Introducing Lee Morgan | ||||
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Studio album by Lee Morgan With Hank Mobley's Quintet | ||||
Released | 1956 | |||
Recorded | November 5 & 7, 1956 | |||
Studio | Van Gelder Studio, Hackensack, NJ | |||
Genre | Jazz, Hard bop | |||
Length | 36:15 | |||
Label | Savoy MG 12091 | |||
Producer | Ozzie Cadena | |||
Lee Morgan chronology | ||||
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Introducing Lee Morgan is an album by jazz trumpeter Lee Morgan with Hank Mobley's quintet released on the Savoy label. It was recorded on November 5 and 7, 1956, and features performances by Morgan with Hank Mobley, Hank Jones, Doug Watkins and Art Taylor.
The Allmusic review by Scott Yanow stated: "At the time Morgan (who was just 17) was very much under the musical influence of Clifford Brown although a bit of his own personality was starting to shine through". [1]
Review scores | |
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Source | Rating |
Allmusic | [1] |
The Penguin Guide to Jazz | [2] |
Recorded on November 5 (1, 3-7) and 7 (#2), 1956.
Henry "Hank" Mobley was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Stan Getz, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era."
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
At the Cafe Bohemia, Vol. 1 is a live album by the Jazz Messengers for Blue Note Records. It featured the original incarnation of the Jazz Messengers, Art Blakey's career-spanning band, and is the first of two volumes recorded on November 23, 1955, at Café Bohemia, a famous night club in Greenwich Village in New York.
At the Cafe Bohemia, Vol. 2 is a 1955 live album release by the Jazz Messengers. It was first released by Blue Note Records. This record featured the original incarnation of The Jazz Messengers, one of Art Blakey's most endearing bands, and was the second of two volumes recorded at Café Bohemia, a famous night club in Greenwich Village in New York, New York on November 23, 1955.
The Jazz Messengers is a 1956 album by the Jazz Messengers, released by Columbia Records. It was the last recording by the Jazz Messengers to feature the group’s co-founder, Horace Silver, on piano.
Originally is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956, but not released on the Columbia label until 1982. The album features unreleased tracks from the sessions that produced The Jazz Messengers and Hard Bop which have since been released as bonus tracks on those albums and Drum Suite.
Horace Silver and the Jazz Messengers is a 1956 repackage of 1955 10” LPs by jazz pianist Horace Silver with drummer Art Blakey and featuring Hank Mobley on tenor saxophone, Kenny Dorham on trumpet, and Doug Watkins on bass. By the time this repackage was released, this quintet had named themselves the Jazz Messengers, and the band name on the label reflected that. These recordings helped establish the hard bop style. Scott Yanow on Allmusic describes it as "a true classic". Originally released as an LP, the album has subsequently been reissued on CD several times.
Charisma is an album by jazz trumpeter Lee Morgan featuring performances by Morgan, Jackie McLean, Hank Mobley, Cedar Walton, Paul Chambers and Billy Higgins, recorded on September 29, 1966, but not released label until 1969, on the Blue Note.
Hank Mobley and His All Stars is an album by jazz saxophonist Hank Mobley, released on the Blue Note label in 1957 as BLP 1544. It was recorded on January 13, 1957, and features Mobley along with the other members of the first lineup of the Jazz Messengers: pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey, with vibraphonist Milt Jackson of Modern Jazz Quartet.
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins.
Third Season is an album by the jazz tenor saxophonist Hank Mobley recorded on February 24, 1967, but not released on the Blue Note label until 1980 as LT 1081. It contains performances by Mobley with trumpeter Lee Morgan, alto saxophonist James Spaulding, pianist Cedar Walton, bassist Walter Booker, drummer Billy Higgins, and guitarist Sonny Greenwich.
Mobley's Message is an album by jazz saxophonist Hank Mobley, released on the Prestige label in 1957. It was recorded on July 20, 1956 and features performances by Mobley, Donald Byrd, Barry Harris, Doug Watkins and Art Taylor, with Jackie McLean guesting on one track.
Jazz Message #2 is an album by jazz saxophonist Hank Mobley released on the Savoy label in 1957. It was recorded on July 23 & November 7, 1956 and features performances by Mobley, Donald Byrd, Lee Morgan, Hank Jones, Doug Watkins Barry Harris, Kenny Clarke and Art Taylor.
Lee Morgan Sextet is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1957. It was recorded on December 2, 1956 and features performances by Morgan, Hank Mobley, Kenny Rodgers, Horace Silver, Paul Chambers and Charlie Persip. The Allmusic review by Scott Yanow calls the album "An above-average hard bop set".
6 Pieces of Silver is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. "Señor Blues" officially put Horace Silver on the map". The front cover photograph was taken at Central Park West, Upper West Side.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
At the Jazz Corner of the World is a two-volume live album by American jazz drummer Art Blakey and the Jazz Messengers, featuring performances recorded in 1959 at Birdland and released on the Blue Note label. The album was originally issued as 12-inch LPs in two volumes and later re-released as a two-CD set.
4, 5 and 6 is a studio album by saxophonist Jackie McLean recorded for Prestige Records. It was recorded in 1956 and originally released that year as PRLP 7048. In 1962, the album was reissued under the same title on the Prestige sub-label New Jazz Records as NJ 8279 with a different cover. The album was reissued on CD in 1991.
Farmer's Market is an album by trumpeter Art Farmer, featuring performances recorded in 1956 and released on the New Jazz label.
All Night Long is an album by the Prestige All Stars, later credited to guitarist Kenny Burrell, recorded in 1956 and released on the Prestige label.