Blackstone Legacy | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1971 | |||
Recorded | December 8 & 9, 1970 A & R Studios, New York City | |||
Genre | Post-bop, jazz fusion | |||
Length | 78:17 | |||
Label | Contemporary S 7627/8 | |||
Producer | Lester Koenig | |||
Woody Shaw chronology | ||||
|
Blackstone Legacy is the debut album by trumpeter Woody Shaw recorded in 1970 and released on the Contemporary label. [1] [2]
Moved by the highly charged political sensibilities among creative artists during the latter part of the 1960s and early 1970s, Shaw's message for Blackstone Legacy spoke to the social and political ills of his time. In the liner notes to Blackstone Legacy, Shaw states:
In the liner notes on the original LP release, Shaw told writer Nat Hentoff that the album came about when John Koenig, son of Contemporary Records owner Lester Koenig, saw Shaw playing with Joe Henderson at the Lighthouse Café in late September, 1970, while Henderson was recording his album If You're Not Part of the Solution, You're Part of the Problem. John Koenig encouraged his father to see the Henderson band the following evening, which Lester Koenig did. The label head was impressed by Shaw's playing and offered to record Shaw and give him complete creative control over his backing musicians and music. Shaw, who did not have his own band at the time, recruited two members of the Henderson band who played on If You're Not Part of the Solution, pianist George Cables and drummer Lenny White. To complete the group, Shaw chose three musicians who had worked for Miles Davis in the four years preceding the recording: bassist Ron Carter, and reed players Bennie Maupin and Gary Bartz. Show also hired bassist Clint Houston for the sessions, and four of the six tracks on the album feature both Carter and Houston playing bass. Shaw's album was recorded in New York City on December 8–9, about ten weeks after the Henderson band played its Lighthouse Café residency.
Review scores | |
---|---|
Source | Rating |
Allmusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Penguin Guide to Jazz Recordings | [5] |
Michael G. Nastos of Allmusic called the album, "Truly a landmark recording, and a pivot point in the history of post-modern music". [3]
All compositions by Woody Shaw except as indicated
Woody Herman Shaw Jr. was an American jazz trumpeter, flugelhornist, cornetist, composer, arranger, band leader, and educator. Shaw is widely known as one of the 20th century's most important and influential jazz trumpeters and composers. He is often credited with revolutionizing the technical and harmonic language of modern jazz trumpet playing, and is regarded by many as one of the major innovators of the instrument. He was an acclaimed virtuoso, mentor, and spokesperson for jazz and worked and recorded alongside many of the leading musicians of his time.
Bennie Maupin is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.
George Andrew Cables is an American jazz pianist and composer.
The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972. It is the second album in his Mwandishi period, which saw him experimenting in electronics and funk with a sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. The album is the band's first to feature synthesizer player Patrick Gleeson. He was scheduled to "set up his Moog for Hancock to play." However, Hancock was so impressed with Gleeson that he "asked Gleeson not only to do the overdubs on the album but join the group."
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
Clinton Joseph Houston was an American jazz double-bassist.
Sundance is a studio album by jazz pianist Chick Corea, recorded over three days in May of 1969 and released on Groove Merchant in February 1972. The album Is included material from the same sessions. The album features a septet with trumpeter Woody Shaw, tenor saxophonist Bennie Maupin, flautist Hubert Laws, bassist Dave Holland and drummers Jack DeJohnette and Horace Arnold.
Expansions is the tenth album by jazz pianist McCoy Tyner and his fourth released on the Blue Note label. It was recorded in August 1968 and features performances by Tyner with trumpeter Woody Shaw, alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, bassist Herbie Lewis and drummer Freddie Waits.
Lift Every Voice is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 and released on the Blue Note label in 1970. The original album features Hill with a large choir performing five original compositions and the 2001 CD reissue added six additional compositions recorded in 1970 as bonus tracks.
Is is the third studio album by Chick Corea, recorded over three days in May of 1969 and released on Solid State Records later that year. The album features a septet with trumpeter Woody Shaw, tenor saxophonist Bennie Maupin, flautist Hubert Laws, bassist Dave Holland and drummers Jack DeJohnette & Horace Arnold.
Mosaic Select 16: Andrew Hill is a compilation album by American pianist Andrew Hill. Except for six tracks, issued on One for One in 1975, it features previously unreleased pieces originally recorded for Blue Note Records.
Song of Songs is the second album led by trumpeter Woody Shaw which was recorded in 1972 and released on the Contemporary label.
Rosewood is an album led by trumpter Woody Shaw, recorded in 1977 and released on the Columbia label in 1978.
Stepping Stones: Live at the Village Vanguard is a live album led by trumpeter Woody Shaw which was recorded at the Village Vanguard in 1978 and released on the Columbia label in 1979.
Woody III is an album by trumpeter Woody Shaw which was recorded in 1979 and released on the Columbia label.
If You're Not Part of the Solution, You're Part of the Problem is the eleventh album by American jazz tenor saxophonist Joe Henderson. It was rereleased in 2004 as At the Lighthouse, with an alternative album cover listing the personnel in place of the original title and several extra tracks. Henderson’s live band includes trumpeter Woody Shaw, keyboardist George Cables, bassist Ron McClure, tumbador Tony Waters and drummer Lenny White.
Realization is the debut album by American jazz trumpeter Eddie Henderson recorded in 1973 and released on the Capricorn label.
Shared Secrets is an album by pianist George Cables that was recorded in 2001 and released by the MuseFX label.
Early Reflections is an album by multi-instrumentalist Bennie Maupin. It was recorded in Warsaw, Poland, in September 2007, and was released in 2008 by Cryptogramophone Records. On the album, Maupin is joined by an ensemble of Polish musicians featuring pianist Michal Tokaj, bassist Michal Baranski, and drummer Lukasz Zyta. Vocalist Hania Chowaniec-Rybka also appears on two tracks. Maupin met the players while performing in Poland, and invited them to record with him.