Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Clifford Osbourne Jarvis was an American hard bop and free jazz drummer, who in the 1980s moved to London, England, where he spent the remainder of his career.
Cecil McBee is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of classic jazz albums.
Booker Telleferro Ervin II was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus.
Charles Tolliver is an American jazz trumpeter, composer, and co-founder of Strata East Records.
George Edward Coleman is an American jazz saxophonist known for his work with Miles Davis and Herbie Hancock in the 1960s. In 2015, he was named an NEA Jazz Master.
Clifford Laconia Jordan was an American jazz tenor saxophone player and composer. Originally from Chicago, Jordan later moved to New York City, where he recorded extensively in addition to touring across both Europe and Africa. He recorded and performed with Art Farmer, Horace Silver, Max Roach, J.J. Johnson, and Kenny Dorham, among others. In later years, performed with Cedar Walton's quartet Eastern Rebellion, and led his own groups, including a big band.
Julius Watkins was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the Down Beat critics poll in 1960 and 1961 for Miscellaneous Instrument.
Ronald Mathews was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey's Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University's International Center for the Arts on September 15, 2008.
Melba Doretta Liston was an American jazz trombonist, arranger, and composer. Other than those playing in all-female bands, she was the first woman trombonist to play in big bands during the 1940s and 1960s, but as her career progressed she became better known as an arranger, particularly in partnership with pianist Randy Weston. Other major artists with whom she worked include Dizzy Gillespie, Billie Holiday, John Coltrane, and Count Basie.
Joe Chambers is an American jazz drummer, pianist, vibraphonist and composer. He attended the Philadelphia Conservatory for one year. In the 1960s and 1970s, Chambers gigged with many high-profile artists such as Eric Dolphy, Charles Mingus, Wayne Shorter, and Chick Corea. During this period, his compositions were featured on some of the albums on which he appeared, such as those with Freddie Hubbard and Bobby Hutcherson. He has released fifteen albums as a bandleader and been a member of several incarnations of Max Roach's M'Boom percussion ensemble.
James Ralph Spaulding Jr. is an American jazz saxophonist and flutist.
Billy Harper is an American jazz saxophonist, "one of a generation of Coltrane-influenced tenor saxophonists" with a distinctively stern, hard-as-nails sound on his instrument.
Richard Gene Williams was an American jazz trumpeter.
Bernard Atwell McKinney, later Kiane Zawadi was an American jazz trombonist and euphonium player, one of the few jazz soloists on the latter instrument.
The Night of the Cookers: Live at Club la Marchal, Vols. 1 & 2 are a pair of separate but related live albums by American jazz trumpeter Freddie Hubbard recorded at la Marchal jazz club over Friday and Saturday night, April 9–10, 1965 and released on Blue Note in 1965 and 1966 respectively. The septet features horn section Lee Morgan, James Spaulding, rhythm section Harold Mabern, Jr., Larry Ridley and Pete LaRoca, and percussionist Big Black.
Charles Davis was an American jazz saxophonist and composer. Davis played alto, tenor and baritone saxophone, and performed extensively with Archie Shepp and Sun Ra.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
This is the discography for American double bassist Ron Carter.
