The Jazz Messengers is the first studio album by the Jazz Messengers, released in 1956 by Columbia Records. It was their fourth overall album, and also their last recording to feature the group's co-founder, Horace Silver, on piano.
Originally is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956, but not released on the Columbia label until 1982. The album features unreleased tracks from the sessions that produced The Jazz Messengers and Hard Bop which have since been released as bonus tracks on those albums and Drum Suite.
Ritual is a studio album by the Jazz Messengers featuring Art Blakey. Three years after being recorded, it was first released on the Pacific Jazz Records label as PJM-402, and reissued by them in 1962, with an Elmo Hope session, as Art Blakey & The Jazz Messengers/The Elmo Hope Quintet* Featuring Harold Land as PJ-33. It has been reissued on CD.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham. The first release of the album dates back to 1955 on 10" Vinyl, featuring only four tracks and having a different cover artwork. Some time later, Blue Note decided to add three tracks and issue a more complete LP toward the end of May 1957. After publishing a 2003 RVG edition which featured two additional pieces and a different track listing, Blue Note remastered and recompiled Afro-Cuban in 2007, restoring the original track order.
At the Jazz Corner of the World is a critically-acclaimed two-volume live album by American jazz drummer Art Blakey and The Jazz Messengers, released in 1959 on the Blue Note label. The album was originally issued on 12-inch LPs in two volumes and later re-released as a two-CD double album.
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label.
Deeds, Not Words is an album by American jazz drummer Max Roach featuring tracks recorded in 1958 and released on the Riverside label.
Clark Terry is the debut album by American jazz trumpeter Clark Terry featuring tracks recorded in early 1955 and released on the EmArcy label.
Buhaina is an album by drummer Art Blakey and The Jazz Messengers recorded in 1973 and released on the Prestige label. The name comes from the name Blakey took for himself after conversion to Islam.
Child's Dance is an album by drummer Art Blakey and The Jazz Messengers recorded in 1972 and released on the Prestige label.
Tough! is an album by drummer Art Blakey and The Jazz Messengers recorded in 1957 but not released on the Cadet label until 1966.
Hard Bop is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956 and originally released on the Columbia label. It was performed by the Jazz Messengers and recorded in CBS Street Studio.
Hard Drive is an album by drummer Art Blakey with The Jazz Messengers recorded in late 1957 and originally released on the Bethlehem label. It is notable for constituting the first recorded use of the term 'hard drive' to refer to a computer memory drive.
Art Blakey Big Band is an album by drummer Art Blakey recorded in late 1957 and originally released on the Bethlehem label. It differs from typical Art Blakey releases as his regular quintet was expanded to form a big band for these arrangements.
Jazz Messengers '70 is a live album by drummer Art Blakey's Jazz Messengers recorded in Tokyo in 1970 and originally released on the Catalyst label.
Backgammon is an album by drummer Art Blakey and The Jazz Messengers recorded in 1976 and released on the Roulette label.
In This Korner is a live album by drummer Art Blakey and the Jazz Messengers recorded at the Keystone Korner in San Francisco in 1978 and released on the Concord Jazz label.
I Get a Kick Out of Bu is an album by drummer Art Blakey and the Jazz Messengers recorded in Italy in 1988 and released on the Soul Note label.
Cu-Bop is an album by drummer Art Blakey and The Jazz Messengers with conguero Sabu recorded in 1957 and originally released on the Jubilee label.
Julius Watkins Sextet is an album by horn player Julius Watkins featuring tracks recorded in 1954 and 1955 which were originally released as two 10 inch LPs on the Blue Note label.
