Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums.
Filles de Kilimanjaro is a studio album by the American jazz trumpeter Miles Davis. It was recorded in June and September 1968 at Columbia 30th Street Studio in Manhattan, New York City, and released on Columbia Records in December of that year in the United Kingdom and in the United States the following February. The album is a transitional work for Davis, who was shifting stylistically from acoustic post-bop recordings with his Second Great Quintet to the jazz fusion of his subsequent "electric period". Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz. Pianist Chick Corea and bassist Dave Holland appear on two tracks, marking their first participation on a Davis album.
In a Silent Way is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances.
Jack Johnson is a studio album and soundtrack by the American jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971, by Columbia Records.
On the Corner is a studio album by the American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of that year by Columbia Records. The album continued Davis' exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, the free jazz of Ornette Coleman, and the work of collaborator Paul Buckmaster.
Big Fun is an album by American jazz trumpeter Miles Davis. It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. It was advertised as a new album with "four new Miles Davis compositions" One of three Davis albums released in 1974 and largely ignored, it was reissued on August 1, 2000, by Columbia and Legacy Records with additional material, which led to a critical reevaluation.
Live-Evil is an album of both live and studio recordings by the American jazz musician Miles Davis. Parts of the album featured music from Davis' concert at the Cellar Door in 1970, which producer Teo Macero subsequently edited and pieced together in the studio. They were performed as lengthy, dense jams in the jazz-rock style, while the studio recordings consisted mostly of renditions of Hermeto Pascoal compositions. The album was originally released on November 17, 1971.
The Complete Bitches Brew Sessions is a four-disc box set by jazz trumpeter Miles Davis compiling recordings between August 19, 1969, and February 6, 1970—including the 1970 double album Bitches Brew in its entirety—and released on Columbia/Legacy on November 24, 1998.
The Cellar Door Sessions 1970 is a boxed live album released in 2005. It compiles six of ten sets that were performed over four December nights in 1970 at the D. C. nightclub the Cellar Door. Despite similar formatting, it is not a part of the Miles Davis Series of box sets.
Live at the Fillmore East March 7, 1970: It's About That Time is a live double album by Miles Davis recording two sets performed on March 7, 1970 and released by Columbia/Legacy in 2001, although the concert had previously circulated as a bootleg recording.
The Complete Jack Johnson Sessions were recorded in April 1970 by Miles Davis, and released in September 2003. These sessions formed the basis for the 1971 album Jack Johnson, as well as some of the studio portions of Live-Evil.
Black Beauty: Miles Davis at Fillmore West is a live double album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on April 10, 1970, at the Fillmore West in San Francisco, shortly after the release of the trumpeter's Bitches Brew album and the recording of Jack Johnson (1971). Black Beauty was produced by Teo Macero, Davis' longtime record producer. A jazz-rock and fusion album, Black Beauty captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band—saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira—through one continuously performed set list which functioned as a musical suite for soloists to improvise throughout. He signaled changes from one piece to the next with phrases played on his trumpet.
Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and box sets.
In Concert is a live double album by the American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics."
Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired.
Over the years, Keith Jarrett has recorded in many different settings: jazz piano trio, classical and baroque music, improvised contemporary music, solo piano, etc. Well known for his tremendous impact on the piano and jazz scene, as a composer, multi-instrumentalist, and first class improviser, Keith Jarrett's original output embraces many different musical styles and spans a period of almost 50 years, comprising a generous production of more than 100 albums.
Bitches Brew Live is a live album by Miles Davis. The album was released in February 2011 and contains material compiled from two concert performances. Most of the songs on the album originally appeared on Bitches Brew. The first three tracks were recorded at the Newport Jazz Festival in July 1969, nine months before the release of Bitches Brew, while the rest of the album was recorded at 1970 Isle of Wight Festival. The three cuts from Newport—"Miles Runs the Voodoo Down", "Sanctuary", and "It's About That Time/The Theme"—were previously unreleased at the time and have since been reissued on Miles Davis at Newport 1955–1975: The Bootleg Series Vol. 4. This recording marks the first known time that "Miles Runs the Voodoo Down" was professionally recorded. The final six cuts appeared on the "Miles Electric" DVD in video form and the audio portion was included in the box set Miles Davis: The Complete Columbia Album Collection. A seventeen-minute segment appeared under the title "Call It Anything" on the First Great Rock Festivals of the Seventies: Isle of Wight/Atlanta Pop Festival compilation album in 1971.
1969 Miles: Festiva de Juan Pins is a live album by Miles Davis recorded at the jazz festival in La Pinède, Juan-les-Pins, Antibes, France, as an ORTF radio broadcast.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. 3 is a four-CD live album compiling the four nights of Miles Davis's performances at the Fillmore East in New York City, June 17–20, 1970, with three additional tracks recorded at the Fillmore West two months earlier. The concert series was originally released in part as the double album Miles Davis at Fillmore but was given the first complete unedited release on this box set.
