James Emory Garrison was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
My Favorite Things is a studio album by the jazz musician John Coltrane. It was released in March 1961 on Atlantic Records. It was the first album to feature Coltrane playing soprano saxophone. An edited version of the title track became a hit single that gained popularity in 1961 on radio. The record became a major commercial success.
Impressions is an album of live and studio recordings by the jazz musician and composer John Coltrane. It was released through Impulse! Records in July 1963.
Reginald "Reggie" Workman is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey.
Unity is an album by jazz organist Larry Young, released on the Blue Note label in August, 1966. The album features trumpeter Woody Shaw, tenor saxophonist Joe Henderson and drummer Elvin Jones. While not free jazz, the album features experimentation that was innovative for the time. Young chose the title because, "although everybody on the date was very much an individualist, they were all in the same frame of mood. It was evident from the start that everything was fitting together." The album was Young's second for Blue Note, and is widely considered a "post-bop" classic.
JuJu is the fifth album by American jazz saxophonist Wayne Shorter. It was released in July 1965 by Blue Note Records. It features a rhythm section of pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones, all of whom had worked extensively with Shorter's fellow tenor saxophonist John Coltrane.
Crescent is a studio album by the jazz musician and composer John Coltrane. It was released in July 1964 through the label Impulse!. Alongside Coltrane on tenor saxophone, the album features McCoy Tyner (piano), Jimmy Garrison and Elvin Jones (drums) playing original Coltrane compositions.
Olé Coltrane is a studio album by the jazz musician and composer John Coltrane. It was released in November 1961 through Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967, following Tyner's departure from the John Coltrane Quartet. It features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
The Clown is a studio album by the jazz bassist and composer Charles Mingus. It was released in September 1957 through Atlantic Records. The recording took place on February 13 and March 12, 1957. The title track features the improvised narration of Jean Shepherd.
Coltrane "Live" at the Village Vanguard is a live album by the jazz musician and composer John Coltrane. It was released in February 1962 through Impulse Records. It is the first album to feature the members of the classic quartet of Coltrane with McCoy Tyner, Jimmy Garrison, and Elvin Jones, as well as the first Coltrane live album to be issued. In contrast to his previous album for Impulse!, this one generated much turmoil among both critics and audience alike with its challenging music.
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
Search for the New Land is an album by jazz trumpeter Lee Morgan. A set with a group of regular Blue Note sidemen, Search for the New Land was recorded before The Sidewinder was released. Although it was recorded in 1964, the album was shelved for two years, then issued with the original catalogue number 84169.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Inception is the debut album by jazz pianist McCoy Tyner which was released on the Impulse! label in 1962. It features performances by Tyner with bassist Art Davis and drummer Elvin Jones.
Extensions is the eleventh album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970, but not released until January 1973. It has performances by Tyner with alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, drummer Elvin Jones, and features Alice Coltrane playing harp on three of the four tracks.
"Equinox" is a minor blues jazz standard by American jazz saxophone player and composer John Coltrane. It was originally released on Coltrane's Sound played in C# minor with a slow swing feel. However, it is usually played in the key of C Minor.
The Best of John Coltrane is a 1970 compilation album released by Atlantic Records collecting recordings made by jazz saxophonist John Coltrane. The album was released shortly after his death as a part of the "Atlantic Jazz Anthology"—a series of greatest hits compilations for Atlantic jazz artists—and features performances from his brief period recording for Atlantic with new liner notes by jazz journalist Nat Hentoff.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
[1] 
[5] 