White Gardenia | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1961 | |||
Recorded | July 13, 14 & 17, 1961 at Plaza Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 38:54 | |||
Label | Riverside RLP 387 (mono), RS 9387 | |||
Producer | Orrin Keepnews | |||
Johnny Griffin chronology | ||||
|
White Gardenia is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label. [1] Intended as a tribute album to jazz singer Billie Holiday, who had died two years earlier, she had sung all of the songs, except for the title track, which is the only original composition by Griffin on the album. The white gardenia was the flower Holiday often wore in her hair. The orchestral arrangements were written by Melba Liston and Norman Simmons.
Review scores | |
---|---|
Source | Rating |
DownBeat | [2] |
Penguin Guide to Jazz | [3] |
AllMusic | [4] |
Richard Cook and Brian Morton wrote in their Penguin Guide to Jazz on CD : "A delightful, smoothly orchestrated tribute to Lady Day that manages to be more than just pastiche" with the strings serving "mainly for depth of focus and harmony, rather than as emotional treacle." [3] The AllMusic site review by Scott Yanow stated the arrangements were "tasteful, and the lyrical music is well-performed, if not overly memorable. Worth checking out". [4]
A review of White Gardenia in DownBeat from March 1962 indicates that the album was in fact released not until about that time. [2] Riverside also released the title track as a single with "Good Morning, Heartache" as B-side (R 4514), [1] and a 7-inch EP with four tracks, adding "Detour Ahead" and "No More" (SE-2056). [5] In 1973, the album was reissued on a double LP coupled with another recording by Griffin with Orchestra from May and June 1960, originally released as The Big Soul-Band (Big Soul on Milestone). [6] White Gardenia was later reissued on CD as part of the Original Jazz Classics series on OJCCD 1877-2. [1]
Tracks 1, 7 and 9 were recorded on July 13, tracks 2, 5 and 8 were recorded July 14, and tracks 3, 4, 6 and 10 were recorded on July 17, 1961.
Full House is an album by the jazz guitarist Wes Montgomery, released in 1962.
Carmen McRae Sings Lover Man and Other Billie Holiday Classics is a 1962 studio album by Carmen McRae, recorded in tribute to McRae's idol, Billie Holiday, who had died two years previously.
A Night in Tunisia is a 1958 jazz album by Art Blakey & the Jazz Messengers, released by the RCA Victor subsidiary label Vik. It features the only recorded instances of saxophonists Jackie McLean and Johnny Griffin playing together.
Lady Sings the Blues is an album by American jazz vocalist Billie Holiday released in December 1956. It was Holiday's last album released on Clef Records; the following year, the label would be absorbed by Verve Records. Lady Sings the Blues was taken from sessions taped during 1954 and 1956. It was released simultaneously with her ghostwritten autobiography of the same name.
Horn Culture is an album by jazz saxophonist Sonny Rollins, his second to be released on the Milestone label, featuring performances by Rollins with Walter Davis Jr., Yoshiaki Masuo, Bob Cranshaw, David Lee and Mtume.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Fusion!: Wes Montgomery with Strings is an album by the American jazz guitarist Wes Montgomery, released in 1963.
Dizzy Gillespie at Newport is a 1957 live album by Dizzy Gillespie, featuring his big band, recorded at the 1957 Newport Jazz Festival.
The Alternative Wes Montgomery is a compilation album by the American jazz guitarist Wes Montgomery, released in 1982. It contains alternate takes from previous albums for Riverside. All the tracks are available on Wes Montgomery: The Complete Riverside Recordings.
Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
For Someone I Love is an album by vibraphonist Milt Jackson featuring big band performances arranged by Melba Liston recorded in 1963 and released on the Riverside label.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.
That's Him! is the second album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1957 for the Riverside label.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
Lonely and Blue is an album by jazz vocalist Etta Jones which was recorded in 1962 and released on the Prestige label.
Green Chimneys is an album by pianist Kenny Barron which was recorded in Holland in 1983 and first released on the Dutch Criss Cross Jazz label. The 1988 CD reissue included six bonus tracks.
Baker's Holiday is an album of songs associated with Billie Holiday by trumpeter/vocalist Chet Baker which was recorded in 1965 and released on the Limelight label.
Etta Jones Sings Lady Day is the final studio album by vocalist Etta Jones, featuring songs associated with Billie Holiday, which was recorded in 2001 and released on the HighNote label.