| Young Man with a Horn | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 1953 [1] | |||
| Recorded | May 9, 1952 | |||
| Studio | WOR Studios, NYC | |||
| Genre | ||||
| Length | 22:21 | |||
| Label | Blue Note BLP 5013 | |||
| Producer | Alfred Lion | |||
| Miles Davis chronology | ||||
| ||||
Young Man with a Horn, also known as Miles Davis, Vol. 1, is the second 10-inch LP by American jazz trumpeter Miles Davis, recorded at WOR studios on May 9, 1952 and released on Blue Note the following year. [1] [2]
Young Man with a Horn was recorded on May 9, 1952, during Davis's struggles with heroin addiction. The album was the first of three 10" LPs recorded by Davis for Blue Note during the early 1950s. Davis states in his autobiography that his contract for Prestige Records, for whom he had recorded his first LP the previous year, was non-exclusive, but elsewhere he states the initial Prestige contract was for only one year. [3]
All cuts were initially issued as singles except "How Deep Is the Ocean." [4] [5] Young Man with a Horn was also reissued on Vogue in 1954. [6]
The original master takes were split and merged with Davis' two other sessions for Blue Note and re-released on 12 inch LPs Miles Davis, Vols. 1 & 2 in January and February 1956, shortly after Davis won the DownBeat reader's poll for best trumpeter. [7] [8]
| Review scores | |
|---|---|
| Source | Rating |
| The Encyclopedia of Popular Music |   [9] |
The Encyclopedia of Popular Music gave the album three-out-of-five stars. [9]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Dear Old Stockholm" | Traditional, Stan Getz, arr. by Davis | 4:12 |
| 2. | "Would'n You" | Dizzy Gillespie | 3:22 |
| 3. | "Yesterdays" | Jerome Kern, Otto Harbach | 3:42 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 4. | "Chance It" (a.k.a. "Max Is Making Wax") | Oscar Pettiford, credited to Davis | 3:05 |
| 5. | "Donna" (a.k.a. "Dig") | Miles Davis | 3:22 |
| 6. | "How Deep Is the Ocean?" | Irving Berlin | 4:38 |
| Total length: | 22:21 | ||
Miles Davis, Vol. 2 is the fifth 10-inch LP by trumpeter Miles Davis, recorded on April 20, 1953 and released on Blue Note later that year—his second session and first release for the label.
Miles Davis, Volumes 1 & 2 are a pair of separate but related albums by American jazz trumpeter Miles Davis recorded on May 9, 1952, April 20, 1953 and March 6, 1954 and released on Blue Note early 1956. The three sessions were originally released on ten-inch LPs as Young Man with a Horn (1953), Miles Davis, Vol. 2 (1953) and Miles Davis, Vol. 3 (1954), respectively.
Walkin' is a Miles Davis compilation album released in March 1957 by Prestige Records. The album compiles material previously released on two 10 inch LPs in 1954 (Miles Davis All-Star Sextet and Side One of Miles Davis Quintet, dropping "I'll Remember April" from Side Two and replacing it with the previously unreleased "Love Me or Leave Me" recorded at the same session. Here credited to the "Miles Davis All-Stars", the songs were recorded on April 3 and 29, 1954, by two slightly different groups led by Davis. Both sessions were recorded at Rudy Van Gelder's home studio.
Miles Davis and the Modern Jazz Giants is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP Miles Davis All Stars, Volume 1, and "Bemsha Swing" and "The Man I Love" had been previously released on Volume 2. "'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in Steamin' with the Miles Davis Quintet and three other albums to fulfill Davis's contract with Prestige.
Bags' Groove is a jazz album by Miles Davis, released in 1957 by Prestige, compiling material from two 10" LPs recorded in 1954, plus two alternative takes.
The Musings of Miles is the first 12" LP record by Miles Davis. It was issued by Prestige Records in September 1955, following several LPs issued in the 10 inch format. The six tracks were all recorded at Rudy Van Gelder's home studio on June 7, 1955.
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, The original album was later released as Diggin' with the catalogue number PR 7281 and a different cover. Dig was reissued as a compact disc with additional tracks.
Miles Davis and Horns is a compilation album by the American jazz trumpeter Miles Davis. Released in 1956, by Prestige Records, it compiles material from albums previously released by Prestige in the discontinued 10 inch LP format. The fifth, sixth, and eighth tracks were originally issued on the various artists album Modern Jazz Trumpets, and had also been issued as 78rpm singles. Tracks 1–4 first appeared on Miles Davis Plays The Compositions Of Al Cohn. Track 3 was also previously released as the B-side of the "Morpheus" single. Track 7 was originally on Blue Period.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
The Legendary Prestige Quintet Sessions is a four compact disc box set of recordings by the Miles Davis Quintet released in 2006 by the Concord Music Group. It collates on three discs the entire set of recordings that made up the Prestige Records albums released from 1956 through 1961 — Miles, Cookin', Relaxin', Workin', and Steamin'. The track "'Round Midnight" was released on the album Miles Davis and the Modern Jazz Giants. The fourth disc contains live material from a television broadcast and in jazz club settings. It peaked at #15 on the Billboard jazz album chart, and was reissued on December 2, 2016, in a smaller compact disc brick packaging.
The following is the discography of American jazz pianist and composer Thelonious Monk (1917–1982).
The New Sounds is the debut solo studio album by the American jazz musician Miles Davis. Released in late 1951 as a 10-inch LP, it is his first album as a bandleader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
The Compositions of Al Cohn is a 10" LP by jazz musician Miles Davis, recorded on February 19, 1953 and released later that year on Prestige, his third album as leader for the label, and fourth altogether, following 1952's Young Man with a Horn for Blue Note.
Miles Davis Quartet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The first four tracks that comprise Side 1 were recorded at New York's WOR Studios, on May 19, 1953. The last three, heard on Side 2, were recorded nearly a year later, at New York's Beltone Studios, on March 15, 1954.
Miles Davis All Star Sextet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The two side-long tracks were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, April 29, 1954.
Miles Davis, Vol. 3 is the sixth 10" studio album by musician Miles Davis, recorded on March 6, 1954 and released by Blue Note later that year, the third and last of his three ten-inches published for the label. Davis would once again record at Blue Note, but as a sideman on Cannonball Adderley's Somethin' Else, several years later.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.
The Charlie Parker Story is an LP record by Charlie Parker, released posthumously by Savoy Records. While many of the tracks on this album had been previously released on other formats, this is the first album that chronicles the entire session, recorded November 26, 1945, including all takes of all pieces. This session is famous in that it is the first recorded under Parker's name. It is also controversial, in that to this day it is unclear who the pianist and trumpet player are on all of the tracks.
