Edward Lee Morgan was an American jazz trumpeter and composer.
Jymie Merritt was an American jazz double-bassist, electric-bass pioneer, band leader and composer. Merritt was a member of Art Blakey's Jazz Messengers group from 1957 until 1962. The same year he left Blakey's band, Merritt formed his own group, The Forerunners, which he led sporadically until his death in 2020. Merritt also worked as a sideman for blues and jazz musicians such as Bull Moose Jackson, B.B. King, Chet Baker, Max Roach, Dizzy Gillespie, and Lee Morgan.
Edward Haydn Higgins was an American jazz pianist, composer, and orchestrator. His performance and composition in 1959's "Cry of Jazz" is preserved in the Library of Congress' National Film Registry.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins.
The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers, recorded in 1961 and released in 1964 by Blue Note Records. Continuing Blakey's distinct brand of hard bop, this album features compositions from Wayne Shorter, Lee Morgan, Blakey himself, and Kenny Dorham, a former Jazz Messenger. This was the final album by this particular edition of the Jazz Messengers, who had been together for 18 months, as Lee Morgan left after this album and was replaced by Freddie Hubbard.
Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
Takin' Off is the debut album by jazz pianist Herbie Hancock released in 1962 by Blue Note Records. Featuring veteran tenor saxophonist Dexter Gordon, trumpeter Freddie Hubbard, bassist Butch Warren and drummer Billy Higgins. The album is a creative example of music in the hard bop idiom. The bluesy track "Watermelon Man" made it to the Top 100 of the singles charts, and went on to become a jazz standard. Hancock released a funk arrangement of “Watermelon Man” on his 1973 album Head Hunters. Takin' Off was initially released on CD in 1996 and then again in remastered form in 2007 by Rudy Van Gelder.
The All Seeing Eye is the ninth jazz album by saxophonist Wayne Shorter, recorded on October 15, 1965, and released on the Blue Note label as BLP 4219 and BST 84219 in 1966. The album features performances by Shorter with trumpeter Freddie Hubbard, trombonist Grachan Moncur III, alto saxophonist James Spaulding, pianist Herbie Hancock, bassist Ron Carter and drummer Joe Chambers. Shorter's brother, Alan composed and plays fluegelhorn on the final track, “Mephistopheles”. The AllMusic review by Scott Yanow states: "it is clear from the start that the music on this CD reissue is not basic bop and blues... the dramatic selections, and their brand of controlled freedom has plenty of subtle surprises. This is stimulating music that still sounds fresh over three decades later".
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23–24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
Mosaic is a studio album by Art Blakey and the Jazz Messengers, released in January 1962 through Blue Note Records. The album's performers included Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
Buhaina's Delight is a jazz album released by Art Blakey and the Jazz Messengers in 1963. Produced by Alfred Lion, the album was recorded in two sessions on November 28, 1961 and December 18, 1961 at Van Gelder Studio in Englewood Cliffs, New Jersey. The album was released by Blue Note Records in July 1963 after Blakey had moved to Riverside Records in late 1962.
Three Blind Mice is a 1962 jazz album released by Art Blakey and The Jazz Messengers on the United Artists Jazz label, featuring live material recorded in 1962 Club Renaissance, Hollywood. It was reissued later in 1962 in two volumes by Blue Note Records, adding two tracks recorded in 1961 at The Village Gate and also unreleased material from the primary session. It was bassist Jymie Merritt's final recording with the group before having to leave to recover from an illness; he would be replaced by Reggie Workman.
The Soothsayer is the seventh album by Wayne Shorter, recorded in 1965, but not released on Blue Note until 1979. The album features five originals by Shorter and an arrangement of Jean Sibelius' "Valse Triste". The featured musicians are trumpeter Freddie Hubbard, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Ron Carter and drummer Tony Williams.
The Witch Doctor is an album by American jazz drummer and bandleader Art Blakey and his group The Jazz Messengers recorded on March 14, 1961 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Like Someone in Love is an album by Art Blakey and The Jazz Messengers. It was recorded in August 1960, at the same sessions which produced A Night in Tunisia, but was released on Blue Note only in August 1967. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
The Big Beat is an album by Art Blakey and his group The Jazz Messengers recorded on March 6, 1960 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.
Here to Stay is a studio album by American jazz trumpeter Freddie Hubbard recorded on December 27, 1962 but not released on the Blue Note label until 1976 as BN-LA 496-2. It features performances by Hubbard, Cedar Walton, Reggie Workman, Philly Joe Jones, and Wayne Shorter.
Soul Trombone is an album by American jazz trombonist Curtis Fuller featuring performances recorded in 1961 for the Impulse! label.
Drums Unlimited is an album by American jazz drummer Max Roach recorded in 1965 and 1966 and released on the Atlantic label.
Members, Don't Git Weary is an album by American jazz drummer Max Roach recorded in 1968 and released on the Atlantic label.
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