Drums Around the Corner | ||||
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Compilation album by | ||||
Released | October 19, 1999 | |||
Recorded |
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Studio | Manhattan Towers (NYC) Van Gelder Studio, Hackensack | |||
Genre | Jazz | |||
Length | 72:36 | |||
Label | Blue Note Blue Note 21455 | |||
Producer | Alfred Lion | |||
Art Blakey chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Drums around the Corner is a posthumous album by Art Blakey recorded in 1958 and 1959, but not released until 1999.
The album was cut from two sessions. The main session, recorded by Rudy Van Gelder at Manhattan Towers, New York City on November 2, 1958, is effectively a showcase for an all-star lineup drummers consisting of Blakey, Philly Joe Jones, Roy Haynes and Ray Barretto (on congas). They are supported by the regular members of the Jazz Messengers at the time, Lee Morgan (trumpet), Bobby Timmons (piano) and Jymie Merritt (bass).
The later session was a duet between Blakey and bassist Paul Chambers, recorded at the Van Gelder Studio in Hackensack, NJ on March 29, 1959.
All tracks are written by Art Blakey except as noted.
No. | Title | Writer(s) | Length |
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1. | "Moose the Mooche" | Charlie Parker | 15:19 |
2. | "Blakey's Blues" | 11:07 | |
3. | "Lee's Tune" | Lee Morgan | 8:26 |
4. | "Let's Take 16 Bars" | 6:13 | |
5. | "Drums in the Rain" | 11:13 | |
6. | "Lover" | 7:24 | |
7. | "I've Got My Love to Keep Me Warm" | Irving Berlin | 7:11 |
8. | "What Is This Thing Called Love?" | Cole Porter | 5:43 |
Total length: | 1:12:36 |
November 2, 1958 (Tracks 1–6)
March 29, 1959 (Tracks 7–8)
Jymie Merritt was an American jazz double-bassist, electric-bass and bass guitar pioneer, band leader and composer. Merritt was a member of Art Blakey's Jazz Messengers group from 1957 until 1962. The same year he left Blakey's band, Merritt formed his own group, The Forerunners, which he led sporadically until his death in 2020. Merritt also worked as a sideman for blues and jazz musicians such as Bull Moose Jackson, B.B. King, Chet Baker, Max Roach, Dizzy Gillespie, and Lee Morgan.
A Night in Tunisia is a studio album by Art Blakey and the Jazz Messengers, released in May 1961 through Blue Note Records. It was recorded in August 1960 at Van Gelder Studio in Englewood Cliffs, New Jersey.
Art Blakey and the Jazz Messengers, also called Moanin', is a studio album by Art Blakey and the Jazz Messengers recorded on October 30, 1958 and released on Blue Note later that year.
The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers, recorded in 1961 and released in 1964 by Blue Note Records. Continuing Blakey's distinct brand of hard bop, this album features compositions from Wayne Shorter, Lee Morgan, Blakey himself, and Kenny Dorham, a former Jazz Messenger. This was the final album by this particular edition of the Jazz Messengers, who had been together for 18 months, as Lee Morgan left after this album and was replaced by Freddie Hubbard.
Roots & Herbs is a jazz album by Art Blakey & the Jazz Messengers, recorded in 1961 at the same sessions which produced The Freedom Rider, but not released on the Blue Note label until 1970. The CD reissue features three alternate takes, two of which originally released in 1979 on Pisces.
Mosaic is a studio album by Art Blakey & the Jazz Messengers recorded for Blue Note on October 2, 1961 and released the following year. The sextet features horn section Wayne Shorter, Freddie Hubbard and Curtis Fuller and rhythm section Cedar Walton, Jymie Merritt and Art Blakey.
Pisces is a jazz album by Art Blakey & the Jazz Messengers. It was recorded between 1961 and 1964, but not issued on Blue Note Records until 1979. More a compilation than an album, all the tracks, except for "It's A Long Way Down", may be found on the Mosaic compilation The Complete Blue Note Recordings of Art Blakey's 1960 Jazz Messengers. Moreover, "Uptight", and "Pisces" are included on the CD reissue of The Freedom Rider, whilst "It's a Long Way Down" is featured on the CD reissue of Indestructible. Ultimately, "United" and "Ping Pong" may be found on Roots & Herbs.
Leeway is an album by American jazz trumpeter Lee Morgan recorded on April 28, 1960 and released on Blue Note the following year. Morgan's quintet features saxophonist Jackie McLean and rhythm section Bobby Timmons, Paul Chambers and Art Blakey.
The Witch Doctor is an album by American jazz drummer and bandleader Art Blakey and his group The Jazz Messengers, recorded on March 14, 1961 and released in 1967 by Blue Note Records. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Like Someone in Love is an album by Art Blakey and The Jazz Messengers. It was recorded in August 1960, at the same sessions which produced A Night in Tunisia, but was released on Blue Note only in August 1967. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
The Big Beat is an album by Art Blakey & the Jazz Messengers recorded on March 6, 1960 and released on Blue Note later that year. The quintet features horn section Lee Morgan and Wayne Shorter and rhythm section Bobby Timmons, Jymie Merritt and Blakey.
Holiday for Skins, Volumes 1 & 2 are a pair of separate but related albums by American jazz drummer Art Blakey, recorded on November 9, 1958 and released on Blue Note the following year.
Africaine is a collection of 1959 recordings by jazz artist Art Blakey and The Jazz Messengers. The collection was not released until over 20 years after it was recorded. The album features tenor-saxophonist Wayne Shorter in his first recording with The Jazz Messengers, trumpeter Lee Morgan, pianist Walter Davis, Jr. and bassist Jymie Merritt.
Meet You at the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey & the Jazz Messengers recorded at the Birdland jazz club on September 14, 1960 and released on Blue Note in July 1961 and May 1962 respectively. The quintet features horn section Lee Morgan and Wayne Shorter and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey. In 2002, the two LPs were reissued as a double-CD set.
Comin' On! is an album by Jamaican-born jazz trumpeter Dizzy Reece, featuring performances recorded at two sessions in 1960, but not released on the Blue Note label until 1999.
At the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey and the Jazz Messengers, recorded at the Birdland jazz club in New York City on April 15, 1959 and released on Blue Note later that year in September and October respectively. The quintet features horn section Lee Morgan and Hank Mobley and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey.
1958 – Paris Olympia is a live album by drummer Art Blakey's Jazz Messengers recorded at L'Olympia in 1958 and originally released on the French Fontana label.
Des femmes disparaissent is a soundtrack album to the French film of the same name by drummer Art Blakey's Jazz Messengers recorded in Paris in 1958 and originally released on the French Fontana label. Originally released as a 10 inch LP it has been subsequently released in LP and CD formats with additional French soundtrack material from the same period by other jazz artists. A few of the songs on the soundtrack are original songs by Benny Golson like "Whisper Not", "Just for Myself", "Cry a Blue Tear", “Blues on my Mind”, and "Fair Weather".
Art Blakey et les Jazz-Messengers au club St. Germain are a set of live albums recorded on December 21, 1958, at the Club St. Germain in Paris, France by Art Blakey and the Jazz Messengers, released in three volumes by French RCA. All three albums have been collected on CD in the 2015 Sony box set, The Complete Columbia and RCA Albums Collection.
Swingin' is a 1980 compilation album by American jazz guitarist Kenny Burrell. The album includes five tracks taken from three different studio sessions and a live recording between 1956-1959.