| New Colors | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | April 24, 2001 | |||
| Recorded | October 18–December 4, 2000 | |||
| Genre | Jazz | |||
| Label | Hip Bop Essence | |||
| Producer | Yusuf Gandhi, Reynold da Silva, Freddie Hubbard | |||
| Freddie Hubbard chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Penguin Guide to Jazz Recordings |  [2] |
New Colors is an album by jazz musician Freddie Hubbard recorded in 2000 and released on the Hip Bop Essence label in 2001. [3]
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
Consummation is an album by the Thad Jones/Mel Lewis Jazz Orchestra. It was released in 1970 on Blue Note Records and re-released in 2002. It was recorded at A&R Studios in New York City. The album was nominated for a 1970 Grammy award in the "Best Jazz Performance - Large Group..." category. All tracks were included in Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.
April in Paris is an album by pianist/bandleader Count Basie and His Orchestra, his first released on the Verve label, recorded in 1955 and 1956.
One Night with Blue Note is a 1985 feature length jazz film directed by John Charles Jopson.
The All Seeing Eye is the ninth jazz album by saxophonist Wayne Shorter, recorded on October 15, 1965, and released on the Blue Note label as BLP 4219 and BST 84219 in 1966. The album features performances by Shorter with trumpeter Freddie Hubbard, trombonist Grachan Moncur III, alto saxophonist James Spaulding, pianist Herbie Hancock, bassist Ron Carter and drummer Joe Chambers. Shorter's brother, Alan composed and plays fluegelhorn on the final track, “Mephistopheles”. The AllMusic review by Scott Yanow states: "it is clear from the start that the music on this CD reissue is not basic bop and blues... the dramatic selections, and their brand of controlled freedom has plenty of subtle surprises. This is stimulating music that still sounds fresh over three decades later".
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label. It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.
High Blues Pressure is an album by trumpeter Freddie Hubbard. It was his second release on the Atlantic label and features performances by Hubbard, James Spaulding, Bennie Maupin, Herbie Lewis, Roman "Dog" Broadus, Weldon Irvine, Kenny Barron, Freddie Waits, Louis Hayes, Howard Johnson, and Kiane Zawadi.
On the Real Side is the final studio album recorded by American jazz musician Freddie Hubbard. The album was recorded in 2007 in Englewood, NJ to celebrate his 70th birthday in 2008 and released on the Times Square label in the same year as his milestone birthday and his subsequent death in the winter.
Big Band is a 1997 album by the jazz saxophonist Joe Henderson, the fourth of the five albums he recorded with Verve Records at the end of his career. As the title suggests, it contains arrangements for a full big band.
MMTC: Monk, Miles, Trane & Cannon is an album by trumpeter Freddie Hubbard recorded in August 1994 and January 1995 and released on the MusicMasters label. It features performances by Hubbard, Javon Jackson, Vincent Herring, Gary Smulyan, Stephen Scott, Peter Washington and Carl Allen. The album combines Hubbard's tributes to jazz legends with compositions by John Coltrane, Charles Lloyd, Thelonious Monk and Miles Davis as well as Cannonball Adderley.
Afro/American Sketches is a jazz album by Oliver Nelson recorded in late 1961 and released in 1962. It is his first big band album as a leader.
Lush Life is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Freddie Hubbard, Garnett Brown, Jerry Dodgion, Wayne Shorter, Pepper Adams, McCoy Tyner, Ron Carter, and Al Harewood performing arrangements by Duke Pearson. Due to the success of Donaldson's Alligator Bogaloo (1967) the album was not released until 1980 in Japan under the title Sweet Slumber and then finally released decades later internationally.
Kansas City 7 is a 1980 studio album by Count Basie.
The Right Touch is the tenth album by American pianist and arranger Duke Pearson featuring performances recorded in 1967 and released on the Blue Note label in 1968.
Basie at Birdland is a 1961 live album by the Count Basie Orchestra that was recorded at Birdland in New York City.
Muses for Richard Davis is the debut album by bassist Richard Davis recorded in 1969 and released on the German MPS label.
The Blues and Other Colors is an album by saxophonist James Moody recorded in 1968 and 1969 and released on the Milestone label.
Shorty Rogers Courts the Count is an album by American jazz trumpeter, composer and arranger Shorty Rogers, released on the RCA Victor label in 1954.
