Art Blakey and the Jazz Messengers | ||||
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Studio album by | ||||
Released | September 1, 1961 | |||
Recorded | June 13–14, 1961 | |||
Studio | Van Gelder (Englewood Cliffs) | |||
Genre | Hard bop | |||
Length | 38:00 | |||
Label | Impulse! | |||
Producer | Bob Thiele | |||
Art Blakey and the Jazz Messengers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Penguin Guide to Jazz (8th ed.) | ![]() ![]() ![]() ![]() |
Down Beat | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
Tom Hull | B+ [4] |
Art Blakey and the Jazz Messengers (stylized as Art Blakey!!!!! Jazz Messengers!!!!! and titled Alamode in Japan) is a studio album by Art Blakey and the Jazz Messengers, released on September 1, 1961, through Impulse! Records. Expanding to a sextet for the first time, it was the group's final recording with Bobby Timmons, who would be replaced by Cedar Walton.
In his DownBeat review of January 4, 1962, critic Ira Gitler commented: "This is a change of pace from most recent Messenger releases. There is only one original; the rest are standards that have not been overdone." [2] AllMusic reviewer Steven McDonald described it as: "An absolutely wonderful 1961 set from Blakey and company, who demonstrate here how to be note-perfect without leeching away the emotion of a performance." [1]
Arthur Blakey was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Jymie Merritt was an American jazz double-bassist, Ampeg Baby Bass and bass guitar pioneer, band leader and composer. Merritt was a member of Art Blakey's Jazz Messengers group from 1957 until 1962. The same year he left Blakey's band, Merritt formed his own group, The Forerunners, which he led sporadically until his death in 2020. Merritt also worked as a sideman for blues and jazz musicians such as Bull Moose Jackson, B. B. King, Chet Baker, Max Roach, Dizzy Gillespie, and Lee Morgan.
William Franklin Hardman Jr. was an American jazz trumpeter and flugelhornist who chiefly played hard bop. He was married to Roseline and they had a daughter Nadege.
Robert Henry Timmons was an American jazz pianist and composer. He was a sideman in Art Blakey's Jazz Messengers for two periods, between which he was part of Cannonball Adderley's band. Several of Timmons' compositions written when part of these bands – including "Moanin'", "Dat Dere", and "This Here" – enjoyed commercial success and brought him more attention. In the early and mid-1960s he led a series of piano trios that toured and recorded extensively.
Curtis DuBois Fuller was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings.
A Night in Tunisia is a studio album by Art Blakey and the Jazz Messengers, released in May 1961 through Blue Note Records. It was recorded in August 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey.
Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958, and released on Blue Note later that year.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
Sylvester Kyner Jr., known as Sonny Red, was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.
Soul Time is a 1960 album by jazz pianist Bobby Timmons featuring Blue Mitchell on trumpet, Sam Jones on bass, and Art Blakey on drums.
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23–24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
Mosaic is a studio album by Art Blakey & the Jazz Messengers recorded for Blue Note on October 2, 1961 and released the following year. The sextet features horn section Wayne Shorter, Freddie Hubbard and Curtis Fuller and rhythm section Cedar Walton, Jymie Merritt and Art Blakey.
Buhaina's Delight is a jazz album released by Art Blakey and the Jazz Messengers in 1963. Produced by Alfred Lion, the album was recorded in two sessions on November 28, 1961 and December 18, 1961 at Van Gelder Studio in Englewood Cliffs, New Jersey. The album was released by Blue Note Records in July 1963 after Blakey had moved to Riverside Records in late 1962.
Pisces is a jazz album by Art Blakey & the Jazz Messengers. It was recorded between 1961 and 1964, but not issued on Blue Note Records until 1979. More a compilation than an album, all the tracks, except for "It's A Long Way Down", may be found on the Mosaic compilation The Complete Blue Note Recordings of Art Blakey's 1960 Jazz Messengers. Moreover, "Uptight", and "Pisces" are included on the CD reissue of The Freedom Rider, whilst "It's a Long Way Down" is featured on the CD reissue of Indestructible. Ultimately, "United" and "Ping Pong" may be found on Roots & Herbs.
Leeway is an album by American jazz trumpeter Lee Morgan recorded on April 28, 1960 and released on Blue Note the following year. Morgan's quintet features saxophonist Jackie McLean and rhythm section Bobby Timmons, Paul Chambers and Art Blakey.
The Big Beat is an album by Art Blakey & the Jazz Messengers recorded on March 6, 1960 and released on Blue Note later that year. The quintet features horn section Lee Morgan and Wayne Shorter and rhythm section Bobby Timmons, Jymie Merritt and Blakey.
Meet You at the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey & the Jazz Messengers recorded at the Birdland jazz club on September 14, 1960 and released on Blue Note in July 1961 and May 1962 respectively. The quintet features horn section Lee Morgan and Wayne Shorter and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey. In 2002, the two LPs were reissued as a double-CD set.
Album of the Year is an album by drummer Art Blakey and the Jazz Messengers recorded in 1981 in Paris and released on the Dutch Timeless label. A 2015 re-issue on the Japanese "Solid Records" label offers two additional tracks recorded in 1982 with a different line up including Terrence Blanchard, Donald Harrison and Johnny O'Neal.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
The Jazz Messengers were a jazz band that existed with varying personnel for 35 years. Their discography consists of 47 studio albums, 21 live albums, 2 soundtracks, 6 compilations, and one boxed set.