Anthenagin | ||||
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Studio album by Art Blakey and the Jazz Messengers | ||||
Released | 1973 | |||
Recorded | March 26–29, 1973 | |||
Studio | Fantasy Studios, Berkeley, California | |||
Genre | Jazz | |||
Label | Prestige PR 10076 | |||
Producer | Orrin Keepnews | |||
Art Blakey and the Jazz Messengers chronology | ||||
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Anthenagin is an album by drummer Art Blakey and The Jazz Messengers recorded in 1973 and released on the Prestige label. [1] [2]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz Record Guide | ![]() ![]() ![]() ![]() ![]() |
Allmusic awarded the album 4½ stars stating "Despite Walton's occasional electric keyboards, this date returns to the feel of the earlier Jazz Messengers recordings". [3]
All compositions by Cedar Walton except where noted.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled "Free Fall".
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23-24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
Mosaic is a 1961 jazz album released by Art Blakey & the Jazz Messengers on Blue Note Records. The album's performers included: Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
Buhaina's Delight is a jazz album released by Art Blakey and the Jazz Messengers in 1963. Produced by Alfred Lion, the album was recorded in two sessions on November 28, 1961 and December 18, 1961 at the Rudy Van Gelder Studio in Englewood Cliffs, New Jersey. The album was released by Blue Note Records in July 1963 after Blakey had moved to Riverside Records in late 1962.
Originally is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956 and but not released on the Columbia label until 1982. The album features unreleased tracks from the sessions that produced The Jazz Messengers and Hard Bop which have since been released as bonus tracks on those albums and Drum Suite.
Thinking of Home is an album by jazz saxophonist Hank Mobley recorded on July 31, 1970 but not released by the Blue Note label until 1980. It features performances by Mobley with Woody Shaw, Cedar Walton, Eddie Diehl, Mickey Bass, and Leroy Williams and was Mobley's final recordings for Blue Note, and his 26th album on the label.
Kwanza is an album by Archie Shepp released on Impulse! in 1974. The album contains tracks recorded from September 1968 to August 1969 by Shepp with four different ensembles.
Kyoto is an album by Art Blakey's Jazz Messengers, recorded in 1964 and released on the Riverside label.
Buhaina is an album by drummer Art Blakey and The Jazz Messengers recorded in 1973 and released on the Prestige label. The name comes from the name Blakey took for himself after conversion to Islam.
Child's Dance is an album by drummer Art Blakey and The Jazz Messengers recorded in 1972 and released on the Prestige label.
Buttercorn Lady is a live album by drummer Art Blakey's New Jazz Messengers recorded at The Lighthouse jazz club in 1966 and originally released that year on the Limelight label. The album is notable for being the first commercial recording featuring pianist Keith Jarrett, who had joined Blakey's band a few months earlier.
Backgammon is an album by drummer Art Blakey and The Jazz Messengers recorded in 1976 and released on the Roulette label.
In My Prime Vol. 1 is an album by drummer Art Blakey and the Jazz Messengers recorded in 1977 and released on the Dutch Timeless label.
In This Korner is a live album by drummer Art Blakey and the Jazz Messengers recorded at the Keystone Korner in San Francisco in 1978 and released on the Concord Jazz label.
Reflections in Blue is an album by drummer Art Blakey and the Jazz Messengers recorded in 1978 in the Netherlands and released on the Dutch Timeless label.
Album of the Year is an album by drummer Art Blakey and the Jazz Messengers recorded in 1981 in Paris and released on the Dutch Timeless label. A 2015 re-issue on the Japanese "Solid Records" label offers two additional tracks recorded in 1982 with a different line up including Terrence Blanchard, Donald Harrison and Johnny O'Neal.
Straight Ahead is a live album by drummer Art Blakey and The Jazz Messengers recorded at the Keystone Korner in San Francisco in 1981 and released on the Concord Jazz label.
Live at Montreux and Northsea is an album by drummer Art Blakey and The Jazz Messengers Big Band recorded in 1980 at the Montreux Jazz Festival in Switzerland and released on the Dutch Timeless label.
Killer Joe is an album by drummer Art Blakey with Japanese drummer George Kawaguchi recorded in 1981 and originally released on the Japanese Union Jazz label but later released on Storyville in the US.
Golden Boy is a 1963 album by Art Blakey and the Jazz Messengers, performing compositions by Lee Adams and Charles Strouse written for the Broadway musical Golden Boy. The LP was originally released on the Colpix label.