Perceptions | ||||
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Studio album by | ||||
Released | 1961 | |||
Recorded | May 18 and 22, 1961 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 33:19 | |||
Label | Verve V6-8411 | |||
Producer | Creed Taylor | |||
Dizzy Gillespie chronology | ||||
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Perceptions is a composition for trumpet soloist and large jazz orchestra composed and arranged by J. J. Johnson. The piece was commissioned by Dizzy Gillespie and recorded in 1961 for the Verve label. The instrumentation of the orchestra is unusual in that no saxophones or woodwinds are used. [1]
The AllMusic review by Scott Yanow states: "Often reminiscent of classical music, Johnson's writing allows plenty of room for Gillespie to improvise. The result is a rather unique set of music that is well worth searching for." [2]
Review scores | |
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Source | Rating |
AllMusic | [2] |
DownBeat | [3] |
All compositions by J. J. Johnson
New Bottle Old Wine is an album by jazz composer, arranger, conductor and pianist Gil Evans recorded in 1958 by Evans with an orchestra. The album is a suite of songs written by and/or associated with major jazz musicians and composers, in original arrangements by Gil Evans. Cannonball Adderley is featured as the main soloist. The orchestra also featured a number of important players including Bill Barber, Frank Rehak, Johnny Coles, Art Blakey, and Paul Chambers.
Charles Mingus and Friends in Concert is a live album by the jazz bassist and composer Charles Mingus, recorded at the Philharmonic Hall of the Lincoln Center for the Performing Arts in 1972 and released on the Columbia label. The CD release added five previously unreleased performances from the concert, but did not include the opening track, Fats Waller's "Honeysuckle Rose", present in the LP version and on former Japanese CD editions.
Gillespiana is an album by trumpter Dizzy Gillespie featuring compositions by Lalo Schifrin recorded in 1960 and released on the Verve label. The album features Schifrin's suite written to feature Gillespie and his orchestra.
Carnegie Hall Concert is an album by trumpeter Dizzy Gillespie recorded in 1961 at Carnegie Hall, New York City and released on the Verve label.
A Portrait of Duke Ellington is an album featuring trumpeter Dizzy Gillespie and orchestra performing compositions associated with Duke Ellington, recorded in 1960 and released on the Verve label. All of the orchestral arrangements were provided by then Hi-Lo's accompanist – and sometimes arranger – Clare Fischer, hired on the basis of a previously recorded but unreleased album with strings, arranged by Fischer for erstwhile University of Michigan classmate Donald Byrd. Byrd played the tape for Gillespie; Gillespie liked what he heard. Unfortunately for Fischer, especially in light of the critical accolades given the eventual fruit of his, and Gillespie's, labor, Fischer's name was nowhere to be found on the finished LP; widespread awareness of his participation would have to await the CD reissue almost 2½ decades later.
The Ebullient Mr. Gillespie is an album by trumpeter Dizzy Gillespie, recorded in 1959 and released on the Verve label.
The Greatest Trumpet of Them All is an album by trumpeter Dizzy Gillespie featuring Benny Golson, recorded in 1957 and released on the Verve label.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Dizzy in Greece is an album by trumpeter Dizzy Gillespie, recorded in 1956 and 1957 and released on the Verve label. The album was reissued as part of the 2CD compilation Birks Works: The Verve Big Band Sessions.
World Statesman is an album by trumpeter Dizzy Gillespie, recorded in 1956 and released on the Norgran label. The album was reissued as part of the 2CD compilation Birks Works: The Verve Big Band Sessions.
Dizzy and Strings is an album by trumpeter Dizzy Gillespie, released in 1955 by Norgran Records.
Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie is an album by composer, arranger and conductor Gil Fuller featuring trumpeter Dizzy Gillespie recorded in 1965 and originally released on the Pacific Jazz label. The album was rereleased on CD combined with Fuller's Night Flight on the Blue Note label as Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie & James Moody in 2008.
Free Ride is an album by trumpeter Dizzy Gillespie which was composed, arranged and conducted by Lalo Schifrin, recorded in 1977 and released on the Pablo label. The album represents the first collaboration between the two since The New Continent in 1962.
New Faces is an album by trumpeter Dizzy Gillespie recorded in 1984–85 and released on the GRP label.
Live at the Royal Festival Hall is an album by Dizzy Gillespie and the United Nation Orchestra. It won the Grammy Award for Best Large Jazz Ensemble Album in 1991. The concert was also released on DVD.
The Winter in Lisbon is a soundtrack album for the European film of the same name directed by José A. Zorrilla composed and performed by trumpeter Dizzy Gillespie in 1990 and released on the Milan label. The album represents the final studio recordings by the trumpet legend.
Slide Hampton and His Horn of Plenty is the debut album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Strand label in 1961.
Gerry Mulligan and the Concert Jazz Band at the Village Vanguard is a live album recorded by American jazz saxophonist and bandleader Gerry Mulligan featuring performances recorded at the Village Vanguard in late 1960 which were released on the Verve label.
The Kenton Era is a compilation album by pianist and bandleader Stan Kenton featuring recordings from 1940 to 1954 which was originally released in two limited edition box sets, as fifteen 7 inch 45 rpm discs and four 12 inch LPs, on Capitol in 1955.
Drum Song is an album by drummer Philly Joe Jones which was recorded in 1978, at the same sessions that produced Advance!, but not released on the Galaxy label until 1985.