Things Are Getting Better | ||||
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Studio album by | ||||
Released | February 1959 [1] | |||
Recorded | October 28, 1958 | |||
Studio | Reeves Sound (New York City) | |||
Genre | Jazz | |||
Length | 42:51original LP | |||
Label | Riverside RLP 12-286 | |||
Producer | Orrin Keepnews | |||
Cannonball Adderley chronology | ||||
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Things Are Getting Better is the 11th album by jazz saxophonist Cannonball Adderley, and his second release on the Riverside label, featuring performances with Milt Jackson, Wynton Kelly, Percy Heath and Art Blakey. [2] Recorded in October 1958, the album was released in early 1959.
The AllMusic review by Lindsay Planer awarded the album 4 stars and states: "This disc can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste." [3] The Penguin Guide to Jazz awarded the album 3½ stars, stating: "There is marvellous sparring with Milt Jackson on Things are Getting Better and with Kelly, Heath and Blakey also in great form." [4] PopMatters journalist Neil Kelly wrote: "In essence, Things Are Getting Better aims to please everyone while providing those personal flourishes that makes good jazz great." [5]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
PopMatters | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
All compositions by Julian "Cannonball" Adderley except as indicated
Somethin' Else is a jazz album by alto saxophonist Julian "Cannonball" Adderley, his only album on the Blue Note label, recorded and released in 1958. Also on the session is trumpeter Miles Davis in one of his handful of recording dates for Blue Note. Adderley was a member of Davis' group at the time, and the album was recorded shortly after Davis' own landmark album Milestones. The Penguin Guide to Jazz selected Somethin' Else as part of its suggested "Core Collection."
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
Cannonball's Bossa Nova is a 1962 album by jazz musician Julian "Cannonball" Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
Here's Lee Morgan is an album by jazz trumpeter Lee Morgan originally released on the Vee-Jay label. It was recorded on February 8, 1960 and features performances by Morgan with Clifford Jordan, Wynton Kelly, Paul Chambers and Art Blakey.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
Much Brass is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley's Sextet with Slide Hampton, Wynton Kelly, Sam Jones, Laymon Jackson, and Albert Heath.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
MJQ & Friends: A 40th Anniversary Celebration is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in New York City, Los Angeles and at the Montreux Jazz Festival with guest artists including Bobby McFerrin, Take 6, Phil Woods, Wynton Marsalis, Illinois Jacquet, Harry "Sweets" Edison, Branford Marsalis, Jimmy Heath, Freddie Hubbard and Nino Tempo and released on the Atlantic label.
Drums Around the World is the second album led by American jazz drummer Philly Joe Jones. It was recorded in 1959 and released on the Riverside label.
Tate Houston was a Detroit-based American baritone and tenor saxophonist.
Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.