Big Band Bossa Nova | ||||
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Studio album by | ||||
Released | End of October 1962 [1] | |||
Recorded | August 27–28, 1962 CBS 30th Street Studio, New York City | |||
Genre | Bossa nova, jazz, cool jazz | |||
Length | 33:30 | |||
Label | Verve V6-8494 | |||
Producer | Creed Taylor | |||
Stan Getz chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat | [2] |
Allmusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Getz's second bossa nova album for Verve following Jazz Samba , his very successful collaboration with guitarist Charlie Byrd.
The music was recorded at the CBS 30th Street Studio in New York City on August 27 and 28, 1962.
The music for the album consists of four songs by Brazilian composers and four original compositions by McFarland. The instrumentation chosen by McFarland eschews the traditional big band format of eight brass and five saxophones for a smaller ensemble featuring four woodwinds and French horn as well as three trumpets and two trombones. The four piece rhythm section is augmented by two percussionists.
McFarland freely mixes his instrumental colors to provide a constantly shifting palette in support of Getz's tenor. Jim Hall, Hank Jones, Doc Severinsen and Bob Brookmeyer are each featured in short solos.
Although not reaching the chart heights of its predecessor, the album performed respectably on the charts. On the Billboard Top LP chart, it reached position #13, staying on for 23 weeks. [5]
Noted jazz critic Don DeMichael, writing in the December 6, 1962 issue of Down Beat magazine, awarded the album the top rating of five stars. He said: "Getz' melodic gift was never more evident; even the way he plays "straight" melody is masterful. Few jazzmen have had this gift... and it has to do with singing by means of an instrument, for Getz doesn't just play a solo, he sings it, as can be heard on any of these tracks, most evidently on Triste and Saudade." [2]
About the writing DeMichael says: "McFarland shares in the artistic success of the album. His writing is peerless... he knows the proper combination of instruments to achieve certain sounds and he has the taste not to use all the instruments at hand all the time. His sparing use of the ensemble allows the beauty of the soloist and the material to shine through". [2]
Bossa nova is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. Therefore, the "bossa nova beat", then, is characteristic of a samba style and not of an autonomous genre.
Robert Edward "Bob" Brookmeyer was an American jazz valve trombonist, pianist, arranger, and composer. Born in Kansas City, Missouri, Brookmeyer first gained widespread public attention as a member of Gerry Mulligan's quartet from 1954 to 1957. He later worked with Jimmy Giuffre, before rejoining Mulligan's Concert Jazz Band. He garnered 8 Grammy Award nominations during his lifetime.
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, songwriter, arranger and singer. Widely considered as one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound with remarkable popular success. As such he is sometimes known as the "father of bossa nova".
Stanley Getz was an American jazz saxophonist, professionally known as Stan Getz. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he popularized bossa nova in America with the hit single "The Girl from Ipanema" (1964).
João Gilberto, was a Brazilian singer, songwriter, and guitarist, who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world he was often called "father of bossa nova"; in his native Brazil, he was referred to as "O Mito".
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Jazz Samba is a bossa nova album by Stan Getz and Charlie Byrd released by Verve Records in 1962. Jazz Samba signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961.
The Composer of Desafinado, Plays is the first album by Antônio Carlos Jobim. Released in 1963, the album features a dozen instrumentals arranged by Claus Ogerman, whose work would mark the beginning of a lifelong musical relationship with Jobim. Of these twelve songs, nearly all of them are jazz standards. The opening track "The Girl from Ipanema" is believed to be the second most recorded song in history behind The Beatles' "Yesterday," and a recording of the song by Astrud Gilberto and Stan Getz became a worldwide hit in 1964.
James Elbert Raney was an American jazz guitarist born in Louisville, Kentucky, known for his work from 1951 to 1952 and then from 1953 to 1954 with the Red Norvo trio and, during the same time period, with Stan Getz. In 1954 and 1955, he won the Down Beat Critics' Poll for guitar. Raney worked in a variety of jazz mediums, including cool jazz, bebop, post bop, hard bop, and mainstream jazz.
"Samba de uma Nota Só" is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
Gary Robert McFarland was an American composer, arranger, vibraphonist and vocalist, prominent on Verve and Impulse! Records during the 1960s, when he made "one of the more significant contributors to orchestral jazz".
Astrud Gilberto is a Brazilian samba and bossa nova singer. She became popular in the 1960s after her performance of the song "The Girl from Ipanema".
Jazz Samba Encore! is a bossa nova album by Stan Getz and Luiz Bonfá, released on the Verve label. It is bossa nova in a slower groove. It contains a mix of Jobim standards as well as originals from Bonfá. Performers also include Antonio Carlos Jobim and vocalist Maria Toledo, Bonfá's wife. Some songs are subdued but substantial in tone, while "Um Abraco No Getz", features a blistering solo from Stan with Maria totally silent as she is on the superior track O Morro Nao Tem Vez. The painting on the cover is a piece by the influential New York based abstract expressionist Olga Albizu from Puerto Rico.
The recordings of American jazz saxophonist Stan Getz from 1944 to 1991.
Getz Au Go Go is a live album by American saxophonist Stan Getz and his quartet, featuring bossa nova singer Astrud Gilberto. It was recorded during two concerts in 1964 and released on Verve the same year as V6-8600.
Gloomy Sunday and Other Bright Moments is an album by jazz trombonist and arranger Bob Brookmeyer recorded in 1961 for the Verve label. Brookmeyer said: "I consider it my pride and joy. I took many creative risks here, most based on the heels of working with Bill [Finegan]. I used woodwinds, double reeds and other instrument configurations I hadn't used before. My attitude toward the orchestration was really a big step forward in my development".
Trombone Jazz Samba is an album by jazz trombonist and arranger Bob Brookmeyer featuring bossa nova compositions recorded in 1962 for the Verve label.
Gerry Mulligan '63 is an album recorded by American jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded in late 1962 which were released on the Verve label.
Bossa Nova is an album by American jazz trumpeter, composer and arranger Shorty Rogers, released on the Reprise label in 1962.
Big Band Bossa Nova is a studio album by Enoch Light and His Orchestra. It was released in 1962 on Command Records. The musicians performing solos included Doc Severinsen on trumpet, Tony Mottola on guitar, Phil Bodner on woodwinds, and Bobby Byrne on trombone.