A Night in Tunisia

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"A Night in Tunisia"
Instrumental by Dizzy Gillespie & His Sextet
Written1942
Recorded1944
Genre Jazz, bebop [1]
Composer(s)

"A Night in Tunisia" is a musical composition written by American trumpeter Dizzy Gillespie in 1942. [2] He wrote it while he was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", [3] and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. [4] [5]

Contents

Background

Gillespie called the tune "Interlude" and said "some genius decided to call it 'A Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. [6] "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. [7]

On the album A Night at Birdland Vol. 1 , Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can." The audience laughs, but Blakey responds, "Seriously." The liner notes say, "The sanitation department can take a low bow."

Jon Hendricks wrote the now-standard lyrics for the tune, which he performed with Lambert, Hendricks & Ross, and which were also sung by Ella Fitzgerald. However, Hendricks wrote a new lyric in 1982, "Another Night in Tunisia," which was sung by The Manhattan Transfer on their 1985 Vocalese album, and by Bobby McFerrin on his 1986 album Spontaneous Inventions . [8] [9]

Analysis

Bass vamp underpinning the A sections of "A Night in Tunisia" Night In Tunisia.png
Bass vamp underpinning the A sections of "A Night in Tunisia"

The complex ostinato bass line in the "A section" is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard "Alone Together", causing the V chord to lead back into the Sub V of the A section.

Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections — in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Notable recordings

Early recordings 1944–1946

Cover versions

References

  1. Porter, Eric (31 January 2002). What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. University of California Press. pp. 74–. ISBN   978-0-520-92840-4 . Retrieved 14 October 2018.
  2. https://www.kuvo.org/stories-of-standards-night-in-tunisia-by-dizzy-gillespie/
  3. "Night in Tunisia" at jazzstandards.com. Accessed 10 January 2008.
  4. "Original versions of Interlude written by Raymond Leveen | SecondHandSongs". SecondHandSongs.
  5. "Sarah Vaughan Discography: Early Years".
  6. Gillespie, Dizzy (2009). To Be, or Not – to Bop. University of Minnesota Press. pp. 171–172. ISBN   978-0-8166-6547-1 . Retrieved 14 October 2018.
  7. "GRAMMY Hall of Fame". 18 October 2010.
  8. "Another Night in Tunisia". SecondHandSongs. Retrieved September 23, 2024.
  9. "Night in Tunisia (1942)". Jazz Standards. Retrieved September 23, 2024.
  10. "Cover versions of Night in Tunisia by Dizzy Gillespie | SecondHandSongs". SecondHandSongs.
  11. "Original versions of Interlude by Sarah Vaughan with Dizzy Gillespie and His Orchestra | SecondHandSongs". SecondHandSongs.
  12. "Sarah Vaughan Discography: Early Years".
  13. "Boyd Raeburn and His Orchestra – I Didn't Know About You / Interlude (Night in Tunisia) (1945, Shellac)". Discogs . 1945.
  14. "Dizzy Gillespie Discography".
  15. "Dizzy Gillespie Discography".
  16. "Dizzy Gillespie and His Orchestra / Coleman Hawkins' 52nd Street All Stars – New 52nd Street Jazz (1946, Camden Pressing, Shellac)". Discogs . 1946.
  17. "Charlie Parker Septet – A Night in Tunisia / Ornithology (1946, Shellac)". Discogs . 1946.
  18. 1 2 3 4 5 6 7 8 9 10 11 Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 299–300. ISBN   978-0-19-993739-4.
  19. "Today and Tomorrow".
  20. Jazz, All About (2010-11-28). "Ibrahim Maalouf: Diasporas album review @ All About Jazz". All About Jazz. Retrieved 2025-01-22.
  21. "Departing, by Jesus Molina". Jesus Molina. Retrieved 2024-11-28.
  22. Kennelty, Greg. "IMPERIAL TRIUMPHANT Streams Cover Of DIZZY GILLESPIE's "A Night In Tunisia"". Metal Injection. Retrieved 12 September 2023.