Julian Edwin "Cannonball" Adderley was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Country Preacher is a live album recorded by the Cannonball Adderley Quintet in 1969.
The Cannonball Adderley Sextet in New York is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.
The Japanese Concerts is a live album by jazz saxophonist Cannonball Adderley recorded at the Kōsei Nenkin Kaikan and Sankei Hall in Tokyo during his 1963 Japanese tour and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The album was released on the Milestone label in 1975 and combines material previously released on Adderley's Nippon Soul (1963) with an additional disc of unreleased performances from a concert recorded a week earlier.
Great Love Themes is an album recorded in April 1966 by jazz saxophonist Julian Edwin "Cannonball" Adderley. It was released on the Capitol label featuring performances of ballads ― mostly Broadway show tunes ― by Cannonball Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis, Roy McCurdy, and with string arrangements by Ray Ellis. AllMusic awarded the album 1 star. The album was produced by Tom Morgan, rather than Adderley's usual producer, David Axelrod. According to Adderley's biographer, Cary Ginell, "Although Cannonball loved to play show tunes, the lush, watered-down arrangements did not excited listeners, who had long since wearied of the jazz-artist-with-strings formula. Axelrod recalled that Cannonball hated the album and convinced Capitol to let him go back to working with Axelrod from then on."
Money in the Pocket is a live album by jazz saxophonist Cannonball Adderley featuring performances by Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis and Roy McCurdy. Recorded at The Club in Chicago in 1966, it was not released on the Capitol label until 2005. However, edited versions of four of the songs were released as singles in 1966: "Money in the Pocket"/"Hear Me Talking to You" on Capitol 5648, and "Sticks"/"Cannon's Theme" on Capitol 5736.
74 Miles Away is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. Following these sessions, it would be almost a year before Cannonball Adderley recorded again, a significant sign that the slump in jazz fortunes of the later 1960s had begun.
In Person is a "live" in-studio album by jazz saxophonist Cannonball Adderley recorded in Hollywood, California in 1968 featuring performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy with guest vocalists Lou Rawls and Nancy Wilson contributing on one song apiece. "The Scavenger" is the product of observation, being written by Zawinul during the previous year's garbage collection strike in New York City. "Sweet Emma" is Nat's tribute to the New Orleans pianist Sweet Emma Barrett.
Accent on Africa is an album by jazz saxophonist Cannonball Adderley recorded in 1968 for the Capitol label featuring performances by Adderley with Nat Adderley and unidentified percussion section, vocalists, and big band.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
The Cannonball Adderley Quintet & Orchestra is an album by jazz saxophonist Cannonball Adderley recorded in Los Angeles, California in 1970 featuring performances by Adderley's Quintet featuring Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy with an unidentified orchestra conducted by William S. Fischer or Lalo Schifrin.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
The Happy People is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded in 1970 in New York City and released in 1972 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on string bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Olga James, Flora Purim, David T. Walker, Chuck Rainey, King Errisson and Mayuto Correa.
Music, You All is a live album by the Cannonball Adderley Quintet, a band led by jazz saxophonist Julian "Cannonball" Adderley. It was recorded at the Troubadour in West Hollywood, California in 1972, and released in 1976 through Capitol Records. It features contributions from the quintet: Cannonball Adderley on saxophone, George Duke on piano, Walter Booker on bass, Roy McCurdy on drums and Nat Adderley on cornet, with guest appearances from Airto Moreira, Mike Deasy and Ernie Watts.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
Lovers is an album by jazz saxophonist Cannonball Adderley. It was recorded at Fantasy Studios in Berkeley, California in 1975 by Adderley with Nat Adderley, Alvin Batiste, George Duke, Alphonso Johnson, Jack DeJohnette, Airto Moreira. A posthumously released track included Flora Purim, Nat Adderley Jr., and Ron Carter.
Sayin' Somethin' is an album by jazz cornetist Nat Adderley released on the Atlantic label featuring four performances by Adderley with an 11-piece orchestra and four by Adderley's Quintet with Joe Henderson, Herbie Hancock, Bob Cranshaw, and Roy McCurdy.
Soul Zodiac is the first collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released in 1972 through Capitol Records. Recording sessions took place at Independent Recording Studios in Studio City, Los Angeles, California with production handled by David Axelrod and Cannonball Adderley. The album features narration from Rick Holmes on all tracks and contributions from the sextet: Nat Adderley on cornet, George Duke on Fender Rhodes electric piano, Walter Booker on string bass and guitar, Roy McCurdy on drums, Mike Deasy on guitar, and Ernie Watts on flute, tenor saxophone, and tambourine, with guest appearance by Cannonball Adderley on two songs.
Soul of the Bible is the second collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released as a follow-up to Soul Zodiac through Capitol Records in 1972. Recording sessions took place at Capitol Records Studio in Hollywood, California with production handled by David Axelrod and Cannonball Adderley.
Double Exposure is an album by jazz cornetist Nat Adderley released on the Prestige label featuring performances by Adderley's Sextet with Bill Fender, George Duke, Walter Booker, King Errison, and Roy McCurdy with guest artists including Cannonball Adderley and Johnny "Guitar" Watson.
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