Serenade to a Soul Sister | ||||
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Studio album by | ||||
Released | Early June 1968 [1] | |||
Recorded | February 23 and March 29, 1968 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 37:54 | |||
Label | Blue Note BST 84277 | |||
Producer | Francis Wolff | |||
Horace Silver chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
The Rolling Stone Jazz Record Guide | [4] |
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham. [5]
The album was re-mastered, for the CD release in the 24-bit series, by Rudy Van Gelder, in 2004. [6]
The album's liner notes include Silver's guidelines to musical composition:
AllMusic writer Steve Huey awarded the album 4½ stars and stated:
"One of the last great Horace Silver albums for Blue Note, Serenade to a Soul Sister is also one of the pianist's most infectiously cheerful, good-humored outings... You'd never know this album was recorded in one of the most tumultuous years in American history, but as Silver says in the liner notes' indirect jab at the avant-garde, he simply didn't believe in allowing "politics, hatred, or anger" into his music. Whether you agree with that philosophy or not, it's hard to argue with musical results as joyous and tightly performed as Serenade to a Soul Sister." [2]
All compositions by Horace Silver.
on tracks 1 – 3 (February 23, 1968)
on tracks 4 – 6 (March 29, 1968)
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone, brass instruments, electric guitar, bass, drums, piano, vocals and electric organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, pianists, drummers and electric guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green.
Bennie Maupin is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.
Blowin' the Blues Away is an album by the Horace Silver Quintet & Trio, recorded at Van Gelder Studio in Englewood Cliffs, New Jersey on August 29–30 and September 13, 1959 and released on Blue Note later that year. The quintet features horn section Blue Mitchell and Junior Cook and rhythm section Eugene Taylor and Louis Hayes.
Horace-Scope is an album by jazz pianist Horace Silver released on the Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
You Gotta Take a Little Love is an album by jazz pianist Horace Silver released on the Blue Note label in 1969, featuring performances by Silver with Randy Brecker, Bennie Maupin, John Williams, and Billy Cobham. The Allmusic review awarded the album 4 stars.
Look Out! is an album by jazz saxophonist Stanley Turrentine featuring his earliest recordings as a leader on the Blue Note label performed by Turrentine with Horace Parlan, George Tucker and Al Harewood.
Comin' Your Way is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with his brother Tommy Turrentine, Horace Parlan, George Tucker and Al Harewood. Selections from this album had previously been issued, with additional tracks later appeared as Jubilee Shout!!! (1986), as Jubilee Shouts.
Up at "Minton's", Vols. 1 & 2 are a pair of separate but related live albums by American jazz saxophonist Stanley Turrentine recorded on February 23, 1961 and released on Blue Note later that year. The quintet features rhythm section Grant Green, Horace Parlan, George Tucker, and Al Harewood. The album was later as a double CD set.
Jubilee Shout!!! is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1962, but not released until 1986. The selection was originally included on the double LP Jubilee Shouts, together with some tracks later appeared as Comin' Your Way. Said LP, however, omitted some tracks which may be found on the CD editions of both albums.
Never Let Me Go is the eighth album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Major Holley, Ray Barretto and Al Harewood, with Sam Jones and Clarence Johnston replacing Holley, Barretto and Harewood on two tracks.
Hustlin' is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Kenny Burrell, Bob Cranshaw, and Otis Finch.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1979, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
Mr. Natural is the twelfth album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1980 as LT 1075, and performed by Turrentine with Lee Morgan, McCoy Tyner, Bob Cranshaw, Elvin Jones and Ray Barretto.
Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. The album reached No. 20 on the Billboard Top Soul Albums chart.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
Always Something There is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and performed by Turrentine with orchestra and strings arranged by Thad Jones.
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. The CD rerelease added another track.
Let It Go is an album by jazz saxophonist Stanley Turrentine recorded for the Impuse! label in 1966 and performed by Turrentine with Shirley Scott, Ron Carter and Mack Simpkins. The CD release added four bonus tracks, three of which originally released on Scott's Everybody Loves a Lover recorded in 1964 and featuring Bob Cranshaw and Otis Finch in place of Carter and Simpkins.