The Cannonball Adderley Quintet in San Francisco | ||||
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Live album by | ||||
Released | 1959 | |||
Recorded | October 18 & 20, 1959 The Jazz Workshop, San Francisco | |||
Genre | Jazz | |||
Length | 60:32excluding alt. takes | |||
Label | Riverside RLP 12-311 | |||
Producer | Orrin Keepnews | |||
The Cannonball Adderley Quintet chronology | ||||
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The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
The groundbreaking album launched "soul jazz", according to NPR, bridging "the gap between bebop and funk". [1] [2] Originally released by Riverside Records, the album has been reissued on CD several times since 1991 by Riverside and OJC. Remastered versions of the album include extended cuts of several of the songs on the original, including the retitled "(A Few Words by Cannonball...And) This Here". [3] [4]
The album was recorded at The Jazz Workshop in San Francisco before an appreciative standing-room only crowd. [5] The album broke new ground as a live recording taped in noisy club environments, [5] creating a formula that not only the Cannonball Quintet but other jazz ensembles would follow. [6] Producer Orrin Keepnews reflected that it "was such a phenomenal success that not only did I do a lot of such recordings afterwards, but I think that virtually all jazz producers felt that it was a good thing to do". [1] Also unusual for the time was Keepnews' decision to retain Adderley's comments to the crowd. [7]
Producer and jazz critic Orrin Keepnews described the album as "the birth of contemporary live recording" [1] and in May 1960, Time noted that the album's then 50,000 copies sold was "phenomenal for a jazz record", raising the album to the bestseller charts. [8] Music critic Scott Yanow describes the album as a "gem [...] essential for all jazz collections." [9] The Penguin Guide to Jazz awarded the album 3 stars, stating: "In San Francisco is a little overstretched, with four tracks nudging the 12-minute mark and some of the solos running out of steam too soon". [10]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
DownBeat | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
Musicians
Production
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone, brass instruments, electric guitar, bass, drums, piano, vocals and electric organ. Its origins were in the 1950s and early 1960s, with its heyday with popular audiences preceding the rise of jazz fusion in the late 1960s and 1970s. Prominent names in fusion ranged from bop pianists including Bobby Timmons and Junior Mance to a wide range of organists, saxophonists, pianists, drummers and electric guitarists including Jack McDuff, Eddie "Lockjaw" Davis, and Grant Green.
Explorations is an album by jazz pianist Bill Evans that was originally released by Riverside Records in 1961. It was the second and final studio album Evans recorded with his classic trio featuring Scott LaFaro on bass and Paul Motian on drums.
New Jazz Conceptions is the debut album by jazz pianist Bill Evans, recorded in two sessions during September 1956 for Riverside Records.
Know What I Mean? is a 1962 jazz album by alto saxophonist Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on the Riverside label as RLP-433.
Everybody Digs Bill Evans is a trio and solo album by jazz pianist Bill Evans. It was released in early 1959 on the Riverside Records label.
Landmark Records was an American jazz record company and label founded in 1985 by Orrin Keepnews. Landmark's releases included music by Donald Byrd, Jack DeJohnette, Jimmy Heath, Vincent Herring, Bobby Hutcherson, Mulgrew Miller, Buddy Montgomery, and reissues of Cannonball Adderley.
A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.
A Portrait of Thelonious is a studio album by jazz pianist Bud Powell, released on Columbia in 1965, featuring a session recorded at Studio Charlot in Paris on December 17, 1961, with Pierre Michelot on bass and Kenny Clarke on drums. The session was the second of two produced by Cannonball Adderley with Powell, following the A Tribute to Cannonball session recorded two days earlier.
Them Dirty Blues is an album by the Cannonball Adderley Quintet, recorded in 1960.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
Kelly Blue is an album by American jazz pianist Wynton Kelly, released in 1959.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
Jazz Workshop Revisited is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. It was recorded at the Jazz Workshop in San Francisco on September 22 & 23, 1962
Live Session! is a live album by jazz saxophonist Cannonball Adderley recorded at Memory Lane, Los Angeles in 1962 and the Lighthouse, Hermosa Beach in 1964 and released on the Capitol label featuring performances by Adderley with Nat Adderley, Joe Zawinul, Sam Jones and Louis Hayes and vocalist Ernie Andrews.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
Inside Straight is a live album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1973 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest percussionist King Errisson.
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
Really Big! is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.