| Accent on Africa | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | October 1968 [1] | |||
| Recorded | June 13–14, 1968 | |||
| Genre | Jazz | |||
| Label | Capitol | |||
| Producer | David Axelrod | |||
| Cannonball Adderley chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [2] |
Accent on Africa is an album by jazz saxophonist Cannonball Adderley recorded in 1968 for the Capitol label featuring performances by Adderley with Nat Adderley and unidentified percussion section, vocalists, and big band. [3] [4]
The Allmusic review by Richard S. Ginell awarded the album 3½ stars and states "this is one of the best and most overlooked of the Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context". [5]
All compositions by Julian "Cannonball" Adderley except as indicated
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones and Jimmy Cobb. The front cover photograph was by Chuck Stewart taken at the Ulysses S. Grant Monument, Chicago, Illinois.
Cannonball Enroute is an album by the jazz saxophonist Cannonball Adderley, released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. The album was recorded in 1957 but would only be released in 1961.
Discoveries is a compilation album by jazz saxophonist Cannonball Adderley released on the Savoy label featuring alternate takes of tracks from Adderley's recording debut originally released as Kenny Clarke's Bohemia After Dark (1955) and his first album Presenting Cannonball Adderley (1955) performed by a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke and a septet with Donald Byrd and Jerome Richardson added and Horace Silver replacing Jones.
The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
Cannonball Adderley Live! is a live album by jazz saxophonist Cannonball Adderley recorded at Shelly's Manne-Hole and released on the Capitol label featuring performances by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Great Love Themes is an album recorded in April 1966 by jazz saxophonist Julian Edwin "Cannonball" Adderley. It was released on the Capitol label featuring performances of ballads ― mostly Broadway show tunes ― by Cannonball Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis, Roy McCurdy, and with string arrangements by Ray Ellis. AllMusic awarded the album 1 star. The album was produced by Tom Morgan, rather than Adderley's usual producer, David Axelrod. According to Adderley's biographer, Cary Ginell, "Although Cannonball loved to play show tunes, the lush, watered-down arrangements did not excited listeners, who had long since wearied of the jazz-artist-with-strings formula. Axelrod recalled that Cannonball hated the album and convinced Capitol to let him go back to working with Axelrod from then on."
74 Miles Away is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. Following these sessions, it would be almost a year before Cannonball Adderley recorded again, a significant sign that the slump in jazz fortunes of the later 1960s had begun.
In Person is a "live" in-studio album by jazz saxophonist Cannonball Adderley recorded in Hollywood, California in 1968 featuring performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy with guest vocalists Lou Rawls and Nancy Wilson contributing on one song apiece. "The Scavenger" is the product of observation, being written by Zawinul during the previous year's garbage collection strike in New York City. "Sweet Emma" is Nat's tribute to the New Orleans pianist Sweet Emma Barrett.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
The Cannonball Adderley Quintet & Orchestra is an album by jazz saxophonist Cannonball Adderley recorded in Los Angeles, California in 1970 featuring performances by Adderley's Quintet featuring Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy with an unidentified orchestra conducted by William S. Fischer or Lalo Schifrin.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.
Inside Straight is a live album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1973 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest percussionist King Errisson.
Pyramid is an album by jazz saxophonist Cannonball Adderley recorded at Fantasy Studios in Berkeley, California in 1974 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest appearances by Phil Upchurch, George Duke, and Jimmy Jones.
Lovers is an album by jazz saxophonist Cannonball Adderley. It was recorded at Fantasy Studios in Berkeley, California in 1975 by Adderley with Nat Adderley, Alvin Batiste, George Duke, Alphonso Johnson, Jack DeJohnette, Airto Moreira. A posthumously released track included Flora Purim, Nat Adderley Jr., and Ron Carter.
You, Baby is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Grady Tate and an orchestra arranged and conducted by Bill Fischer.
Calling Out Loud is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Leo Morris and with brass and woodwinds arranged and conducted by Bill Fischer.
