Triple Threat (Jimmy Heath album)

Last updated

Triple Threat
Triple Threat (Jimmy Heath album).jpg
Studio album by
Jimmy Heath
Released1962
RecordedJanuary 4 & 7, 1962
New York City
Genre Jazz
Length37:09
Label Riverside
RLP 400
Jimmy Heath chronology
The Quota
(1961)		Triple Threat
(1962)		 Swamp Seed
(1963)

Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label. [1]

Contents

Recording

Triple Threat was a follow-up of Heath's 1961 album The Quota and used the same band. [2] [3] The Penguin Guide to Jazz Recordings considers the lineup, which features Heath's brothers Percy and Albert, a "dry-run" for their later Heath Brothers records. [4] The album was recorded over two sessions in January 1962. Freddie Hubbard and Julius Watkins were not present for the second session when "The More I See You" was recorded. [5]

The song "Gemini" was written for Heath's daughter, Roslyn, whose star sign it was. [2]

The album title was an allusion to Heath's own status as a "triple threat": musician, arranger and composer. [6] In the album liner notes, Ira Gitler described Heath in the following way:

The triple threat in football must pass, punt, and run on a high level. Musically, Jimmy Heath approximates this by his composing, arranging and playing, all of which are ably and amply demonstrated here. [7]

Release and reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [8]
The Penguin Guide to Jazz Recordings Star full.svgStar full.svgStar full.svgStar half.svg [4]

Cannonball Adderley recorded his own version of "Gemini" only 10 days after Heath's recording. [6] Shortly beforeTriple Threat was released in 1962, Adderley released a record featuring his version which somewhat overshadowed Heath's recording. [9]

Scott Yanow of Allmusic says, "The arrangements of Heath uplift the straightahead music and make each selection seem a bit special". [8] Billboard described the album as one of Heath's best sessions, praising his playing and the "directness, individuality and strength" of the compositions. [10]

In his autobiography, Heath, a Philadelphian, recalls his pride that he was gaining recognition in his hometown upon reading a positive review of the album in the Philadelphia Daily News . [2]

Track listing

All compositions by Jimmy Heath except as indicated

  1. "Gemini" - 6:09
  2. "Bruh Slim" - 5:16
  3. "Goodbye" (Gordon Jenkins) - 7:04
  4. "Dew and Mud" - 5:01
  5. "Make Someone Happy" (Jule Styne, Betty Comden, Adolph Green) - 3:41
  6. "The More I See You" (Harry Warren, Mack Gordon) - 4:18
  7. "Prospecting" - 5:40

Personnel

References

  1. ↑ Riverside Records discography accessed October 23, 2012
  2. 1 2 3 Heath, Jimmy (2010). I walked with giants : the autobiography of Jimmy Heath. Joseph McLaren. Philadelphia: Temple University Press. pp. 123–124. ISBN   978-1-4399-0200-4. OCLC   701719409.
  3. ↑ Yanow, Scott (2000). Bebop. San Francisco: Miller Freeman Books. pp. 116–117. ISBN   978-0-87930-608-3.
  4. 1 2 Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 679. ISBN   978-0-141-03401-0.
  5. ↑ Cherrington, George (1963). Jazz catalogue 1963. The Archive of Contemporary Music. London: Jazz Journal LTD. p. 86.
  6. 1 2 Ullman, M. (May 2020). "The jazz column". Fanfare. 43: 528–535.
  7. ↑ Ira Gitler, liner notes for Jimmy Heath, Triple Threat (1962), LP, Riverside Records RPL-9400
  8. 1 2 Yanow, S. Allmusic Review accessed October 23, 2012
  9. ↑ Nelson, Nels (July 25, 1962). "Jimmy Heath, It's Connections, Not Work". Philadelphia Daily News. p. 39.
  10. ↑ Billboard. April 21, 1962. p. 39.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.