A Caddy for Daddy | ||||
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Studio album by | ||||
Released | Mid September 1967 [1] | |||
Recorded | December 18, 1965 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 39:50 | |||
Label | Blue Note BST 84230 | |||
Producer | Alfred Lion | |||
Hank Mobley chronology | ||||
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A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins. [2]
The AllMusic review by Scott Yanow awarded the album 4½ stars stating "For this CD, which is a straight reissue of a 1965 session, Mobley is joined by trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins (a typically remarkable Blue Note lineup) for the infectious title cut, three other lesser-known but superior originals, plus Wayne Shorter's "Venus Di Mildew." Recommended.". [3]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
All tracks are written by Hank Mobley, except where noted.
No. | Title | Length |
---|---|---|
1. | "A Caddy for Daddy" | 9:23 |
2. | "The Morning After" | 9:45 |
3. | "Venus Di Mildew" (Wayne Shorter) | 7:13 |
4. | "Ace Deuce Trey" | 7:15 |
5. | "3rd Time Around" | 6:14 |
Edward Lee Morgan was an American jazz trumpeter and composer.
Henry "Hank" Mobley was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others.
Elvin Ray Jones was an American jazz drummer of the post-bop era.
Tom Cat is an album by Lee Morgan recorded in 1964, though only issued in 1980. It was originally released as LT 1058. While lesser known in comparison to The Sidewinder and other albums, it features several of Morgan's contemporary Blue Note recording artists such as McCoy Tyner, Art Blakey, and Jackie McLean. After The Sidewinder's huge commercial success, Tom Cat and Search for the New Land from earlier in 1964 were both shelved. Instead, Alfred Lion, Blue Note's producer, encouraged Morgan to record a new funky theme, and brought him back in the studio to record The Rumproller. Search for the New Land was released in 1966, but Tom Cat remained unreleased until 1980.
Straight No Filter is an album by jazz saxophonist Hank Mobley, recorded mostly in 1963 but not released on the Blue Note label until 1985. The CD edition compiles performances recorded at four different sessions from 1963 to 1966.
City Lights is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1958 as BLP 1575. It was recorded on August 25, 1957, and features a sextet comprising Morgan, Curtis Fuller, George Coleman, Ray Bryant, Paul Chambers and Art Taylor.
Charisma is an album by jazz trumpeter Lee Morgan featuring performances by Morgan, Jackie McLean, Hank Mobley, Cedar Walton, Paul Chambers and Billy Higgins, recorded on September 29, 1966, but not released label until 1969, on the Blue Note.
Delightfulee is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1967. It was recorded on April 8 & May 27, 1966 and features performances by Morgan with a quintet featuring Joe Henderson, McCoy Tyner, Bob Cranshaw and Billy Higgins and a big band featuring Ernie Royal, Tom McIntosh, Jim Buffington, Don Butterfield, Phil Woods, Wayne Shorter, Danny Bank and Philly Joe Jones with arrangements by Oliver Nelson.
The Gigolo is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1968. It was recorded on June 25 & July 1, 1965 and features performances by Morgan with a quintet featuring Wayne Shorter, Harold Mabern, Bob Cranshaw and Billy Higgins.
A Slice of the Top is an album by jazz saxophonist Hank Mobley recorded on March 18, 1966. The album was not released on the Blue Note label until 1979. It features performances by Mobley with a larger than usual ensemble of trumpeter Lee Morgan, euphonium player Kiane Zawadi, tuba player Howard Johnson, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins. The arrangements were written by Duke Pearson. On the original LP, Reggie Workman was mistakenly identified on the sleeve as the bassist.
Hi Voltage is an album by jazz tenor saxophonist Hank Mobley recorded on October 9, 1967 and released on the Blue Note label the following year. It features performances by Mobley with alto saxophonist Jackie McLean, trumpeter Blue Mitchell, pianist John Hicks, drummer Billy Higgins, and bassist Bob Cranshaw.
Third Season is an album by the jazz tenor saxophonist Hank Mobley recorded on February 24, 1967, but not released on the Blue Note label until 1980 as LT 1081. It contains performances by Mobley with trumpeter Lee Morgan, alto saxophonist James Spaulding, pianist Cedar Walton, bassist Walter Booker, drummer Billy Higgins, and guitarist Sonny Greenwich.
Far Away Lands is an album by jazz saxophonist Hank Mobley recorded on May 26, 1967, but not released on the Blue Note label until 1984. It features performances by Mobley with trumpeter Donald Byrd, pianist Cedar Walton, bassist Ron Carter, and drummer Billy Higgins.
Reach Out! is an album by jazz saxophonist Hank Mobley recorded and released by the Blue Note label in 1968. It features performances by Mobley with trumpeter Woody Shaw, guitarist George Benson, pianist LaMont Johnson, bassist Bob Cranshaw, and drummer Billy Higgins.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Tender Moments is the eighth album by jazz pianist McCoy Tyner and his second released on the Blue Note label. It was recorded in December 1967 and features performances by Tyner with an expanded group featuring trumpeter Lee Morgan, trombonist Julian Priester, French horn player Bob Northern, tuba player Howard Johnson, alto saxophonist James Spaulding, tenor saxophonist Bennie Maupin, bassist Herbie Lewis and drummer Joe Chambers.
This is a timeline documenting events of Jazz in the year 1938.
"The Sidewinder" is a composition by Lee Morgan. It was first recorded for Morgan's Blue Note album of the same name, on December 21, 1963, and has become a jazz standard.
Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonists Kai Winding and Curtis Fuller, and trumpeter Lee Morgan. It was first released by the Roulette label. Symphony Sid wrote the liner notes.
Another Monday Night at Birdland is a live album which was recorded at Birdland in 1958 by tenor saxophonists Hank Mobley and Billy Root, trombonist Curtis Fuller, and trumpeter Lee Morgan. It was released by the Roulette label.