Dig | ||||
---|---|---|---|---|
![]() | ||||
Compilation album by | ||||
Released | January 1956 [1] | |||
Recorded | October 5, 1951 | |||
Studio | Apex (New York City) | |||
Genre | Jazz | |||
Length | 34:45 (Original LP Format) 44:00 (CD Reissue) | |||
Label | Prestige | |||
Producer | Bob Weinstock | |||
Miles Davis chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
PopMatters | 7/10 [5] |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, The original album was later released as Diggin' with the catalogue number PR 7281 and a different cover. Dig was reissued as a compact disc with additional tracks.
After inaugurating the school of cool jazz with the Birth of the Cool recording sessions in 1949 and 1950, Davis almost immediately turned away from that sound in the early 1950s, instead exploring hard bop. Dig was also the jazz recording debut of saxophonist Jackie McLean, and was one of Sonny Rollins's earliest recordings; both men would go on to become major voices in jazz.
The material was originally released on two 10-inch LPs, except for "Denial", released on a 1954 7" (Prestige PREP 1361). "Dig" and "It's Only a Paper Moon" first appeared on The New Sounds (PRLP 124), as did "Conception" and "My Old Flame". "Bluing" and "Out of the Blue" were originally released on Blue Period (PRLP 140). When the material was reconfigured for the new 12-inch format, "Conception" and "My Old Flame" were included on the Prestige various artists collection Conception (PRLP 7013).
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dig" | Jackie McLean | 7:33 |
2. | "It's Only a Paper Moon" | Harold Arlen, Yip Harburg, Billy Rose | 5:23 |
3. | "Denial" | Miles Davis | 5:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Bluing" | Miles Davis | 9:55 |
2. | "Out of the Blue" | Miles Davis | 6:15 |
Total length: | 34:45 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dig" | Jackie McLean | 7:33 |
2. | "It's Only a Paper Moon" | Harold Arlen, Yip Harburg, Billy Rose | 5:23 |
3. | "Denial" | Miles Davis | 5:39 |
4. | "Bluing" | Miles Davis | 9:55 |
5. | "Out of the Blue" | Miles Davis | 6:15 |
6. | "My Old Flame" | Sam Coslow | 6:34 |
7. | "Conception" | George Shearing | 4:01 |
Total length: | 45:20 |
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Bags' Groove is a jazz album by Miles Davis, released in 1957 by Prestige Records, compiling material from two 10" LPs recorded in 1954, plus two alternative takes.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August of 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.
Cool Struttin' is an album by jazz pianist Sonny Clark that was released by Blue Note Records in August 1958. Described as an "enduring hard-bop classic" by The New York Times, the album features alto saxophonist Jackie McLean, trumpeter Art Farmer and two members of the Miles Davis Quintet, drummer Philly Joe Jones and bassist Paul Chambers. According to The Stereo Times, the album enjoys "a nearly cult status among hardcore jazz followers", a reputation AllMusic asserts it deserves "for its soul appeal alone".
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Miles Davis and Horns is a compilation album by jazz trumpeter Miles Davis, released by Prestige Records in 1956.
Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker on tenor sax, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Thelonious Monk and Sonny Rollins is a compilation album by jazz pianist and composer Thelonious Monk and saxophonist Sonny Rollins released in 1956 by Prestige Records. The tracks on it were recorded in three sessions between 1953 and 1954. While this is its original title, and its most consistent title in its digital re-releases, it was also released on Prestige as Work! and The Genius Of Thelonious Monk, with alternative covers.
Lights Out! is a studio album by saxophonist Jackie McLean, his debut on Prestige Records. It was recorded in 1956 and released the same year as PRLP 7035. The album was reissued on CD in 1990. It was re-issued on 180 gram vinyl by Analogue Productions in 2012. It features McLean in a quintet with trumpeter Donald Byrd, pianist Elmo Hope, bassist Doug Watkins and drummer Art Taylor.
4, 5 and 6 is a studio album by saxophonist Jackie McLean recorded for Prestige Records. It was recorded in 1956 and originally released that year as PRLP 7048. In 1962, the album was reissued under the same title on the Prestige sub-label New Jazz Records as NJ 8279 with a different cover. The album was reissued on CD in 1991. It features McLean in a quartet with pianist Mal Waldron, bassist Doug Watkins and drummer Art Taylor. Trumpeter Donald Byrd guests on three tracks, and tenor saxophonist Hank Mobley on one.
2 Trumpets is an album by trumpeters Art Farmer and Donald Byrd, recorded in 1956 and released on the Prestige label. They are joined by Jackie McLean in the front line for the uptempo pieces but have a ballad quartet track apiece.
The New Sounds is the debut solo studio album by Miles Davis, released in late 1951 as a 10-inch LP. It is his first album as a leader and his first full album for Prestige Records. Davis had previously contributed three tracks to the Prestige compilation LP Modern Jazz Trumpets and appeared as a sideman on the 10-inch LP Lee Konitz: The New Sounds.
The Compositions of Al Cohn is the fourth studio album by jazz musician Miles Davis. It was released in 1953 as a 10 inch LP. It is his third album as leader for Prestige, and fourth altogether, following 1952's Young Man with a Horn for Blue Note. The four tracks were recorded at New York's Beltone Studios on February 19, 1953.
Miles Davis with Sonny Rollins is a 1954 10 inch LP album by Miles Davis, released by Prestige Records. The four tracks on this LP, along with a second take of "But Not For Me", were recorded at Rudy Van Gelder's Studio, Hackensack, New Jersey, on June 29, 1954.
Modern Jazz Trumpets is an album released by Prestige Records in 1951 with music by four jazz trumpeters: Fats Navarro, Dizzy Gillespie, Miles Davis and Kenny Dorham. The album was released on the 10" LP format and includes the first recordings by Davis for Prestige.