The Tokyo Blues | ||||
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Studio album by | ||||
Released | Early November 1962 [1] | |||
Recorded | July 13–14, 1962 Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz | |||
Length | 39:52 | |||
Label | Blue Note BST 84110 | |||
Producer | Alfred Lion | |||
Horace Silver chronology | ||||
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Review scores | |
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Source | Rating |
Down Beat | [2] |
AllMusic | [3] |
The Penguin Guide to Jazz | [4] |
The Tokyo Blues is an album by jazz pianist Horace Silver released on the Blue Note label in 1962, featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Joe Harris (filling in for Roy Brooks). [3] [5] The AllMusic review awarded the album 4 stars. [3]
All compositions by Horace Silver except as indicated
Recorded on July 13 (tracks 2–3) & July 14 (tracks 1 & 4–5), 1962.
Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title composition was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands."
Herman "Junior" Cook was an American hard bop tenor saxophone player.
Louis Hayes is an American jazz drummer and band leader. He was with McCoy Tyner's trio for more than three years. Since 1989 he has led his own band, and together with Vincent Herring formed the Cannonball Legacy Band.
Blowin' the Blues Away is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Eugene Taylor, and Louis Hayes.
Further Explorations by the Horace Silver Quintet is an album by jazz pianist Horace Silver, released on the Blue Note label in 1958 and containing performances by Silver with Art Farmer, Clifford Jordan, Teddy Kotick, and Louis Hayes. The AllMusic review by Steve Leggett awards the album 4 stars and states: "Further Explorations is a solid, even striking outing, and if it isn't maybe quite as flashy as some of its predecessors, it is no less substantive and revealing."
6 Pieces of Silver is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. "Señor Blues" officially put Horace Silver on the map". The front cover photograph was taken at Central Park West, Upper West Side.
Finger Poppin' with the Horace Silver Quintet is an album by jazz pianist Horace Silver released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Louis Hayes.
Horace-Scope is an album by jazz pianist Horace Silver released on the Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
Doin' the Thing is a live album by jazz pianist Horace Silver, released on the Blue Note label in 1961. It was the only live album released featuring the "classic" Horace Silver Quintet.
Silver's Serenade is an album by jazz pianist Horace Silver released on the Blue Note label in 1963 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Quartet/Quintet/Sextet is an album by jazz saxophonist Lou Donaldson featuring his earliest recordings as a leader on the Blue Note label performed by Donaldson's Quartet with Horace Silver, Gene Ramey and Art Taylor, his Quintet with Silver, Blue Mitchell, Art Blakey, and Percy Heath, and a Sextet with Heath, Blakey, Kenny Dorham, Matthew Gee, and Elmo Hope. The album was originally released as a 10" LP, then as a 12" long-playing record, and finally as a CD with additional tracks added.
Live at Newport '58 is a live album by jazz pianist Horace Silver. The album was recorded on July 6, 1958 at the Newport Jazz Festival. Blue Note Records released the album in 2008. It is one of the few officially released live albums with Silver as bandleader.
The Cup Bearers is an album by American trumpeter Blue Mitchell recorded in 1962 and released on the Riverside label.
Calvin Eugene "Gene" Taylor, was an American jazz double bassist. He was born in Toledo, Ohio, and began his career in Detroit, Michigan. Taylor worked with Horace Silver from 1958 until 1963. He then joined Blue Mitchell's quintet, with whom he recorded and performed until 1965. From 1966 until 1968, he toured and recorded with Nina Simone. Simone recorded the song "Why? ", which Taylor wrote following the assassination of Martin Luther King, Jr. Taylor began teaching music in New York public schools. Taylor worked with Judy Collins from 1968 until 1976, and made numerous television appearances accompanying Simone and Collins. He died on December 22, 2001, in Sarasota, Florida, where he had been living since 1990.
Babe's Blues is an album by jazz group The Three Sounds featuring performances recorded in 1961 with one additional track from 1962 but not released on the Blue Note label until 1986. The title track is a composition by Randy Weston.
Goin' to the Meeting is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.
Junior's Cookin' is the debut album led by American jazz saxophonist Junior Cook which was recorded in 1961 for the Jazzland label.
Up Tight! is an album by saxophonist Gene Ammons recorded in 1961 and released on the Prestige label. The album was recorded at the same sessions that produced Boss Soul!.