Death of a Corrupt Man | |
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Directed by | Georges Lautner |
Written by | Raf Vallet (novel) Michel Audiard |
Produced by | Alain Delon Norbert Saada |
Starring | Alain Delon |
Cinematography | Henri Decaë |
Edited by | Michelle David |
Music by | Philippe Sarde |
Release date |
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Running time | 120 minutes |
Country | France |
Language | French |
Box office | 1.8 million admissions (France) [1] |
Death of a Corrupt Man (French : Mort d'un pourri), also known as The Twisted Detective, Death of a Louse and Kill a Rat, is a 1977 French political thriller directed by Georges Lautner and starring Alain Delon. [2] The film is based on the novel by Raf Vallet.
Mort d'un Pourri | ||||
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Soundtrack album by | ||||
Released | 1977 | |||
Recorded | 20 October 1977 CTS Wembley, London | |||
Genre | Film score | |||
Length | 49:34 | |||
Label | Melba LDA 20314 | |||
Stan Getz chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [3] |
The film score was composed and arranged by Philippe Sarde and features saxophonist Stan Getz fronting the London Symphony Orchestra and the soundtrack album was first released on the French Melba label. [4] [5]
Allmusic's Yuri German noted, "Film director Georges Lautner, who worked with Philippe Sarde on a dozen films, said that he was always impressed by the composer's ability to find an original musical approach to each picture. This time, Sarde, who always closely follows the editing process, suggested that they needed a strong soloist, preferably a tenor saxophone player, who would serve as a musical counterpart for the actor Alain Delon's famous good looks. Being a perfectionist, he opted for Stan Getz, one of the all-time great tenor saxophonists. Watching Getz's performance, Lautner decided to find a way to put the musician in the picture. He filmed Getz playing the opening theme, "Paris, Cinq Heures du Matin", solo, and it's the saxophonist's silhouette that appears during the credits sequence in the beginning of the film... The soundtrack turned out to be costly, but the director was pleased with the outcome. Sarde's instincts were right—Getz's saxophone gave the soundtrack a lyrical, nostalgic quality—fitting for Alain Delon's quest in the film for the sake of the past, to honor the memory of his dead friend". [3]
All compositions by Philippe Sarde.
Stan Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema".
Alain Fabien Maurice Marcel Delon was a French actor, film producer, screenwriter, and singer. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the 1960s, 1970s, and 1980s, and became an international sex symbol. His style, looks, and roles made him an icon of cinema worldwide and earned him enduring popularity. Delon achieved critical acclaim for his roles in films such as Women Are Weak (1959), Purple Noon (1960), Rocco and His Brothers (1960), L'Eclisse (1962), The Leopard (1963), The Black Tulip (1964), The Last Adventure (1967), Le Samouraï (1967), The Girl on a Motorcycle (1968), La Piscine (1969), Le Cercle Rouge (1970), Un flic (1972), and Monsieur Klein (1976). Over the course of his career, Delon worked with many directors, including Luchino Visconti, Jean-Luc Godard, Jean-Pierre Melville, Michelangelo Antonioni, and Louis Malle.
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The recordings of American jazz saxophonist Stan Getz from 1944 to 1991.
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