Diz and Getz | ||||
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Studio album by | ||||
Released | 1955 | |||
Recorded | December 9, 1953 in Radio Recorders, Hollywood, Los Angeles, California | |||
Genre | Jazz, bebop | |||
Length | 47:19 | |||
Label | Verve | |||
Producer | Norman Granz | |||
Dizzy Gillespie chronology | ||||
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Stan Getz chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Diz and Getz is an album by Dizzy Gillespie, featuring Stan Getz. [4]
On track 6 only:
For Musicians Only is a 1958 jazz album by Dizzy Gillespie, Stan Getz and Sonny Stitt incorporating bebop influences.
Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
The Duke Ellington Songbook, Vol. 1 is an album of Duke Ellington standards, performed by Sarah Vaughan, recorded in 1979 and released on the Pablo label.
Bird and Diz is a studio album by jazz saxophonist Charlie Parker and trumpeter Dizzy Gillespie. It was recorded primarily on June 6, 1950, in New York City. Two tracks featured on the original pressing, "Passport" and "Visa", were recorded by Parker, without Gillespie and with different personnel than the other tracks, in March and May 1949. The album was originally issued in 1952 in 10" format as a collection of 78 rpm singles on the Verve subsidiary label Clef Records.
Jazz Giants '58 is a 1958 album produced by Norman Granz featuring Stan Getz, Gerry Mulligan and Harry "Sweets" Edison, accompanied by Louis Bellson and the Oscar Peterson trio.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Oscar Peterson Jam – Montreux '77 is a 1977 live album featuring a jam session led by Oscar Peterson. At the Grammy Awards of 1979, Peterson won the Grammy Award for Best Jazz Performance by a Soloist for his performance on this album.
Have Trumpet, Will Excite! is a 1959 studio album by trumpeter Dizzy Gillespie.
An Electrifying Evening with the Dizzy Gillespie Quintet is a 1961 live album by trumpeter Dizzy Gillespie, recorded at the Museum of Modern Art in New York City.
Sittin' In is a 1957 studio album by Dizzy Gillespie, featuring the saxophonists Stan Getz, Paul Gonsalves and Coleman Hawkins.
Award Winner: Stan Getz is a 1957 album by Stan Getz.
Something Old, Something New is a studio album by Dizzy Gillespie, recorded and released in 1963.
Montreux '77 is an album by Count Basie and his orchestra, recorded at the 1977 Montreux Jazz Festival.
The Greatest Trumpet of Them All is an album by trumpeter Dizzy Gillespie featuring Benny Golson, recorded in 1957 and released on the Verve label.
Afro is a studio album by the jazz trumpeter Dizzy Gillespie. It was released in November 1954 through Norgran Records. Gillespie worked with many Cuban musicians on the album.
The Giant is a live album by trumpeter Dizzy Gillespie. It was recorded in Paris, France, in 1973, and first released on the French America label.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
West Coast Jazz is a 1955 album by Stan Getz accompanied by a quartet including trumpeter Conte Candoli. Getz recorded the album in California, where he was filming parts for The Benny Goodman Story, and appearing for a week at the nightclub Zardi's Jazzland. The musicians that accompanied him at Zardi's were chosen by Getz to make this album with him.
Another World is an album by saxophonist Stan Getz, recorded in 1977 and released on the Columbia label as a double LP.
Wailin' at the Vanguard is a live album by Arthur Taylor's Wailers, led by drummer Taylor, and featuring saxophonists Abraham Burton and Willie Williams, pianist Jacky Terrasson, and double bassist Tyler Mitchell. Taylor's final release as a leader, it was recorded on August 29 and 30, 1992, at the Village Vanguard in New York City, and was issued on CD in 1993 by Verve Records.