| Indeed! | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | late 1956 [1] [2] | |||
| Recorded | November 4, 1956 | |||
| Studio | Van Gelder Studio Hackensack, New Jersey | |||
| Genre | Jazz | |||
| Length | 38:10 (LP) | |||
| Label | Blue Note BLP 1538 | |||
| Producer | Alfred Lion | |||
| Lee Morgan chronology | ||||
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Indeed! is the debut album by America jazz trumpeter Lee Morgan, recorded on November 4, 1956 and released on Blue Note later that year. The quintet features saxophonist Clarence Sharpe and rhythm section Horace Silver, Wilbur Ware and Philly Joe Jones.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
High Step is a jazz double album credited to bassist Paul Chambers and saxophonist John Coltrane, issued in 1975 on Blue Note Records, catalogue BN-LA451. It is a compilation taken from the 1956 Chambers' Music on the Jazz West label and Whims of Chambers, along with two unissued recordings from a session in Boston, Massachusetts, "Trane's Strain" from that session previously appearing on an anthology. Originally, all of these sessions were led by Chambers, but like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings where Coltrane had been merely a sideman, and reissued them with Coltrane's name more prominently displayed.
The Cooker is an album by American jazz trumpeter Lee Morgan recorded on September 29, 1957, and released on Blue Note in January 1958. The quintet features saxophonist Pepper Adams and rhythm section Bobby Timmons, Paul Chambers and Philly Joe Jones.
Hank is an album by the Hank Mobley Sextet recorded on April 21, 1957 and released on Blue Note later that year. The sextet features horn section Donald Byrd and John Jenkins, and rhythm section Bobby Timmons, Wilbur Ware and “Philly Joe" Jones.
Lee Morgan, also known as Lee Morgan, Volume 2, is an album by the Lee Morgan Sextet, recorded on December 2, 1956 and released on Blue Note the following year. The sextet features saxophonists Hank Mobley and Kenny Rodgers and rhythm section Horace Silver, Paul Chambers and Charlie Persip.
For Losers is an album by Archie Shepp released on Impulse! in 1970. The album contains tracks recorded from September 1968 to August 1969 by Shepp with three different ensembles. The AllMusic review by Rob Ferrier states "for anyone wishing to understand the music and career of this brilliant musician, this is an undervalued piece of the puzzle".
My Kind of Jazz is a 1970 album by Ray Charles.
Big 6 is the debut album by American trumpeter Blue Mitchell recorded in 1958 and released on the Riverside label. It contains the first recording of Benny Golson's jazz standard "Blues March".
Smooth as the Wind is an album by American trumpeter Blue Mitchell with strings and brass recorded in late 1960 and early 1961 and released on the Riverside label.
J. R. Monterose is the debut album by American jazz saxophonist J. R. Monterose, recorded on October 21, 1956 and released on Blue Note the following year. The quintet features trumpeter Ira Sullivan and rhythm section Horace Silver, Wilbur Ware and Philly Joe Jones.
The Complete Blue Note Hank Mobley Fifties Sessions is limited edition box set that was released by Mosaic Records in 1998. Included are Mobley's recordings for Blue Note in the late 1950s from the albums The Hank Mobley Quartet, Hank Mobley Sextet, Hank Mobley & His All-Stars, Hank Mobley Quintet, Hank, Hank Mobley, Curtain Call, Peckin' Time and Poppin' . The albums were recorded with Art Blakey, Donald Byrd, Paul Chambers, Sonny Clark, Kenny Dorham, Art Farmer, Bill Hardman, Milt Jackson, Philly Joe Jones, Wynton Kelly, Lee Morgan, Charlie Persip, Jimmy Rowser, Horace Silver, Art Taylor, Bobby Timmons, Wilbur Ware, and Doug Watkins.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Brass Shout is an album by trumpeter Art Farmer, featuring a brass ensemble arranged and conducted by Benny Golson. Recorded in 1959, the album was originally released on the United Artists label.
Benny Golson and the Philadelphians is an album by saxophonist Benny Golson which was recorded in November and December 1958. Originally released on the United Artists label, the album was re-issued in 1998 on the Blue Note label with four additional bonus tracks.
Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.
Drums Around the World is the second album led by American jazz drummer Philly Joe Jones. It was recorded in 1959 and released on the Riverside label.
Chet Baker in New York is an album by trumpeter Chet Baker recorded in 1958 and released on the Riverside label early the following year. The album includes a Benny Golson composition, "Fair Weather", that is not to be confused with a Kenny Dorham song of the same name that Baker recorded in 1986 for the Round Midnight soundtrack album.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
