Blue Spirits | ||||
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Studio album by | ||||
Released | Mid February 1967 [1] | |||
Recorded | February 19 & 26, 1965 March 5, 1966 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 44:35original LP 62:04CD reissue | |||
Label | Blue Note BST 84196 | |||
Producer | Alfred Lion | |||
Freddie Hubbard chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Allmusic reviewer Scott Yanow stated: "The set is comprised of seven diverse Hubbard originals and, even though none of the songs caught on to become standards, the music is quite challenging and fairly memorable." As stated in the liner notes, "The use of a fourth horn for this album, coupled with an exclusive focus on Hubbard's compositions, really threw light on the trumpeter's command of harmony, which is such a critical part of both his improvising and writing personality". [5] Hubbard's playing here is among his best, and this album "is arguably the best recorded example of the Hubbard/James Spaulding partnership" [6] which had been ongoing for the previous two years.
All compositions by Freddie Hubbard
Recorded on February 19, 1965 (#1, 4), February 26, 1965 (#2, 3, 5) and March 5, 1966 (#6–7).
Tracks 1, 4
Tracks 2, 3, 5
Tracks 6–7
On the CD reissue of Blue Spirits, track 7 is listed as Hancock performing on the celeste, although it sounds like a harpsichord.
Seven Steps to Heaven is a studio album by the jazz musician Miles Davis. It was released through Columbia Records on July 15, 1963. The recording took place at Columbia Studios in Los Angeles in April 1963, and at Columbia's 30th Street Studios in Manhattan in May 1963. It presents the Miles Davis Quintet in transition, with the New York session introducing the rhythm section of Herbie Hancock, Ron Carter and Tony Williams, who would become Davis' regular sidemen for the next five years. Upon release, the album was Davis' most successful on the Billboard pop LPs chart up to that point, peaking at number 62.
One Night with Blue Note is a 1985 feature length jazz film directed by John Charles Jopson.
The All Seeing Eye is the ninth jazz album by saxophonist Wayne Shorter, recorded on October 15, 1965, and released on the Blue Note label as BLP 4219 and BST 84219 in 1966. The album features performances by Shorter with trumpeter Freddie Hubbard, trombonist Grachan Moncur III, alto saxophonist James Spaulding, pianist Herbie Hancock, bassist Ron Carter and drummer Joe Chambers. Shorter's brother, Alan composed and plays fluegelhorn on the final track, “Mephistopheles”. The AllMusic review by Scott Yanow states: "it is clear from the start that the music on this CD reissue is not basic bop and blues... the dramatic selections, and their brand of controlled freedom has plenty of subtle surprises. This is stimulating music that still sounds fresh over three decades later".
Bernard Atwell McKinney, later Kiane Zawadi was an American jazz trombonist and euphonium player, one of the few jazz soloists on the latter instrument.
The Soothsayer is the seventh album by Wayne Shorter, recorded in 1965, but not released on Blue Note until 1979. The album features five originals by Shorter and an arrangement of Jean Sibelius' "Valse Triste". The featured musicians are trumpeter Freddie Hubbard, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Ron Carter and drummer Tony Williams.
Straight No Filter is an album by jazz saxophonist Hank Mobley, recorded mostly in 1963 but not released on the Blue Note label until 1985. The CD edition compiles performances recorded at four different sessions from 1963 to 1966.
Delightfulee is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1967. It was recorded on April 8 & May 27, 1966 and features performances by Morgan with a quintet featuring Joe Henderson, McCoy Tyner, Bob Cranshaw and Billy Higgins and a big band featuring Ernie Royal, Tom McIntosh, Jim Buffington, Don Butterfield, Phil Woods, Wayne Shorter, Danny Bank and Philly Joe Jones with arrangements by Oliver Nelson.
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins.
A Slice of the Top is an album by jazz saxophonist Hank Mobley, recorded in early 1966. The album was not released on the Blue Note label until 1979. It features performances by Mobley with a larger than usual ensemble of trumpeter Lee Morgan, euphonium player Kiane Zawadi, tuba player Howard Johnson, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins. The arrangements were written by Duke Pearson. On the original LP, Reggie Workman was mistakenly identified on the sleeve as the bassist.
The Night of the Cookers: Live at Club la Marchal, Vols. 1 & 2 are a pair of separate but related live albums by American jazz trumpeter Freddie Hubbard recorded at la Marchal jazz club over Friday and Saturday night, April 9–10, 1965 and released on Blue Note in 1965 and 1966 respectively. The septet features horn section Lee Morgan, James Spaulding, rhythm section Harold Mabern, Jr., Larry Ridley and Pete LaRoca, and percussionist Big Black.
High Blues Pressure is an album by trumpeter Freddie Hubbard. It was his second release on the Atlantic label and features performances by Hubbard, James Spaulding, Bennie Maupin, Herbie Lewis, Roman "Dog" Broadus, Weldon Irvine, Kenny Barron, Freddie Waits, Louis Hayes, Howard Johnson, and Kiane Zawadi.
Blow-Up is a soundtrack album by American jazz pianist Herbie Hancock, featuring music composed for Michelangelo Antonioni's 1966 film Blowup. MGM Records released the album in the United States on 20 February 1967, and in the United Kingdom on 10 May. The album features performances by Hancock, trumpeters Freddie Hubbard and Joe Newman, alto saxophonist Phil Woods, tenor saxophonist Joe Henderson, guitarist Jim Hall, bassist Ron Carter and drummer Jack DeJohnette. Although Jimmy Smith is credited with playing organ on the album, some sources claim it was actually Paul Griffin who was at the sessions.
Big Band is a 1997 album by the jazz saxophonist Joe Henderson, the fourth of the five albums he recorded with Verve Records at the end of his career. As the title suggests, it contains arrangements for a full big band.
Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. The album reached No. 20 on the Billboard Top Soul Albums chart.
Easy Walker is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with McCoy Tyner, Bob Cranshaw and Mickey Roker. One additional track from an unreleased session arranged by Duke Pearson was added to the original CD release and another four bonus tracks recorded in 1969 and originally released on Ain't No Way were added to the 1997 CD reissue.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
Mustang! is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, McCoy Tyner, Walter Booker, and Freddie Waits recorded in 1966 and released on the Blue Note label in 1967 as BLP 4238. The CD reissue included two bonus tracks recorded in 1964.
Solid is an album by American jazz guitarist Grant Green, containing performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.
Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.