Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title composition was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands."
Blue Haze is a compilation album of tracks recorded in 1953 and 1954 by Miles Davis for Prestige Records.
A Night at Birdland Vol. 1 is a 1954 release by jazz artist Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell. It was first released by Blue Note Records as a 10" LP and then as a 12" LP containing material from the second 10" album. It was reissued for the first time on CD in 1987 with two additional tracks, previously released on a 2 LP Compilation in 1975 called Live Messengers (BN-LA473-J2). The CD was reissued again in 2001 as an "RVG Edition" remastered by Rudy Van Gelder with the tracks in a different order. The 1987 CD used the second 12" LP cover, the 2001 CD revived the original 10" LP cover.
A Night at Birdland Vol. 2 is a 1954 release by jazz drummer Art Blakey, and a quintet which featured Clifford Brown, Lou Donaldson, Horace Silver and Curley Russell. It was first released by Blue Note Records as a 10" LP. Two years later, the three 10" LPs in the set were reissued as 2 12" LPs; the 12" Vol. 2 is BLP 1521. Two of the three tracks of the original 10" Vol. 2 were included in the 12" Vol. 1. The 12" Vol. 2 incorporates all three tracks from the 10" A Night at Birdland Vol. 3 plus a previously unreleased alternate take of "Quicksilver."
"Song for My Father" is a composition by Horace Silver. The original version, on the album of the same title by Silver's quintet, was recorded on October 26, 1964. It has become a jazz standard and is probably Silver's best-known composition. According to Silver, the song was "in part inspired by our Brazilian trip. We got the Brazilian rhythm for this tune from that trip, and the melodic line was inspired by some very old Cape Verdean Portuguese folk music.".
Inner Urge is an album by jazz saxophonist Joe Henderson released in 1966, the fourth recorded as a leader for Blue Note Records. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on November 30, 1964. It features Henderson playing tenor sax, along with pianist McCoy Tyner and drummer Elvin Jones. The album's bass player, Bob Cranshaw, was a regular member of Sonny Rollins' band at the time of the recording, and was also a frequent session musician for record labels including Blue Note, Prestige and Atlantic.
Blowin' the Blues Away is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Eugene Taylor, and Louis Hayes.
Horace Silver and the Jazz Messengers is a 1956 repackage of 1954 and 1955 releases by jazz pianist Horace Silver with drummer Art Blakey as well as Hank Mobley on saxophone, Kenny Dorham on trumpet, and Doug Watkins on bass. By the time of this repackage, this quintet had named themselves the Jazz Messengers, and the band name on the re-release reflected that. These recordings helped establish the hard bop style. Scott Yanow on Allmusic describes it as "a true classic". Originally released as an LP, the album has subsequently been reissued on CD several times.
Sonny Rollins, Vol. 2 is a jazz album by Sonny Rollins. It was released in 1957 on Blue Note Records, catalogue BLP 1558. It is noted for the appearance of pianists Thelonious Monk and Horace Silver, both playing on the Monk composition "Misterioso". Monk also plays on his composition "Reflections", while Silver handles the piano duties on all the other tracks.
6 Pieces of Silver is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. "Señor Blues" officially put Horace Silver on the map". The front cover photograph was taken at Central Park West, Upper West Side.
Finger Poppin' with the Horace Silver Quintet is an album by jazz pianist Horace Silver released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Louis Hayes.
Doin' the Thing is a live album by jazz pianist Horace Silver, released on the Blue Note label in 1961. It was the only live album released featuring the "classic" Horace Silver Quintet.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
When Farmer Met Gryce is an album by trumpeter Art Farmer and saxophonist Gigi Gryce, featuring performances recorded in 1954 and 1955 and released on the Prestige label.
Portrait of Art Farmer is an album by trumpeter Art Farmer featuring performances recorded in 1958 and released on the Contemporary label. It was recorded when Farmer was adjusting to moving from Horace Silver's band, where he received a high level of rhythmic and harmonic support from the rhythm section, to Gerry Mulligan's quartet, where there was no piano and only light backing.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
That's How I Love the Blues! is an album by American jazz vocalist Mark Murphy featuring tracks recorded in late 1962 for the Riverside label.
The Art Farmer Quintet Plays the Great Jazz Hits is an album by Art Farmer's Quintet recorded in 1967 and originally released on the Columbia label.
If You're Not Part of the Solution, You're Part of the Problem is the eleventh album by American jazz tenor saxophonist Joe Henderson. It was rereleased in 2004 as At the Lighthouse, with an alternative album cover listing the personnel in place of the original title and several extra tracks.
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