Mr. Natural | ||||
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Studio album by | ||||
Released | 1980 | |||
Recorded | September 4, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 39:41 | |||
Label | Blue Note LT 1075 | |||
Producer | Alfred Lion | |||
Stanley Turrentine chronology | ||||
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Alternative cover | ||||
Mr. Natural is the twelfth album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1980 as LT 1075, and performed by Turrentine with Lee Morgan, McCoy Tyner, Bob Cranshaw, Elvin Jones and Ray Barretto. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The AllMusic review by Ken Dryden stated: "Although long out of print and an unlikely candidate to be reissued on CD, this rewarding session is well worth seeking, even if Blue Note founder Alfred Lion had second thoughts about it and set it aside". [4]
Chart (2023) | Peak position |
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German Albums (Offizielle Top 100) [5] | 72 |
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
Tom Cat is an album by Lee Morgan recorded in 1964, though only issued in 1980. It was originally released as LT 1058. While lesser known in comparison to The Sidewinder and other albums, it features several of Morgan's contemporary Blue Note recording artists, such as McCoy Tyner, Art Blakey, and Jackie McLean. After The Sidewinder's huge commercial success, Tom Cat and Search for the New Land from earlier in 1964 were both shelved. Instead, Alfred Lion, Blue Note's producer, encouraged Morgan to record a new funky theme and brought him back into the studio to record The Rumproller. Search for the New Land was released in 1966, but Tom Cat remained unreleased until 1980.
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
Night Dreamer is the fourth album by American jazz saxophonist Wayne Shorter. It was released in November 1964 by Blue Note Records. With a quintet of trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones performing six Shorter originals.
Delightfulee is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1967. It was recorded on April 8 & May 27, 1966 and features performances by Morgan with a quintet featuring Joe Henderson, McCoy Tyner, Bob Cranshaw and Billy Higgins and a big band featuring Ernie Royal, Tom McIntosh, Jim Buffington, Don Butterfield, Phil Woods, Wayne Shorter, Danny Bank and Philly Joe Jones with arrangements by Oliver Nelson.
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins.
A Slice of the Top is an album by jazz saxophonist Hank Mobley recorded on March 18, 1966. The album was not released on the Blue Note label until 1979. It features performances by Mobley with a larger than usual ensemble of trumpeter Lee Morgan, euphonium player Kiane Zawadi, tuba player Howard Johnson, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins. The arrangements were written by Duke Pearson. On the original LP, Reggie Workman was mistakenly identified on the sleeve as the bassist.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
McCoy Tyner Plays Ellington is the sixth album by American jazz pianist McCoy Tyner. It was recorded in December 1964 and released on the Impulse! label in 1965. It features performances by Tyner with his John Coltrane bandmates: bassist Jimmy Garrison and drummer Elvin Jones. Percussionists Willie Rodriguez and Johnny Pacheco appear on four of the tracks. It would be Tyner's last effort for the label, before signing with Blue Note.
Tender Moments is the eighth album by jazz pianist McCoy Tyner and his second released on the Blue Note label. It was recorded in December 1967 and features performances by Tyner with an expanded group featuring trumpeter Lee Morgan, trombonist Julian Priester, French horn player Bob Northern, tuba player Howard Johnson, alto saxophonist James Spaulding, tenor saxophonist Bennie Maupin, bassist Herbie Lewis and drummer Joe Chambers.
Extensions is the eleventh album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970, but not released until January 1973. It has performances by Tyner with alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, drummer Elvin Jones, and features Alice Coltrane playing harp on three of the four tracks.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1979, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. The album reached No. 20 on the Billboard Top Soul Albums chart.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
The Return of the Prodigal Son is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson featuring McCoy Tyner.
Matador is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Japanese Blue Note label until 1979. It features Green with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw. The album was finally reissued in the U.S. on CD in 1990 with one bonus track. It was also reissued on vinyl in 2010, with a different cover.
Solid is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.