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Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
Arthur Blakey was an American jazz drummer and bandleader. He was briefly known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s.
Dillon "Curley" Russell was an American jazz musician who played bass on many bebop recordings.
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
Miles Davis Volume 2 refers to two separate but related entities. The first is a Miles Davis studio album released by Blue Note Records as a 10-inch LP, as BLP 5022 in 1953. The six tracks from this LP plus five alternate takes were released on CD in 1990 and remastered with restored artwork in 2001.
Miles Davis Volume 1 refers to two separate but related entities. The title was originally used for the first time in a pair of compilation albums of recordings made by Miles Davis in 1952, 1953 and 1954, released in 1956 as BLP 1501 on the Blue Note Records label.
Louis "Sabu" Martinez was an American conguero and percussionist. A prominent player in the Cubop movement, Martinez appeared on many important recordings and live performances during that period. Martinez also recorded several Latin jazz albums, now recognized as classics of the genre.
This is the discography of Blue Note Records, the American jazz record label. Most of the records were studio recordings produced by Alfred Lion or Francis Wolff. The two main series were '1500', which ran from 1955 to 1958, and '4000', which ran c.1958 to 1972. The 'BN-LA' series followed during the 1970s: this series contained many compilations and reissues in addition to new studio albums.
Horace Silver and the Jazz Messengers is a 1956 repackage of 1954 and 1955 releases by jazz pianist Horace Silver with drummer Art Blakey as well as Hank Mobley on saxophone, Kenny Dorham on trumpet, and Doug Watkins on bass. By the time of this repackage, this quintet had named themselves the Jazz Messengers, and the band name on the re-release reflected that. These recordings helped establish the hard bop style. Scott Yanow on Allmusic describes it as "a true classic". Originally released as an LP, the album has subsequently been reissued on CD several times.
Thelonious Monk Trio is an album by American jazz pianist and composer Thelonious Monk. The album features his earliest recordings for Prestige Records, performing as a soloist with a rhythm section of bassist Gary Mapp, either Art Blakey or Max Roach on drums, and one track with Percy Heath replacing Mapp. It also contains the earliest recorded versions of the jazz standards "Blue Monk" and "Bemsha Swing".
Quicksilver is a song, which became a hit for Bing Crosby in 1950. It was written by Eddie Pola, George Wyle and Irving Taylor.
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
Blakey is an album by drummer Art Blakey recorded in 1954 and originally released on the EmArcy label as a 10-inch LP. The album was rereleased on CD in 1999 with bonus tracks originally released on the album Introducing Joe Gordon. The album has also been released as "The Complete Art Blakey On EmArcy", including four songs from a March 24 recording session.
Thelonious Monk jazz pianist discography.
Miles Davis Quartet is a 10 inch LP album by Miles Davis, released in 1954 by Prestige Records. The first four tracks that comprise Side 1 were recorded at New York's WOR Studios, on May 19, 1953. The last three, heard on Side 2, were recorded nearly a year later, at New York's Beltone Studios, on March 15, 1954.
Miles Davis, Vol. 3 is a 1954 10 inch LP album by Miles Davis. It consists of the third and last of three sessions recorded for Blue Note Records. Several years later, Davis would once again record at Blue Note, but as a sideman on Cannonball Adderley's Somethin' Else.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
Horace Silver Trio and Art Blakey - Sabu is a 1955 compilation album, featuring, primarily the Horace Silver Trio, but also includes two percussion-centric tracks featuring drummer Art Blakey and conga player Sabu. The tracks on this album are compiled from three sessions which were Silver's first as a leader. Originally released as an LP, it has subsequently been reissued on CD several times, including additional tracks not present on the original LP.
"The Preacher" is a composition by Horace Silver. The original version, by Silver's quintet, was recorded on February 6, 1955. It was soon covered by other musicians, including with lyrics added by Babs Gonzales. It has become a jazz standard.
"Doodlin'" is a composition by Horace Silver. The original version, by Silver's quintet, was recorded on November 13, 1954. It was soon covered by other musicians, including with lyrics added by Jon Hendricks. It has become a jazz standard.
References
- ↑ "Horace Silver – Obituary". The Daily Telegraph. June 19, 2014.
- ↑ Jenkins Jr., Everett (2001). Pan-African Chronology III. McFarland. p. 472.
- ↑ Silver, Horace (2006). Let's Get to the Nitty Gritty: The Autobiography of Horace Silver. University of California Press. p. 203. ISBN 978-0-520-25392-6.
- ↑ "Reviews of New Jazz Records" (June 19, 1954) The Billboard. p. 40.
- ↑ McDonough, John (September 2014) "Horace Silver". Down Beat p. 49.