Armando Anthony "Chick" Corea was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock and Keith Jarrett, Corea is considered to have been one of the foremost jazz pianists of the post-John Coltrane era.
Return to Forever was an American jazz fusion band that was founded by pianist Chick Corea in 1972. The band has had many members, with the only consistent bandmate of Corea's being bassist Stanley Clarke. Along with Weather Report, The Headhunters, and Mahavishnu Orchestra, Return to Forever is often cited as one of the core groups of the jazz-fusion movement of the 1970s. Several musicians, including Clarke, Flora Purim, Airto Moreira and Al Di Meola, came to prominence through their performances on Return to Forever albums.
Filles de Kilimanjaro is a studio album by American jazz trumpeter Miles Davis. It was recorded in June and September 1968, and released on Columbia Records. It was released in the United Kingdom by the company's subsidiary Columbia (CBS) in 1968 and in the United States during February 1969. The album is a transitional work for Davis, who was shifting stylistically from acoustic recordings with his "second great quintet" to his electric period. Filles de Kilimanjaro was well received by contemporary music critics, who viewed it as a significant release in modern jazz. Pianist Chick Corea and bassist Dave Holland appear together on two tracks, their first participation on a Davis album.
In a Silent Way is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances.
Jack Johnson is a studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971, by Columbia Records.
On the Corner is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded in June and July 1972 and released on October 11 of the same year by Columbia Records. The album continued Davis's exploration of jazz fusion, and explicitly drew on the influence of funk musicians Sly Stone and James Brown, the experimental music of Karlheinz Stockhausen, the free jazz of Ornette Coleman, and the work of collaborator Paul Buckmaster.
Big Fun is an album by American jazz trumpeter Miles Davis. It was released by Columbia Records on April 19, 1974, and compiled recordings Davis had made in sessions between 1969 and 1972. It was advertised as a new album with "four new Miles Davis compositions" One of three Davis albums released in 1974 and largely ignored, it was reissued on August 1, 2000, by Columbia and Legacy Records with additional material, which led to a critical reevaluation.
Live-Evil is an album of both live and studio recordings by American jazz musician Miles Davis. Parts of the album featured music from Davis' concert at the Cellar Door in 1970, which producer Teo Macero subsequently edited and pieced together in the studio. They were performed as lengthy, dense jams in the jazz-rock style, while the studio recordings consisted mostly of renditions of Hermeto Pascoal compositions. The album was originally released on November 17, 1971.
The Cellar Door Sessions 1970 is a boxed live album released in 2005. It was recorded over several nights in 1970 at the Washington D. C. nightclub The Cellar Door. Despite similar formatting to The Miles Davis Series of box sets, it is not part of that series.
Live at the Fillmore East March 7, 1970: It's About that Time is a live double album by Miles Davis. Sony Music Entertainment released the album in 2001, although the concert had previously circulated as a bootleg recording. The March 7, 1970 concert consisted of two sets, each of which is presented on one compact disc.
The Complete Jack Johnson Sessions were recorded in April 1970 by Miles Davis, and released in September 2003. These sessions formed the basis for the 1971 album Jack Johnson, as well as some of the studio portions of Live-Evil.
Black Beauty: Miles Davis at Fillmore West is a live double album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on April 10, 1970, at the Fillmore West in San Francisco, shortly after the release of the trumpeter's Bitches Brew album and the recording of Jack Johnson (1971). Black Beauty was produced by Teo Macero, Davis' longtime record producer.
Circle in the Round is a 1979 compilation album by jazz musician Miles Davis. It compiled outtakes from sessions across fifteen years of Davis's career that, with one exception, had been previously unreleased. All of its tracks have since been made available on album reissues and posthumous box sets.
In Concert is a live double album by American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics".
Dark Magus is a live double album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 30, 1974, at Carnegie Hall in New York City, during the electric period in the musician's career. Davis' group at the time of the concert included bassist Michael Henderson, drummer Al Foster, percussionist Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas. He also used the show to audition saxophonist Azar Lawrence and guitarist Dominique Gaumont. Dark Magus was produced by Teo Macero and featured four two-part recordings with titles from the Swahili words for the numbers one through four.
Over the years, Keith Jarrett has recorded in many different settings: jazz piano trio, classical and baroque music, improvised contemporary music, solo piano, etc. Well known for his tremendous impact on the piano and jazz scene, as a composer, multi-instrumentalist, and first class improviser, Keith Jarrett's original output embraces many different musical styles and spans a period of almost 50 years, comprising a generous production of more than 100 albums.
Bitches Brew Live is a live album by Miles Davis. The album was released in February 2011 and contains material compiled from two concert performances. Most of the songs on the album originally appeared on Bitches Brew. The first three tracks were recorded at the Newport Jazz Festival in July 1969, nine months before the release of Bitches Brew, while the rest of the album was recorded at 1970 Isle of Wight Festival. The three cuts from Newport -- "Miles Runs the Voodoo Down", "Sanctuary", and "It's About That Time/The Theme" —- were previously unreleased at the time and have since been reissued on the "At Newport 1955-1975" volume of the Sony Bootleg series. This recording marks the first known time that "Miles Runs the Voodoo Down" was professionally recorded. The final six cuts appeared on the "Miles Electric" DVD in video form and the audio portion was included in the box set Miles Davis: The Complete Columbia Album Collection. A seventeen-minute segment appeared under the title "Call It Anything" on the "First Great Rock Festivals Of The Seventies: Isle Of Wight/Atlanta Pop Festival" compilation album in 1971.
1969 Miles Festiva De Juan Pins is a live album by Miles Davis recorded at the jazz festival in La Pinède, Juan-les-Pins, Antibes, France, as an ORTF radio broadcast.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. 3 is a 4 CD live album compiling the four nights of Miles Davis's performances at the Fillmore East in New York City from June 17-20, 1970 and three additional tracks recorded at the Fillmore West two months earlier. The concert series was originally released in part as a double album Miles Davis at Fillmore but was given the first complete unedited release on this box set.
