The Jody Grind | ||||
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Studio album by | ||||
Released | Early March 1967 [1] | |||
Recorded | November 2 & 23, 1966 | |||
Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
Genre | Jazz | |||
Length | 39:39 | |||
Label | Blue Note BST 84250 | |||
Producer | Alfred Lion | |||
Horace Silver chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | |
The Penguin Guide to Jazz | [2] |
The Jody Grind is a 1966 recording by Horace Silver featuring both a quintet and a sextet. Released the following year on his longtime label Blue Note, it peaked No. 8 of the Billboard jazz album charts. [3] As one of his "groove-centered" recordings it would "wind up as possibly the most challenging", Steve Huey writes on Allmusic, and gave "one of the most underappreciated" of Silver's albums 4½ stars. [4]
All tracks composed by Horace Silver
Recorded on November 2 (#1, 3, 6) and 23 (#2, 4–5), 1966.
Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
The Crusaders were an American jazz group that was successful from the 1960s to the 1990s. The group was known as the Jazz Crusaders from its formation in 1960 until shortening its name in 1971. The Crusaders were comfortable playing a wide assortment of genres, from straight ahead jazz, to urban R&B, to R&B-based jazz, to even blues.
Song for My Father is a 1965 album by the Horace Silver Quintet, released on the Blue Note label in 1965. The album was inspired by a trip that Silver had made to Brazil. The cover artwork features a photograph of Silver's father, John Tavares Silver, to whom the title composition was dedicated. "My mother was of Irish and Negro descent, my father of Portuguese origin," Silver recalls in the liner notes: "He was born on the island of Maio, one of the Cape Verde Islands."
The Cape Verdean Blues is a 1966 album by a jazz quintet led by pianist Horace Silver. The quintet is augmented on the last three tracks on the album by trombonist J. J. Johnson. The album was inspired by Silver's father, John Tavares Silva, who was born in Cape Verde.
Mingus Ah Um is a studio album by American jazz musician Charles Mingus, released in October 1959 by Columbia Records. It was his first album recorded for Columbia. The cover features a painting by S. Neil Fujita. The title is a corruption of an imaginary Latin declension. It is common for Latin students to memorize Latin adjectives by first saying the masculine nominative, then the feminine nominative ("-a"), and finally the neuter nominative singular ("-um"). The album was inducted into the Grammy Hall of Fame in 2013.
Love and Peace: A Tribute to Horace Silver is a 1995 studio album by Dee Dee Bridgewater, recorded in tribute to Horace Silver.
Blowin' the Blues Away is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Eugene Taylor, and Louis Hayes.
Nica's Tempo is the most common latter-day title of an album by the Gigi Gryce Orchestra and Quartet, recorded and first released in late 1955. The title track is a reference to Nica de Koenigswarter a.k.a. "The Bebop Baroness" or "The Jazz Baroness", a patron of jazz musicians such as Thelonious Monk and Charlie Parker.
Further Explorations by the Horace Silver Quintet is an album by jazz pianist Horace Silver, released on the Blue Note label in 1958 and containing performances by Silver with Art Farmer, Clifford Jordan, Teddy Kotick, and Louis Hayes. The AllMusic review by Steve Leggett awards the album 4 stars and states: "Further Explorations is a solid, even striking outing, and if it isn't maybe quite as flashy as some of its predecessors, it is no less substantive and revealing."
6 Pieces of Silver is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. "Señor Blues" officially put Horace Silver on the map". The front cover photograph was taken at Central Park West, Upper West Side.
Horace-Scope is an album by jazz pianist Horace Silver released on the Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
The Tokyo Blues is an album by jazz pianist Horace Silver released on the Blue Note label in 1962, featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and John Harris Jr. The AllMusic review awarded the album 4 stars.
Silver's Serenade is an album by jazz pianist Horace Silver released on the Blue Note label in 1963 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
In Pursuit of the 27th Man is an album by jazz pianist Horace Silver released on the Blue Note label in 1973, featuring performances by Silver with David Friedman, Randy Brecker, Michael Brecker, Bob Cranshaw, and Mickey Roker.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
Live at Newport '58 is a live album by jazz pianist Horace Silver. The album was recorded on July 6, 1958 at the Newport Jazz Festival. Blue Note Records released the album in 2008. It is one of the few officially released live albums with Silver as bandleader.
When Farmer Met Gryce is an album by trumpeter Art Farmer and saxophonist Gigi Gryce, featuring performances recorded in 1954 and 1955 and released on the Prestige label.
Down Home is the third album by the double bass player and cellist Sam Jones, recorded in 1962 and released on the Riverside label.
This is a discography of the recordings of Horace Silver, an American hard bop jazz pianist. His major discography consists of 36 studio albums, 3 live albums and 7 compilations.
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