Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone, brass instruments, electric guitar, bass, drums, piano, vocals and electric organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, pianists, drummers and electric guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green.
Joe Henderson was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve.
A Night at Birdland, Vols. 1–3 are three separate but related 10" LPs by the Art Blakey Quintet recorded live at the Birdland jazz club on February 21, 1954, and released on Blue Note later that year, in July, October and November respectively. The quintet features horn section Clifford Brown and Lou Donaldson and rhythm section Horace Silver, Curly Russell and Blakey.
A Night at Birdland, Vols. 1 & 2 are a pair of separate but related live albums by the Art Blakey Quintet. They were recorded at the Birdland jazz club on February 21, 1954 and released on Blue Note in 1956. The performance was originally spread out over three 10" LPs as A Night at Birdland Vols. 1–3 (1954).
Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 and Horace Silver Quintet, Vol. 4 —recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.
Hank Mobley and His All Stars is an album by American jazz saxophonist Hank Mobley, recorded on January 13, 1957 and released on Blue Note later that year. The quintet features vibraphonist Milt Jackson and Jazz Messengers rhythm section Horace Silver, Doug Watkins and Art Blakey.
Lee Morgan, also known as Lee Morgan, Volume 2, is an album by the Lee Morgan Sextet, recorded on December 2, 1956 and released on Blue Note the following year. The sextet features saxophonists Hank Mobley and Kenny Rodgers and rhythm section Horace Silver, Paul Chambers and Charlie Persip.
6 Pieces of Silver is an album by the Horace Silver Quintet, recorded on November 10, 1956 and released on Blue Note later that year. The quintet features brass section Donald Byrd and Hank Mobley and rhythm section Doug Watkins and Louis Hayes.
The Stylings of Silver is an album by the Horace Silver Quintet recorded on May 8, 1957 and released on Blue Note later that year. The quintet features horn section Art Farmer and Hank Mobley and rhythm section Teddy Kotick and Louis Hayes.
Finger Poppin' with the Horace Silver Quintet is an album by jazz pianist Horace Silver recorded on January 31, 1959 and released on Blue Note later that year. The quintet features horn section Blue Mitchell and Junior Cook and rhythm section Gene Taylor and Louis Hayes.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Silver 'n Brass is an album by jazz pianist Horace Silver released on the Blue Note label in 1975, featuring performances by Silver with Tom Harrell, Bob Berg, Ron Carter, Al Foster, Bob Cranshaw, and Bernard Purdie with an overdubbed brass section arranged by Wade Marcus featuring Oscar Brashear, Bobby Bryant, Vincent DeRosa, Frank Rosolino, Maurice Spears, Jerome Richardson, and Buddy Collette.
It's Got to Be Funky is an album by jazz pianist Horace Silver, his first release on the Columbia label since Silver's Blue (1956), featuring performances by Silver with Oscar Brashear, Ron Stout, Bob Summers, Bob McChesney, Maurice Spears, Suzette Moriarty, Eddie Harris, Branford Marsalis, Red Holloway, Bob Maize, and Carl Burnett, with vocals by Andy Bey. The Allmusic review by Scott Yanow awarded the album 4 stars and states: "After a 13-year period in which he mostly recorded for his private Silveto label, pianist/composer Horace Silver was rediscovered by Columbia for this session... All of the music was new and served as proof that the master of jazz-funk had not lost his stuff".
Back to the Tracks is a hard bop album by tenor saxophonist Tina Brooks recorded in 1960 and released posthumously. The album was originally intended as BLP 4052, but, for some reason, it was shelved at the time. A song recorded during the session, "David the King", was rejected since it "never made it to releasable quality". The composition was later re-recorded for Brooks' final Blue Note session, eventually released as The Waiting Game. The tracks first appeared in a Mosaic 12" LP box-set (MR4-106) entitled The Complete Blue Note Recordings of The Tina Brooks Quintets. A Blue Note CD appeared in 1998, then reissued in 2006.
Blowing In from Chicago is a studio album by the American jazz saxophonists Clifford Jordan and John Gilmore. It was released through Blue Note Records in July 1957. The recording was made on March 3, 1957 and the quintet assembled for the session features rhythm section Horace Silver, Curly Russell and Art Blakey.
When Farmer Met Gryce is an album by trumpeter Art Farmer and saxophonist Gigi Gryce, featuring performances recorded in 1954 and 1955 and released on the Prestige label.
"Doodlin'" is a composition by Horace Silver. The original version, by Silver's quintet, was recorded on November 13, 1954. It was soon covered by other musicians, including with lyrics added by Jon Hendricks. It has become a jazz standard.
"Señor Blues" is a composition by Horace Silver. The original version, an instrumental by Silver's quintet, was recorded on November 10, 1956. It has become a jazz standard. Silver later wrote lyrics, which were first recorded by Silver's band with Bill Henderson singing in 1958.
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