Modal jazz is jazz that makes use of musical modes often modulating among them to accompany the chords instead of relying on one tonal center used across the piece. Although precedents exist, modal jazz was crystallized as a theory by composer George Russell in his 1953 book Lydian Chromatic Concept of Tonal Organization.
Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Elvin Ray Jones was an American jazz drummer of the post-bop era. He showed an interest in drums at a young age, watching the circus bands march by his family's home in Pontiac, Michigan. He served in the United States Army from 1946 to 1949 and subsequently played in a Detroit house band led by Billy Mitchell. He moved to New York City in 1955 and worked as a drummer for John Coltrane, Charles Mingus, Teddy Charles, Bud Powell and Miles Davis.
Speak No Evil is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz. The cover shows Wayne Shorter's first wife, Teruko (Irene) Nakagami, whom he met in 1961.
The Coltrane Legacy is a compilation album credited to jazz musician John Coltrane, released in 1970 on Atlantic Records, catalogue SD 1553. Issued posthumously, it consists of outtakes from recording sessions which yielded the albums Olé Coltrane, Coltrane Plays the Blues, Coltrane's Sound, and Bags & Trane. All selections were previously unreleased.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, released by Blue Note Records in 1963. Besides Henderson, the musicians for the album were trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The album's tracks were all written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: "Recorda Me" by Henderson and "Blue Bossa" by Dorham. All the musicians but Tyner are credited are on the album's front cover; Tyner is listed simply as "etc.", because he was signed to the rival Impulse! Records label.
Night Dreamer is the fourth album by American jazz saxophonist Wayne Shorter. It was released in November 1964 by Blue Note Records. With a quintet that includes trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones, Shorter performed six of his originals on this April 29 session.
Caravan is a jazz album released by Art Blakey and the Jazz Messengers in February 1963. It was Blakey's first album for Riverside Records after he signed with them in October 1962. The songs were recorded at the Plaza Sound Studio in New York City, on October 23–24, 1962 The producer was Orrin Keepnews who also supervised the album's remastered re-release on CD.
The Soothsayer is the seventh album by Wayne Shorter, recorded in 1965, but not released on Blue Note until 1979. The album features five originals by Shorter and an arrangement of Jean Sibelius' "Valse Triste". An additional take of "Angola" was added to later CD releases.
Open Sesame is the debut album by trumpeter Freddie Hubbard released on the Blue Note label in 1960 as BST 84040. It features performances by Hubbard, Tina Brooks, McCoy Tyner, Sam Jones and Clifford Jarvis. It was remastered in 2001 by Rudy Van Gelder.
Goin' Up is an album by trumpeter Freddie Hubbard released on the Blue Note label in 1961. It features performances by Hubbard, Hank Mobley, McCoy Tyner, Paul Chambers and Philly Joe Jones.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
In 'n Out is the third album by jazz saxophonist Joe Henderson released on the Blue Note label. It was recorded on April 10, 1964 and features performances by Henderson with Kenny Dorham, McCoy Tyner, Richard Davis and Elvin Jones.
McCoy Tyner Plays Ellington is the sixth album by jazz pianist McCoy Tyner. It was recorded in December 1964 and released on the Impulse! label in 1965. It features performances by Tyner with Jimmy Garrison and Elvin Jones, with Latin percussion added on four of the tracks. It would be Tyner's last effort for the label, before signing with Blue Note.
Expansions is the tenth album by jazz pianist McCoy Tyner and his fourth released on the Blue Note label. It was recorded in August 1968 and features performances by Tyner with Woody Shaw, Gary Bartz, Wayne Shorter, Ron Carter, Herbie Lewis, and Freddie Waits.
Extensions is an album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970 and released in January 1973. It features performances by Tyner with Gary Bartz, Wayne Shorter, Ron Carter, Elvin Jones, and has Alice Coltrane on three of the four tracks.
Together is a 1979 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in August and September 1978 and features performances by Tyner with Freddie Hubbard, Hubert Laws, Bennie Maupin, Bobby Hutcherson, Stanley Clarke, Jack DeJohnette and Bill Summers.
Quartets 4 X 4 is a 1980 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in March and May 1980 by Tyner with bassist Cecil McBee and Al Foster on drums featuring Freddie Hubbard, John Abercrombie, Bobby Hutcherson and Arthur Blythe each for one side of the original double LP. The album was digitally remastered and first issued on a single CD in 1993.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Illumination! is a 1964 album by the Elvin Jones/Jimmy Garrison Sextet.
