablo label in 1976. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1976. Ellington and Billy Strayhorn wrote "The Queen's Suite" for Queen Elizabeth II who was presented with a single pressing of the recording, which was not commercially issued during Ellington's lifetime.
New Orleans Suite is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970. The album contains the final recordings of longtime Ellington saxophonist Johnny Hodges, who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band.
Togo Brava Suite is an album by the American pianist, composer, and bandleader Duke Ellington. It was recorded in England and released by United Artists Records in 1971. The album won a Grammy Award for Best Jazz Performance by a Big Band in 1972. The album was later reissued on CD by Blue Note in 1994, and studio recordings of the complete "Togo Brava Suite" were released in 2001 by Storyville.
Concert in the Virgin Islands is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1965. The album features studio recordings that Ellington with the Boston Pops Orchestra conducted by Arthur Fiedler composed after he and his orchestra played concerts on St. Croix and St. Thomas in the Virgin Islands in April, 1965. This album includes the four-part Virgin Islands Suite, as well as numbers played at the concerts on the islands.
Duke Ellington Plays Mary Poppins is an album by American pianist, composer and bandleader Duke Ellington recorded in 1964 and released on the Reprise label in 1965. The album features recordings of tunes from the 1964 musical film Mary Poppins arranged by Ellington and Billy Strayhorn.
Afro-Bossa is an album by American pianist, composer and bandleader Duke Ellington recorded and released on the Reprise label in 1963.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Festival Session is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia Records label in 1959. The album was rereleased on CD in 2004 with two bonus tracks.
Liberian Suite is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1947. The album was Ellingon's second 10" LP album and one of his earlier works on the Columbia label. The suite represents one of Ellington's early extended compositions and was commissioned for the Liberian centennial. The Liberian Suite was released on CD as bonus tracks on Ellington Uptown in 2004.
The Nutcracker Suite is an album by American pianist, composer and bandleader Duke Ellington recorded for Columbia Records in 1960 featuring jazz interpretations of the 1892 ballet "The Nutcracker" by Tchaikovsky, arranged by Ellington and Billy Strayhorn.
The Carnegie Hall Concerts: December 1947 is a live album by American pianist, composer and bandleader Duke Ellington recorded at Carnegie Hall, in New York City in 1947 and released on the Prestige label in 1977.
Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York is the eighth volume of The Private Collection - whereas is Volume 5 in the edition of the collection by the English KAZ Jazz Masters label - a series documenting recordings made by American pianist, composer and bandleader Duke Ellington for his personal collection which was first released on the LMR label in 1987 and later on the Saja label.
Braggin' in Brass: The Immortal 1938 Year is a compilation album of American pianist, composer and bandleader Duke Ellington's 1938 recordings for the Brunswick label which was released in 1991.