John Lenwood McLean was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the DownBeat Hall of Fame in the year of their death.
Conrad Yeatis "Sonny" Clark was an American jazz pianist and composer who mainly worked in the hard bop idiom.
McKinley Howard "Kenny" Dorham was an American jazz trumpeter, composer, and occasional singer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with 'underrated'."
Edward Rudolph "Butch" Warren Jr. was an American jazz bassist who was active during the 1950s and 1960s.
Thomas Walter Turrentine, Jr. was a swing and hard bop trumpeter and composer who was active between the 1940s and the 1960s. He rarely worked as a bandleader, and was known for his work as a sideman with drummer Max Roach and his younger brother, the saxophonist Stanley Turrentine.
Brilliant Corners is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio.
Vertigo is an album by American saxophonist Jackie McLean, recorded in 1962 and 1963 but not released on the Blue Note label until 1980. The initial release contained only the five tracks from 1963, while the later 2000 limited CD edition, released as part of the "Connoisseur Series", added six tracks from a 1962 session originally marked for release as Jackie McLean Quintet, first issued in 1978 as part of a double LP entitled Hipnosis.
Miles Davis and Milt Jackson Quintet/Sextet, also known as Quintet/Sextet is a studio album by the trumpeter Miles Davis and vibraphonist Milt Jackson released by Prestige Records in August 1956. It was recorded on August 5, 1955. Credited to "Miles Davis and Milt Jackson", this was an "all-star" session, and did not feature any of the members of Davis's working group of that time. Alto saxophonist Jackie McLean appears on his own compositions “Dr. Jackle” and “Minor Apprehension”.
Cool Struttin' is an album by American jazz pianist Sonny Clark recorded on January 5, 1958 and released on Blue Note later that year. The quintet features horn section Art Farmer and Jackie McLean, and Miles Davis Quintet rhythm section Philly Joe Jones and Paul Chambers.
Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, The original album was later released as Diggin' with the catalogue number PR 7281 and a different cover. Dig was reissued as a compact disc with additional tracks.
Tippin' the Scales is an album by American saxophonist Jackie McLean. It was originally recorded in 1962, but was first released only in 1979 on the Japanese Blue Note label as GXF 3062, then finally released in the U.S. in 1984 as BST 84427. The CD reissue, released in 1989 and now out of print, added three alternate takes as bonus tracks.
The Complete Blue Note Recordings of Thelonious Monk is a box set by American jazz pianist Thelonious Monk compiling his recordings for Blue Note first released as a limited four-LP box set on Mosaic Records in 1983 before being issued as a four-CD box set by Blue Note for the first time in 1994 as The Complete Blue Note Recordings.
Hi Voltage is an album by jazz tenor saxophonist Hank Mobley recorded on October 9, 1967 and released on the Blue Note label the following year. It features performances by Mobley with alto saxophonist Jackie McLean, trumpeter Blue Mitchell, pianist John Hicks, drummer Billy Higgins, and bassist Bob Cranshaw.
Leapin' and Lopin' is an album by American jazz pianist Sonny Clark, recorded on November 13, 1961 and released on Blue Note in May 1962—Clark's final album as leader before his death the following year.
Jubilee Shout!!! is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1962, but not released until 1986. The selection was originally included on the double LP Jubilee Shouts, together with some tracks later appeared as Comin' Your Way. Said LP, however, omitted some tracks which may be found on the CD editions of both albums.
Capuchin Swing is an album by American saxophonist Jackie McLean recorded in 1960 and released on the Blue Note label. It features McLean in a quintet featuring trumpeter Blue Mitchell, pianist Walter Bishop Jr., bassist Paul Chambers and drummer Art Taylor. McLean and Mitchell do not play on “Don’t Blame Me”.
Jackie's Bag is an album by American saxophonist Jackie McLean recorded in 1959 and 1960 and released by Blue Note. It features three tracks with McLean in a quintet featuring trumpeter Donald Byrd, pianist Sonny Clark, bassist Paul Chambers and drummer Philly Joe Jones, and six tracks with a sextet featuring tenor saxophonist Tina Brooks, trumpeter Blue Mitchell, pianist Kenny Drew, bassist Paul Chambers and drummer Art Taylor.
It's Time! is an album recorded by a group led by American saxophonist Jackie McLean recorded in 1964 and released on the Blue Note label. It features McLean in a quintet with trumpeter Charles Tolliver, pianist Herbie Hancock, bassist Cecil McBee and drummer Roy Haynes.
4, 5 and 6 is a studio album by saxophonist Jackie McLean recorded for Prestige Records. It was recorded in 1956 and originally released that year as PRLP 7048. In 1962, the album was reissued under the same title on the Prestige sub-label New Jazz Records as NJ 8279 with a different cover. The album was reissued on CD in 1991. It features McLean in a quartet with pianist Mal Waldron, bassist Doug Watkins and drummer Art Taylor. Trumpeter Donald Byrd guests on three tracks, and tenor saxophonist Hank Mobley on one.
Hipnosis is a studio album by saxophonist Jackie McLean. It features selections recorded for Blue Note Records in the 1960s, but not released until 1978. The album was released in the US as a two-fer, which included five songs from a 1967 session, plus six songs recorded in 1962 later appeared on the CD reissue of Vertigo. In Japan, it was released the same year as a standard LP (ST-83022) with a different cover, featuring only the 1967 tracks.
