Portrait of Cannonball | ||||
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Studio album by | ||||
Released | 1958 | |||
Recorded | July 1, 1958 | |||
Studio | Reeves Sound (New York City) | |||
Genre | Jazz | |||
Length | 38:06 57:49 CD reissue | |||
Label | Riverside RLP 12-269 | |||
Producer | Orrin Keepnews | |||
Cannonball Adderley chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Penguin Guide to Jazz | [2] |
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones. [3]
The Allmusic review by Stephen Cook awarded the album 4 stars and states: "Everyone is in top form on a varied set.... One of the highlights from Adderley's hard bop prime". [4] The Penguin Guide to Jazz awarded the album 3 stars stating "Portrait of Cannonball (which includes three alternate takes on the CD issue) finds Blue Mitchell taking some welcome limelight – though he sounds no more facile than the oft-maligned Nat - and an early glimpse of Bill Evans finding his way through "Nardis"". [2]
All compositions by Julian "Cannonball" Adderley except as indicated
Somethin' Else is a jazz album by alto saxophonist Julian "Cannonball" Adderley, his only album on the Blue Note label, recorded and released in 1958. Also on the session is trumpeter Miles Davis in one of his handful of recording dates for Blue Note. Adderley was a member of Davis' group at the time, and the album was recorded shortly after Davis' own landmark album Milestones. The Penguin Guide to Jazz selected Somethin' Else as part of its suggested "Core Collection."
Milestones is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records.
Know What I Mean? is a 1962 album by jazz musician Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on Riverside label as RLP-433.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
Cannonball's Bossa Nova is a 1962 album by jazz musician Julian "Cannonball" Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
Them Dirty Blues is an album by the Cannonball Adderley Quintet, recorded in 1960.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Cannonball's Sharpshooters is the seventh album by jazz saxophonist Cannonball Adderley, and his second released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb.
Things Are Getting Better is the 11th album by jazz saxophonist Cannonball Adderley, and his second release on the Riverside label, featuring performances with Milt Jackson, Wynton Kelly, Percy Heath and Art Blakey. Recorded in October 1958, the album was released in early 1959.
Cannonball Adderley and the Poll-Winners is an album by jazz saxophonist Julian "Cannonball" Adderley released on the Riverside label, featuring performances by Adderley with Wes Montgomery, Ray Brown, Victor Feldman, and Louis Hayes.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
Nippon Soul is a live album by jazz saxophonist Cannonball Adderley recorded at the Sankei Hall in Tokyo during his 1963 Japanese tour and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The CD release added a bonus track recorded the previous week and originally released on The Japanese Concerts (1975).
Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
To the Ivy League from Nat is an album by jazz cornetist Nat Adderley released on the EmArcy label featuring performances by Adderley with his brother Cannonball Adderley, Junior Mance, Sam Jones/Al McKibbon, and Charles "Specs" Wright with arrangements by Ernie Wilkins. The album was later released as part of the Cannonball Adderley compilation Sophisticated Swing: The EmArcy Small Group Sessions in 1995.
Much Brass is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley's Sextet with Slide Hampton, Wynton Kelly, Sam Jones, Laymon Jackson, and Albert Heath.
The Swingin'est is an album by American trombonist Bennie Green and saxophonist Gene Ammons recorded in 1958 and released on the Vee-Jay label. The album has also been released under the title Juggin' Around.
Drums Around the World is the second album led by American jazz drummer Philly Joe Jones. It was recorded in 1959 and released on the Riverside label.
Back Door Blues is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson with the Cannonball Adderley Quintet recorded in Chicago in late 1961 and New York in early 1962 and released by the Riverside label. The album was partially rereleased with additional recordings and alternate takes as Cleanhead & Cannonball on CD by Landmark Records in 1988 and the complete recordings issued on Fresh Sound in 2013.